Ralph Ellison: Trending quotes (page 3)

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“All novels are about certain minorities: the individual is a minority. The universal in the novel—and isn't that what we're all clamoring for these days?—is reached only through the depiction of the specific man in a specific circumstance.”

"The Art of Fiction: An Interview" (The Paris Review, Spring 1955), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 212.

“…there's always an element of crime in freedom.”

Source: Invisible Man (1952), Chapter 7.

“Perhaps the most insidious and least understood form of segregation is that of the word. […] For if the word has the potency to revive and make us free, it has also the power to blind, imprison and destroy.”

"Twentieth-Century Fiction and the Black Mask of Humanity" (1953), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 81.

“Life is as the sea, art a ship in which man conquers life's crushing formlessness, reducing it to a course, a series of swells, tides and wind currents inscribed on a chart.”

"Richard Wright's Blues" (1945), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 133.

“Commercial rock ’n’ roll music is a brutalization of the stream of contemporary Negro church music … an obscene looting of a cultural expression.”

"Some Questions and Some Answers" (1958), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 298.

“By and large, the critics and readers gave me an affirmed sense of my identity as a writer. You might know this within yourself, but to have it affirmed by others is of utmost importance. Writing is, after all, a form of communication.”

"The Art of Fiction: An Interview" (The Paris Review, Spring 1955), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 218.

“The understanding of art depends finally upon one's willingness to extend one's humanity and one's knowledge of human life.”

"The Art of Fiction: An Interview" (The Paris Review, Spring 1955), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 217.

“…there must be possible a fiction which, leaving sociology and case histories to the scientist, can arrive at the truth about the human condition, here and now, with all the bright magic of the fairy tale.”

"Brave Words for a Startling Occasion" (1953), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 153.

“Words are everything and don't you forget it, ever.”

Source: Three Days Before the Shooting... (2010), p. 251.