“Fiction is the only way to redeem the formlessness of life”
Source: Essays
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Martin Amis 136
Welsh novelist 1949Related quotes

“Morality and literature,” pp. 161-162
On Science, Necessity, and the Love of God (1968)
Context: It is not only in literature that fiction generates immorality. It does it also in life itself. For the substance of our life is almost exclusively composed of fiction. We fictionalize our future, and, unless we are heroically devoted to truth, we fictionalize our past, refashioning it to our taste. We do not study other people; we invent what they are thinking, saying, and doing. Reality provides us with some raw material, just as novelists often take a theme from a news item, but we envelop it in a fog in which, as in all fiction, values are reversed, so that evil is attractive and good is tedious.

Quote of Richter on his 'Grey Paintings', in a letter to nl:Edy de Wilde, 23 February 1975; as cited on collected quotes on the website of Gerhard Richter: on 'Grey-paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/grey-paintings-9
1970's
Variant: It [grey color] makes no statement whatever... It has the capacity that no other color has, to make 'nothing' visible. To me grey is the welcome and only possible equivalent for indifference, non-commitment, absence of opinion, absence of shape (note 99).... but, grey like formlessness and the rest, can be real only as an idea.... The painting is then a mixture of grey as a fiction and grey as a visible, designated area of color.

Quoted as a 1968 statement of Lennon's in Sunday Tasmanian (29 September 1996), and in The Rough Guide to the Beatles (2003) by Chris Ingham, p. 271, this actually derives from a statement which Lennon perhaps had been quoting:
Were art to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness.
José Ortega y Gasset, in "Art a Thing of No Consequence" in The Dehumanization of Art (1925)
Misattributed

"Art a Thing of No Consequence"
The Dehumanization of Art and Ideas about the Novel (1925)
Context: Were art to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness. The symbol of art is seen again in the magic flute of the Great God Pan which makes the young goats frisk at the edge of the grove.
All modern art begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world.

“The only difference between reality and fiction is that fiction needs to be credible.”

"Richard Wright's Blues" (1945), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 133.