“Play it fuckin' loud!”

“…so go on and play, and if you make a mistake, make it loud so you won't make it next time.”

“I'm spending nights just dreaming / And playing the music loud / They're banging on the ceiling / They're praying that I'll soon be out.”

“Roger: Well, because you’re guaranteed to see Buddy make some funny faces, you’re guaranteed that Chris will say something that is sort of out of line or inappropriate, and I’m gonna play a bunch of fuckin’ really fast bass licks, it’s gonna be great.”

“Then I learned to play some lead guitar, I was underage in this funky bar
And I stepped outside to smoke myself a j
When I came back to the room, everybody just seemed to move
And I turned my amp up loud and I began to play.”

“The winter wind is loud and wild,
Come close to me, my darling child;
Forsake thy books, and mateless play;
And, while the night is gathering grey,
We'll talk its pensive hours away;”

“OY! Stop playing around and lets cook already!"
*smack*
J-just now, that made a really loud noise.."
Do you wanna hear it again?"
N-no, you'll just hit me again!"
Kyo and Tohru”

“I know what the power of silence is. When I used to play in clubs, everybody was loud; there was a lot of noise. So I would take my mute off the microphone, and I would play something so soft that you could hardly hear it… and you talk about listening. Roy Eldridge did that. He's one of my favorites.”

“In the last sweep of love, they pass over fields
Behind the aerodrome, where boys play all day
Hacking dead grass: whose cries, like wild birds
Settle upon the nearest roofs
But soon are hid under the loud city.”

“The subtlety of Brazilian rhythms comes from the type of instruments used. Afro-Cuban music has a scraper called the güiro which is played with a solid stick producing a loud scraping noise. This same instrument is paralleled in Braziliam music with the reco-reco, the difference being that the reco-reco is much smaller, less resonant, and played with something like a brush. The cabasa is a gourd wrapped in beads that is incapable of extremely loud noise. The same is true of the chocalho or cylinder, and the tambourine. A regular set of drums contrasts this. The result is a light rhythm that, unlike the conga, bongos and timbales of Afro-Cuban music, does not engulf the listener but permeates him. To this is usually added the guitar (unamplified) played finger-style, which completes the subtlety.”