Bram Stoker citations

Dracula

Variante: Welcome to my house! Enter freely. Go safely, and leave something of the happiness you bring.
Source: Dracula

Source: Dracula

Variante: The world seems full of good men, even if there are monsters in it.
Source: Dracula

Source: The Jewel of Seven Stars

Source: Dracula

Source: Dracula

Professor Abraham Van Helsing to Dr. John Seward
Source: Dracula (1897)

Source: Dracula

Source: Dracula

Source: Dracula

Source: Dracula

Source: Dracula

Source: Dracula

Source: Dracula

Source: Dracula

Dracula referring to the howling of the wolves to Jonathan Harker.
Dracula (1897)

Source: Dracula

Source: Dracula (1897), Chapter XIV, Dr. Seward's Diary entry for 22 September
Contexte: Van Helsing and I came on here. The moment we were alone in the carriage he gave way to a regular fit of hysterics. He has denied to me since that it was hysterics, and insisted that it was only his sense of humour asserting itself under very terrible conditions. He laughed till he cried, and I had to draw down the blinds lest any one should see us and misjudge; and then he cried, till he laughed again; and laughed and cried together, just as a woman does. I tried to be stern with him, as one is to a woman under the circumstances; but it had no effect. Men and women are so different in manifestations of nervous strength or weakness! Then when his face grew grave and stern again I asked him why his mirth, and why at such a time. His reply was in a way characteristic of him, for it was logical and forceful and mysterious. He said:—
“Ah, you don't comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, ‘I am here.’ Behold, in example I grieve my heart out for that so sweet young girl; I give my blood for her, though I am old and worn; I give my time, my skill, my sleep; I let my other sufferers want that so she may have all. And yet I can laugh at her very grave — laugh when the clay from the spade of the sexton drop upon her coffin and say ‘Thud, thud!’ to my heart, till it send back the blood from my cheek. My heart bleed for that poor boy — that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same. There, you know now why I love him so. And yet when he say things that touch my husband-heart to the quick, and make my father-heart yearn to him as to no other man — not even you, friend John, for we are more level in experiences than father and son — yet even at such a moment King Laugh he come to me and shout and bellow in my ear, ‘Here I am! here I am!’ till the blood come dance back and bring some of the sunshine that he carry with him to my cheek. Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall — all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”

Source: Dracula (1897), Chapter XIV, Dr. Seward's Diary entry for 22 September
Contexte: Van Helsing and I came on here. The moment we were alone in the carriage he gave way to a regular fit of hysterics. He has denied to me since that it was hysterics, and insisted that it was only his sense of humour asserting itself under very terrible conditions. He laughed till he cried, and I had to draw down the blinds lest any one should see us and misjudge; and then he cried, till he laughed again; and laughed and cried together, just as a woman does. I tried to be stern with him, as one is to a woman under the circumstances; but it had no effect. Men and women are so different in manifestations of nervous strength or weakness! Then when his face grew grave and stern again I asked him why his mirth, and why at such a time. His reply was in a way characteristic of him, for it was logical and forceful and mysterious. He said:—
“Ah, you don't comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, ‘I am here.’ Behold, in example I grieve my heart out for that so sweet young girl; I give my blood for her, though I am old and worn; I give my time, my skill, my sleep; I let my other sufferers want that so she may have all. And yet I can laugh at her very grave — laugh when the clay from the spade of the sexton drop upon her coffin and say ‘Thud, thud!’ to my heart, till it send back the blood from my cheek. My heart bleed for that poor boy — that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same. There, you know now why I love him so. And yet when he say things that touch my husband-heart to the quick, and make my father-heart yearn to him as to no other man — not even you, friend John, for we are more level in experiences than father and son — yet even at such a moment King Laugh he come to me and shout and bellow in my ear, ‘Here I am! here I am!’ till the blood come dance back and bring some of the sunshine that he carry with him to my cheek. Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall — all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”

Describing his first meeting of Sir Richard Francis Burton and his wife Isabel, on 13 August 1878, Vol. 1, p. 224
Personal Reminiscences of Henry Irving (1907)
Contexte: I could not but be struck by the strangers. The lady was a big, handsome blonde woman, clever-looking and capable. But the man riveted my attention. He was dark, and forceful, and masterful, and ruthless. I have never seen so iron a countenance. I did not have much time to analyse the face; the bustle of arrival prevented that. But an instant was enough to make up my mind about him. We separated in the carriage after cordial wishes that we might meet again. When we were on the platform, I asked Irving:
"Who is that man?"
"Why," he said, " I thought I introduced you!"
"So you did, but you did not mention the names of the others!" He looked at me for an instant and said inquiringly as though something had struck him:
"Tell me, why do you want to know?"
"Because," I answered, "I never saw any one like him. He is steel! He would go through you like a sword!"
"You are right!" he said. "But I thought you knew him. That is Burton — Captain Burton who went to Mecca!

Professor Van Helsing to Dr. Seward
Dracula (1897)
Contexte: You reason well, and your wit is bold, but you are too prejudiced. You do not let your eyes see nor your ears hear, and that which is outside your daily life is not of account to you. Do you not think that there are things which you cannot understand, and yet which are, that some people see things that others cannot? But there are things old and new which must not be contemplated by men's eyes, because they know, or think they know, some things which other men have told them. Ah, it is the fault of our science that it wants to explain all, and if it explain not, then it says there is nothing to explain. But yet we see around us every day the growth of new beliefs, which think themselves new, and which are yet but the old, which pretend to be young, like the fine ladies at the opera.

