Paul Simon: Likeness

Paul Simon is American musician, songwriter and producer. Explore interesting quotes on likeness.
Paul Simon: 232   quotes 3   likes

“I shoot a thought into the future, and it flies like an arrow, through my lifetime. And beyond.”

Everything About It Is a Love Song
Song lyrics, Surprise (2006)
Context: I shoot a thought into the future, and it flies like an arrow, through my lifetime. And beyond.
If I ever come back as a tree, or a crow, or even the wind-blown dust; find me on the ancient road in the song when the wires are hushed. Hurry on and remember me, as I'll remember you. Far above the golden clouds, the darkness vibrates.
The earth is blue.
And everything about it is a love song. Everything about it.

“But all that is changed now.
Gone like a memory from the day before the fires.
People hungry for the voice of God
Hear lunatics and liars.Wartime prayers. Wartime prayers
In every language spoken.”

Wartime Prayers
Song lyrics, Surprise (2006)
Context: Prayers offered in times of peace are silent conversations,
Appeals for love, or love's release, in private invocationsBut all that is changed now.
Gone like a memory from the day before the fires.
People hungry for the voice of God
Hear lunatics and liars.Wartime prayers. Wartime prayers
In every language spoken.
For every family scattered and broken.

“I'm on your side
When times get rough
And friends just can't be found
Like a bridge over troubled water
I will lay me down.”

Bridge over Troubled Water
Song lyrics, Bridge over Troubled Water (1970)
Context: When you're weary
Feeling small
When tears are in your eyes
I will dry them all
I'm on your side
When times get rough
And friends just can't be found
Like a bridge over troubled water
I will lay me down.

“So you start with an impulse and go to what your ear likes.”

Interview with Tony Schwartz in Playboy (February 1984) p. 166
Context: I write from instinct, from inexplicable sparkle. I don't know why I'm writing what I'm writing. Usually, I sit and I let my hands wander on my guitar. And I sing anything. I play anything. And I wait till I come across a pleasing accident. Then I start to develop it. Once you take a piece of musical information, there are certain implications that it automatically contains — the implication of that phrase elongated, contracted, or inverted or in another time signature. So you start with an impulse and go to what your ear likes.

“I like them all. … They're all pictures of me when I wrote them. … I have no favorite songs.”

Pop Chronicles Show 36 - The Rubberization of Soul: The great pop music renaissance. Part 2 http://digital.library.unt.edu/ark:/67531/metadc19795/m1/, interview recorded (20 December 1967) http://web.archive.org/web/20110615153027/http://www.library.unt.edu/music/special-collections/john-gilliland/o-s