
Addressing facutly and guests at the Indian Institute of Technology (IIT), as part of a program by the National Resource Center for Value Education. New Delhi. (November 7, 2004)
2000s
Addressing facutly and guests at the Indian Institute of Technology (IIT), as part of a program by the National Resource Center for Value Education. New Delhi. (November 7, 2004)
2000s
“It's dangerous, son."
"What's dangerous?"
"When a man goes outside his house to look for peace.”
Source: A Raisin in the Sun: The Unfilmed Original Screenplay
"Reflections on Working Towards Peace" in Architects of Peace: Visions of Hope in Words and Images (2000) edited by Michael Collopy http://www.scu.edu/ethics/architects-of-peace/Bhutto/essay.html
Context: To make peace, one must be an uncompromising leader. To make peace, one must also embody compromise.
Throughout the ages, leadership and courage have often been synonymous. Ultimately, leadership requires action: daring to take steps that are necessary but unpopular, challenging the status quo in order to reach a brighter future.
And to push for peace is ultimately personal sacrifice, for leadership is not easy. It is born of a passion, and it is a commitment. Leadership is a commitment to an idea, to a dream, and to a vision of what can be. And my dream is for my land and my people to cease fighting and allow our children to reach their full potential regardless of sex, status, or belief.
“The poet lights the light and fades away. But the light goes on and on.”
“It is easier to make war than make peace.”
Il est plus facile de faire la guerre que la paix.
"Discours de Paix" [Speech on Peace] Verdun (20 July 1919)
Prime Minister
Source: Motivation and Personality (1954), p. 93.
Context: A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself. What a man can be, he must be. This need we may call self-actualization. This term, first coined by Kurt Goldstein, is being used in this paper in a much more specific and limited fashion. It refers to the desire for self-fulfillment, namely, to the tendency for him to become actualized in what he is potentially. This tendency might be phrased as the desire to become more and more what one is, to become everything that one is capable of becoming.
1920s
Source: 'Consistent Poetry Art', Schwitters' contribution to 'Magazine G', No. 3, 1924, ed. Hans Richter; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, (commissioned by Rudi Fuchs, director of the Stedelijk Museum Amsterdam), NAI Publishers, Rotterdam 2000, p. 151.