Source: Dracula (1897), Chapter XIV, Dr. Seward's Diary entry for 22 September
Contexte: Van Helsing and I came on here. The moment we were alone in the carriage he gave way to a regular fit of hysterics. He has denied to me since that it was hysterics, and insisted that it was only his sense of humour asserting itself under very terrible conditions. He laughed till he cried, and I had to draw down the blinds lest any one should see us and misjudge; and then he cried, till he laughed again; and laughed and cried together, just as a woman does. I tried to be stern with him, as one is to a woman under the circumstances; but it had no effect. Men and women are so different in manifestations of nervous strength or weakness! Then when his face grew grave and stern again I asked him why his mirth, and why at such a time. His reply was in a way characteristic of him, for it was logical and forceful and mysterious. He said:—
“Ah, you don't comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, ‘I am here.’ Behold, in example I grieve my heart out for that so sweet young girl; I give my blood for her, though I am old and worn; I give my time, my skill, my sleep; I let my other sufferers want that so she may have all. And yet I can laugh at her very grave — laugh when the clay from the spade of the sexton drop upon her coffin and say ‘Thud, thud!’ to my heart, till it send back the blood from my cheek. My heart bleed for that poor boy — that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same. There, you know now why I love him so. And yet when he say things that touch my husband-heart to the quick, and make my father-heart yearn to him as to no other man — not even you, friend John, for we are more level in experiences than father and son — yet even at such a moment King Laugh he come to me and shout and bellow in my ear, ‘Here I am! here I am!’ till the blood come dance back and bring some of the sunshine that he carry with him to my cheek. Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall — all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”

Count Dracula to Jonathan Harker
Dracula (1897)

Preface
Personal Reminiscences of Henry Irving (1907)
Contexte: Logically speaking, even the life of an actor has no preface. He begins, and that is all. And such beginning is usually obscure; but faintly remembered at the best. Art is a completion; not merely a history of endeavour. It is only when completeness has been obtained that the beginnings of endeavour gain importance, and that the steps by which it has been won assume any shape of permanent interest. After all, the struggle for supremacy is so universal that the matters of hope and difficulty of one person are hardly of general interest. When the individual has won out from the huddle of strife, the means and steps of his succeeding become of interest, either historically or in the educational aspect — but not before. From every life there may be a lesson to some one; but in the teeming millions of humanity such lessons can but seldom have any general or exhaustive force. The mere din of strife is too incessant for any individual sound to carry far. Fame, who rides in higher atmosphere, can alone make her purpose heard. Well did the framers of picturesque idea understand their work when in her hand they put a symbolic trumpet.

Preface
Personal Reminiscences of Henry Irving (1907)
Contexte: Logically speaking, even the life of an actor has no preface. He begins, and that is all. And such beginning is usually obscure; but faintly remembered at the best. Art is a completion; not merely a history of endeavour. It is only when completeness has been obtained that the beginnings of endeavour gain importance, and that the steps by which it has been won assume any shape of permanent interest. After all, the struggle for supremacy is so universal that the matters of hope and difficulty of one person are hardly of general interest. When the individual has won out from the huddle of strife, the means and steps of his succeeding become of interest, either historically or in the educational aspect — but not before. From every life there may be a lesson to some one; but in the teeming millions of humanity such lessons can but seldom have any general or exhaustive force. The mere din of strife is too incessant for any individual sound to carry far. Fame, who rides in higher atmosphere, can alone make her purpose heard. Well did the framers of picturesque idea understand their work when in her hand they put a symbolic trumpet.

Describing his first meeting of Sir Richard Francis Burton and his wife Isabel, on 13 August 1878, Vol. 1, p. 224
Personal Reminiscences of Henry Irving (1907)
Contexte: I could not but be struck by the strangers. The lady was a big, handsome blonde woman, clever-looking and capable. But the man riveted my attention. He was dark, and forceful, and masterful, and ruthless. I have never seen so iron a countenance. I did not have much time to analyse the face; the bustle of arrival prevented that. But an instant was enough to make up my mind about him. We separated in the carriage after cordial wishes that we might meet again. When we were on the platform, I asked Irving:
"Who is that man?"
"Why," he said, " I thought I introduced you!"
"So you did, but you did not mention the names of the others!" He looked at me for an instant and said inquiringly as though something had struck him:
"Tell me, why do you want to know?"
"Because," I answered, "I never saw any one like him. He is steel! He would go through you like a sword!"
"You are right!" he said. "But I thought you knew him. That is Burton — Captain Burton who went to Mecca!

Professor Van Helsing to Dr. Seward
Dracula (1897)
Contexte: You reason well, and your wit is bold, but you are too prejudiced. You do not let your eyes see nor your ears hear, and that which is outside your daily life is not of account to you. Do you not think that there are things which you cannot understand, and yet which are, that some people see things that others cannot? But there are things old and new which must not be contemplated by men's eyes, because they know, or think they know, some things which other men have told them. Ah, it is the fault of our science that it wants to explain all, and if it explain not, then it says there is nothing to explain. But yet we see around us every day the growth of new beliefs, which think themselves new, and which are yet but the old, which pretend to be young, like the fine ladies at the opera.