William Hazlitt: Thing

William Hazlitt was English writer. Explore interesting quotes on thing.
William Hazlitt: 372   quotes 2   likes

“The origin of all science is in the desire to know causes; and the origin of all false science and imposture is in the desire to accept false causes rather than none; or, which is the same thing, in the unwillingness to acknowledge our own ignorance.”

Burke and the Edinburgh Phrenologists in The Atlas (15 February 1829); reprinted in New Writings by William Hazlitt, William Hazlitt and Percival Presland Howe (ed.), (2nd edition, 1925), p. 117; also reprinted in The Complete Works of William Hazlitt, Volume 20: Miscellaneous writings, (J.M. Dent and Sons, 1934), (AMS Press, 1967), p. 201

“When a thing ceases to be a subject of controversy, it ceases to be a subject of interest.”

"On The Spirit of Controversy," The Atlas (30 January 1830), reprinted in The Collected Works of William Hazlitt (1902-1904)

“The true barbarian is he who thinks every thing barbarous but his own tastes and prejudices.”

No. 333
Characteristics, in the manner of Rochefoucauld's Maxims (1823)

“Our friends are generally ready to do everything for us, except the very thing we wish them to do.”

No. 87
Characteristics, in the manner of Rochefoucauld's Maxims (1823)

“Few things tend more to alienate friendship than a want of punctuality in our engagements. I have known the breach of a promise to dine or sup to break up more than one intimacy.”

" On the Spirit of Obligations http://www.blupete.com/Literature/Essays/Hazlitt/SpiritObligations.htm" (1824)
The Plain Speaker (1826)

“It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, unconnected, slipshod allusions. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. To write a genuine familiar or truly English style, is to write as anyone would speak in common conversation who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes… It is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it, out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one the preferableness of which is scarcely perceptible, but decisive.”

"On Familiar Style" (1821)
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

“The characteristic of Chaucer is intensity; of Spenser, remoteness; of Milton, elevation; of Shakespeare, every thing.”

Lectures on the English Poets http://www.gutenberg.org/files/16209/16209.txt (1818), Lecture III, "On Shakespeare and Milton"

“We grow tired of every thing but turning others into ridicule, and congratulating ourselves on their defects.”

"On Application to Study"
The Plain Speaker (1826)

“The most sensible people to be met with in society are men of business and of the world, who argue from what they see and know, instead of spinning cobweb distinctions of what things ought to be.”

"On the Ignorance of the Learned"
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)