Randall Jarrell: Quotes about people

“In bombers named for girls, we burned
The cities we had learned about in school —
Till our lives wore out; our bodies lay among
The people we had killed and never seen.”

Randall Jarrell

Losses (1948)
Context: We read our mail and counted up our missions —
In bombers named for girls, we burned
The cities we had learned about in school —
Till our lives wore out; our bodies lay among
The people we had killed and never seen.
When we lasted long enough they gave us medals;
When we died they said, "Our casualties were low."
They said, "Here are the maps"; we burned the cities.

"Losses," lines 21-28

People , School , Girl , Learning

“When I was asked to talk about the Obscurity of the Modern Poet I was delighted, for I have suffered from this obscurity all my life. But then I realized that I was being asked to talk not about the fact that people don’t read poetry, but about the fact that most of them wouldn’t understand it if they did: about the difficulty, not the neglect, of contemporary poetry.”

Randall Jarrell

“The Obscurity of the Poet”, p. 3
Poetry and the Age (1953)
Context: When I was asked to talk about the Obscurity of the Modern Poet I was delighted, for I have suffered from this obscurity all my life. But then I realized that I was being asked to talk not about the fact that people don’t read poetry, but about the fact that most of them wouldn’t understand it if they did: about the difficulty, not the neglect, of contemporary poetry. And yet it is not just modern poetry, but poetry, that is today obscure. Paradise Lost is what it was; but the ordinary reader no longer makes the mistake of trying to read it — instead he glances at it, weighs it in his hand, shudders, and suddenly, his eyes shining, puts it on his list of the ten dullest books he has ever read, along with Moby-Dick, War and Peace, Faust, and Boswell’s Life of Johnson. But I am doing this ordinary reader an injustice: it was not the Public, nodding over its lunch-pail, but the educated reader, the reader the universities have trained, who a few weeks ago, to the Public’s sympathetic delight, put together this list of the world’s dullest books.
Since most people know about the modern poet only that he is obscure—i. e., that he is difficult, i. e., that he is neglected — they naturally make a causal connection between the two meanings of the word, and decide that he is unread because he is difficult. Some of the time this is true: the poet seems difficult because he is not read, because the reader is not accustomed to reading his or any other poetry.

Life , People , Understanding , Suffering

“I don’t need to praise anything so justly famous as Frost’s observation of and empathy with everything in Nature from a hornet to a hillside; and he has observed his own nature, one person’s random or consequential chains of thoughts and feelings and perceptions, quite as well. (And this person, in the poems, is not the “alienated artist” cut off from everybody who isn’t, yum-yum, another alienated artist; he is someone like normal people only more so — a normal person in the less common and more important sense of normal.)”

Randall Jarrell

“The Other Frost”, p. 29
Poetry and the Age (1953)

People , Feeling , Nature , Sense

“If there were only some mechanism (like Seurat's proposed system of painting, or the projected Universal Algebra that Gödel believes Leibnitz to have perfected and mislaid) for reasonably and systematically converting into poetry what we see and feel and are! When one reads the verse of people who cannot write poems — people who sometimes have more intelligence, sensibility, and moral discrimination than most of the poets — it is hard not to regard the Muse as a sort of fairy godmother who says to the poet, after her colleagues have showered on him the most disconcerting and ambiguous gifts, "Well, never mind. You're still the only one that can write poetry."”

Randall Jarrell

"Verse Chronicle," The Nation (23 February 1946); reprinted as "Bad Poets" in Poetry and the Age (1953)
General sources

People , Feeling , Intelligence , Universe

“Everybody must have wished at some time that poetry were written by nice ordinary people instead of poets—and, in a better world, it may be; but in this world writers like Constance Carrier are the well oysters that don’t have the pearls.”

Randall Jarrell

“Recent Poetry”, p. 225
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

People , World , Time

“I have trouble knowing what to do at parties. Prisoners tame mice, or make rings out of spoons: I analyze people’s handwriting…or else ask you to tell me what you read when you were a child. (People speak unusually well of the books of their childhood, don’t they? Or is this one more life-giving illusion?) I love to see a hard eye grow soft over Little Women… And, I’ve found, there’s no children’s book so bad that I mind your having liked it: about the tastes of dead children there is no disputing.”

Randall Jarrell

“Speaking of Books”, p. 219
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Love , Life , Women , Children

“Mrs. Robbins asked: “If I am not for myself, who then is for me?”—and she was for herself so passionately that the other people in the world decided that they were not going to let Pamela Robbins beat them at her own game, and stopped playing.”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 1, p. 12

People , World , Game , Passion

“…most of the people in a war never fight for even a minute—though they bear for years and die forever. They do not fight, but only starve, only suffer, only die: the sum of all this passive misery is that great activity, War.”

