Sergio Leone Quotes

Sergio Leone was an Italian film director, producer and screenwriter, credited as the inventor of the "Spaghetti Western" genre.

Leone's film-making style includes juxtaposing extreme close-up shots with lengthy long shots. His movies include the sword and sandal action films The Last Days of Pompeii and The Colossus of Rhodes , the Dollars Trilogy of Westerns featuring Clint Eastwood: A Fistful of Dollars , For a Few Dollars More and The Good, the Bad and the Ugly ; Once Upon a Time in the West ; Duck, You Sucker! and the crime drama Once Upon a Time in America .

✵ 3. January 1929 – 30. April 1989
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Sergio Leone: 3   quotes 0   likes

Famous Sergio Leone Quotes

“Even in the greatest Westerns, the woman is imposed on the action, as a star, and is generally destined to be “had” by the male lead. But she does not exist as a woman. If you cut her out of the film, in a version which you can imagine, the film becomes much better. In the desert, the essential problem was to survive. Women were an obstacle to survival! Usually, the woman not only holds up the story, but she has no real character, no reality. She is a symbol. She is there without having any reason to be there, simply because one must have a woman, and because the hero must prove, in some way or another, that he has "sex-appeal."”

Christopher Frayling, Spaghetti Westerns: Cowboys and Europeans from Karl May to Sergio Leone (1981), p. 129. Quoted in The Worlding Project: Doing Cultural Studies in the Era of Globalization (2007), ed. R. Wilson, ‎C. L. Connery, Ch. 6: "'But I Did Not Shoot the Deputy': Dubbing the Yankee Frontier" by Louis Chude-Sokei, pp. 158–159, as well as in The A to Z of Westerns in Cinema (2009) by Paul Varner, p. 198, and in The Quick, the Dead and the Revived: The Many Lives of the Western Film (2016) by Joseph Maddrey, p. 104.

“I am showing the Old West as it really was. Cinema takes violence from life. Not the other way around. Americans treat Westerns with too much rhetoric.”

As quoted in Hollywood and After: The Changing Face of Movies in America (1974) by Jerzy Toeplitz, p. 141, and in The Pop Sixties: A Personal and Irreverent Guide (1985) by Andrew J. Edelstein, p. 148.

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