Love is Enough (1872), Song VI: Cherish Life that Abideth
Context: Love is enough: cherish life that abideth,
Lest ye die ere ye know him, and curse and misname him;
For who knows in what ruin of all hope he hideth,
On what wings of the terror of darkness he rideth?
And what is the joy of man's life that ye blame him
For his bliss grown a sword, and his rest grown a fire?
William Morris: Quotes about love
William Morris was author, designer, and craftsman. Explore interesting quotes on love.
William Morris:
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Love is Enough (1872), Song I : Though the World Be A-Waning
Context: Love is enough: though the World be a-waning
And the woods have no voice but the voice of complaining,
Though the sky be too dark for dim eyes to discover
The gold-cups and daisies fair blooming thereunder,
Though the hills be held shadows, and the sea a dark wonder,
And this day draw a veil over all deeds passed over,
Yet their hands shall not tremble, their feet shall not falter;
The void shall not weary, the fear shall not alter
These lips and these eyes of the loved and the lover.
Love is Enough (1872), Song IX: Ho Ye Who Seek Saving
Context: Love is enough: ho ye who seek saving,
Go no further; come hither; there have been who have found it,
And these know the House of Fulfilment of Craving;
These know the Cup with the roses around it;
These know the World's Wound and the balm that hath bound it:
Cry out, the World heedeth not, "Love, lead us home!"
Love is Enough (1872), Song II: Have No Thought for Tomorrow
Love is Enough (1872), Song VII: Dawn Talks to Day
Context: Let us speak, love, together some words of our story,
That our lips as they part may remember the glory!
O soft day, O calm day, made clear for our sake!
Love is Enough (1872), Song I : Though the World Be A-Waning
Context: Love is enough: though the World be a-waning
And the woods have no voice but the voice of complaining,
Though the sky be too dark for dim eyes to discover
The gold-cups and daisies fair blooming thereunder,
Though the hills be held shadows, and the sea a dark wonder,
And this day draw a veil over all deeds passed over,
Yet their hands shall not tremble, their feet shall not falter;
The void shall not weary, the fear shall not alter
These lips and these eyes of the loved and the lover.
Love is Enough (1872), Song IX: Ho Ye Who Seek Saving
Context: Come — pain ye shall have, and be blind to the ending!
Come — fear ye shall have, mid the sky's overcasting!
Come — change ye shall have, for far are ye wending!
Come — no crown ye shall have for your thirst and your fasting,
But the kissed lips of Love and fair life everlasting!
Cry out, for one heedeth, who leadeth you home!
“I love art, and I love history, but it is living art and living history that I love…”
"The History of Pattern-Designing" lecture (1882) The Collected Works of William Morris (1910 - 1915) Vol. 22.
Context: I love art, and I love history, but it is living art and living history that I love... It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigour of the earlier world?
“Love is enough: draw near and behold me
Ye who pass by the way to your rest and your laughter”
Love is Enough (1872), Song IV: Draw Near and Behold Me
Context: Love is enough: draw near and behold me
Ye who pass by the way to your rest and your laughter,
And are full of the hope of the dawn coming after;
For the strong of the world have bought me and sold me
And my house is all wasted from threshold to rafter.
— Pass by me, and hearken, and think of me not!
Love is Enough (1872), Song VIII: While Ye Deemed Him A-Sleeping
Context: Love is enough: while ye deemed him a-sleeping,
There were signs of his coming and sounds of his feet;
His touch it was that would bring you to weeping,
When the summer was deepest and music most sweet...
“O Love, set a word in my mouth for our meeting”
Love is Enough (1872), Song VII: Dawn Talks to Day
Context: Dawn talks to Day
Over dew-gleaming flowers,
Night flies away
Till the resting of hours:
Fresh are thy feet
And with dreams thine eyes glistening,
Thy still lips are sweet
Though the world is a-listening.
O Love, set a word in my mouth for our meeting,
Cast thine arms round about me to stay my heart's beating!
O fresh day, O fair day, O long day made ours!
Love is Enough (1872), Song V: Through the Trouble and Tangle
“So I say, if you cannot learn to love real art; at least learn to hate sham art and reject it.”
Speech, London (10 March 1880).
Context: Simplicity of life, even the barest, is not a misery, but the very foundation of refinement: a sanded floor and whitewashed walls, and the green trees, and flowery meads, and living waters outside; or a grimy palace amid the smoke with a regiment of housemaids always working to smear the dirt together so that it may be unnoticed; which, think you, is the most refined, the most fit for a gentleman of those two dwellings?
So I say, if you cannot learn to love real art; at least learn to hate sham art and reject it. It is not because the wretched thing is so ugly and silly and useless that I ask you to cast it from you; it is much more because these are but the outward symbols of the poison that lies within them; look through them and see all that has gone to their fashioning, and you will see how vain labour, and sorrow, and disgrace have been their companions from the first — and all this for trifles that no man really needs!
The Earthly Paradise (1868-70), The Lady of the Land
Context: So on he went, and on the way he thought
Of all the glorious things of yesterday,
Nought of the price whereat they must be bought,
But ever to himself did softly say
"No roaming now, my wars are passed away,
No long dull days devoid of happiness,
When such a love my yearning heart shall bless."
“It may be yet the Gods will have me glad!
Yet, Love, I would that thee and pain I had!”
"The Death of Paris".
The Earthly Paradise (1868-70)
Context: Forgetfulness of grief I yet may gain;
In some wise may come ending to my pain;
It may be yet the Gods will have me glad!
Yet, Love, I would that thee and pain I had!
“Love is enough: through the trouble and tangle
From yesterday's dawning to yesterday's night”
Love is Enough (1872), Song V: Through the Trouble and Tangle
Context: Love is enough: through the trouble and tangle
From yesterday's dawning to yesterday's night
I sought through the vales where the prisoned winds wrangle,
Till, wearied and bleeding, at end of the light
I met him, and we wrestled, and great was my might.
“Unheard-of wealth, unheard-of love is near,
If thou hast heart a little dread to bear.”
The Earthly Paradise (1868-70), The Lady of the Land
Context: Then listen! when this day is overpast,
A fearful monster shall I be again,
And thou mayst be my saviour at the last,
Unless, once more, thy words are nought and vain.
If thou of love and sovereignty art fain,
Come thou next morn, and when thou seest here
A hideous dragon, have thereof no fear,
But take the loathsome head up in thine hands
And kiss it, and be master presently
Of twice the wealth that is in all the lands
From Cathay to the head of Italy;
And master also, if it pleaseth thee,
Of all thou praisest as so fresh and bright,
Of what thou callest crown of all delight.
Ah! with what joy then shall I see again
The sunlight on the green grass and the trees,
And hear the clatter of the summer rain,
And see the joyous folk beyond the seas.
Ah, me! to hold my child upon my knees
After the weeping of unkindly tears
And all the wrongs of these four hundred years.
Go now, go quick! leave this grey heap of stone;
And from thy glad heart think upon thy way,
How I shall love thee — yea, love thee alone,
That bringest me from dark death unto day;
For this shall be thy wages and thy pay;
Unheard-of wealth, unheard-of love is near,
If thou hast heart a little dread to bear.
“Wert thou more fickle than the restless sea,
Still should I love thee, knowing thee for such.”
Life and Death of Jason, Book ix, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
As quoted in William Morris & Red House (2005) by Jan Marsh, p. 65.
The Earthly Paradise (1868-70), The Lady of the Land