Randall Jarrell

“Poetry in War and Peace”, p. 129
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

War , People , Suffering , Fight

“Most people don’t listen to classical music at all, but to rock-and-roll or hillbilly songs or some album named Music To Listen To Music By…”

Randall Jarrell

“The Taste of the Age”, p. 12
A Sad Heart at the Supermarket: Essays & Fables (1962)

People , Music

“The weight and concentration of the poems fall upon things (and those great things, animals and people), in their tough, laconic, un-get-pastable plainness: they have kept the stolid and dangerous inertia of the objects of the sagas—the sword that snaps, the man looking at his lopped-off leg and saying, “That was a good stroke.””

Randall Jarrell

“Freud to Paul: The Stages of Auden’s Ideology”, p. 155
The Third Book of Criticism (1969)

People , Animals

“A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad — and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry.”

Randall Jarrell

"Answers to Questions," from Mid-Century American Poets, edited by John Ciardi, 1950 [p. 171]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

People , Success

“The people who live in a Golden Age usually go around complaining how yellow everything looks.”

Randall Jarrell

"The Taste of the Age," The Saturday Evening Post (1958-07-26) [p. 290]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

People , Age

“One thinks with awe and longing of this real and extraordinary popularity of hers [Edna St. Vincent Millay’s]: if there were some poet—Frost, Stevens, Eliot—whom people still read in canoes!”

Randall Jarrell

“Fifty Years of American Poetry”, p. 329
The Third Book of Criticism (1969)

People , Thinking , Reading

“The poet needs to be deluded about his poems—for who can be sure that it is delusion? In his strongest hours the public hardly exists for the writer; he does what he ought to do, has to do, and if afterwards some Public wishes to come and crown him with laurel crowns, well, let it! if critics wish to tell people all that he isn’t, well, let them—he knows what he is. But at night when he can’t get to sleep it seems to him that it is what he is, his own particular personal quality, that he is being disliked for. It is this that the future will like him for, if it likes him for anything; but will it like him for anything? The poet’s hope is in posterity, but it is a pale hope; and now that posterity itself has become a pale hope…”

Randall Jarrell

“Poets, Critics, and Readers”, p. 109
No Other Book: Selected Essays (1999)

People , Hope , Sleep , Future

“Anyone who has read Yeats’s wonderful Autobiography will remember his Sligo—shabby, shadowed, half country and half sea, full of confused romance, superstition, poverty, eccentricity, unrecognized anachronism, passion and ignorance and the little boy’s misery. Yeats was treated well but was bitterly unhappy; he prayed that he would die, and used often to say to himself: “When you are grown up, never talk as grown-up people do of the happiness of childhood.””

Randall Jarrell

“The Development of Yeats’s Sense of Reality”, p. 89
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

People , Boy , Passion , Reading

“Early in his life Mr. [Ezra] Pound met with strong, continued, and unintelligent opposition. If people keep opposing you when you are right, you think them fools; and after a time, right or wrong, you think them fools simply because they oppose you. Similarly, you write true things or good things, and end by thinking things true or good simply because you write them”

Randall Jarrell

“Poets: Old, New, and Aging”, p. 44
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Life , People , Fools , Thinking

“Gertrude Johnson could feel no real respect for, no real interest in, anybody who wasn't a writer. For her there were two species: writers and people; and the writers were really people, and the people weren't.”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 1, p. 22

People , Feeling

“That most human and American of presidents—of Americans—Abraham Lincoln, said as a young man: “The things I want to know are in books; my best friend is the man who’ll get me a book I ain’t read.” It’s a hard heart, and a dull one, that doesn’t go out to that sentence. The man who will make us see what we haven’t seen, feel what we haven’t felt, understand what we haven’t understood—he is our best friend. And if he knows more than we do, that is an invitation to us, not an indictment of us. And it is not an indictment of him, either; it takes all sorts of people to make a world—to make, even, a United States of America.”

Randall Jarrell

“The Intellectual in America”, p. 15; conclusion
A Sad Heart at the Supermarket: Essays & Fables (1962)

People , Books , World , Feeling

“You often feel about something in Shakespeare or Dostoevsky that nobody ever said such a thing, but it's just the sort of thing people would say if they could — is more real, in some sense, than what people do say. If you have given your imagination free rein, let things go as far as they want to go, the world they made for themselves while you watched can have, for you and later watchers, a spontaneous finality.”

Randall Jarrell

"On Preparing to Read Kipling," introduction to The Best Short Stories of Rudyard Kipling (1961) [p. 335]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

People , World , Feeling , Imagination

“Miss Rasmussen made a welded sculpture. Her statues were—as she would say, smiling—untouched by human hands; and they looked it. You could tell one from another, if you wanted to, but it was hard to want to. You felt, yawning: It’s ugly, but is it Art?
Miss Rasmussen also designed furniture, but people persisted in sitting down in her sculpture, and in asking “What is that named?” of her chairs. This showed how advanced her work was, and pleased her; yet when she laughed to show her pleasure, her laugh sounded thin and strained.”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 6: “Art Night”, p. 228

People , Pleasure , Smile , Art