Michel Henry: Quotes about life

“Life is uncreated. Foreign to creation, foreign to the world, every process conferring Life is a process of generation.”

Michel Henry

Books on Religion and Christianity, Words of Christ (2002)
Original: (fr) La vie est incréée. Étranger à la création, étranger au monde, tout procès conférant la Vie est un procès de génération.

Michel Henry, Paroles du Christ, éd. du Seuil, 2002, p. 107

World , Life

“Our flesh carries in it the principle of its manifestation, and this manifestation is not the appearing of the world. In its pathetic self-impressionality, in its very flesh, given to itself in the Arch-passibility of absolute Life, it reveals the one which reveals itself to itself, it is in its pathos the Arch-revelation of Life, the Parousia of the absolute. In the depths of its Night, our flesh is God.”

Michel Henry

Michel Henry, Incarnation. Une philosophie de la chair, éd. du Seuil, 2000, p. 373
Books on Religion and Christianity, Incarnation: A philosophy of Flesh (2000)
Original: (fr) Notre chair porte en elle le principe de sa manifestation, et cette manifestation n’est pas l’apparaître du monde. En son auto-impressionnalité pathétique, en sa chair même, donnée à soi en l’Archi-passibilité de la Vie absolue, elle révèle celle-ci qui la révèle à soi, elle est en son pathos l’Archi-révélation de la Vie, la Parousie de l’absolu. Au fond de sa Nuit, notre chair est Dieu.

God , Night , Self-confidence , Appearance

“But then, when and why is this emotional upheaval produced, which opens a person to his own essence ? Nobody knows. The emotional opening of the person to his own essence can only be born of the will of life itself, as a rebirth that lets him suddenly experience his eternal birth. The Spirit blows where it wills.”

Michel Henry

Michel Henry, C'est moi la Vérité, éd. du Seuil, 1996, p. 291
Books on Religion and Christianity, I am the Truth. Toward a philosophy of Christianity (1996)
Original: (fr) Mais quand donc ce bouleversement émotionnel qui ouvre le vivant à sa propre essence se produit-il et pourquoi ? Nul ne le sait. L’ouverture émotionnelle du vivant à sa propre essence ne peut naître que du vouloir de la vie elle-même, comme cette re-naissance qui lui donne d’éprouver soudain sa naissance éternelle. L’Esprit souffle où il veut.

Personality , Life , Birth

“Painting does not use language. Abstract painting teaches us this, and this is what gives it its power of expression. If colour does not relate to the feelings of our soul through an external relation but finds its true being in them – as a pure sensation and a pure experience – then it does not even need to translate, through a means, the abstract content of our invisible life. It coincides with our invisible life and is its pathos: its suffering, its boredom, its neglect or its joy.”

Michel Henry

Books on Culture and Barbarism, Seeing the Invisible: On Kandinsky (1988)
Source: Michel Henry, Seeing the invisible: On Kandinsky, Continuum, 2009, p. 72

Soul , Painting , Suffering , Joy

“So it's not the self-realization that the media existence proposes to the life, it's the escape, the opportunity for all those whose laziness, repressing their energy, make them forever dissatisfied of themselves to forget this dissatisfaction.”

Michel Henry

Michel Henry, La Barbarie, éd. Grasset, 1987, p. 244
Books on Culture and Barbarism, Barbarism (1987)
Original: (fr) Ce n'est donc pas l'autoréalisation que l'existence médiatique propose à la vie, c'est la fuite, l'occasion pour tous ceux que leur paresse, refoulant leur énergie, rend à jamais mécontents d'eux-mêmes d'oublier ce mécontentement.

Self-confidence , Life , Making love , Forgetting

“The culture is the whole of the enterprises and of the practices in which the abundance of life expresses itself, they all have as motivation the 'load', the 'over' which disposes inwardly the living subjectivity as a force ready to give unstintingly itself and constraint, under the load, to do it.”

Michel Henry

Michel Henry, La Barbarie, éd. Grasset, 1987, p. 172
Books on Culture and Barbarism, Barbarism (1987)
Original: (fr) La culture est l'ensemble des entreprises et des pratiques dans lesquelles s'exprime la surabondance de la vie, toutes elles ont pour motivation la « charge », le « trop » qui dispose intérieurement la subjectivité vivante comme une force prête à se prodiguer et contrainte, sous la charge, de le faire.

Motivation , Life

“How capitalism finds its substance and its essence in the living work, in such a way that it comes exclusively from it, can't go without it, lives only drawing at each time its life from that of the worker, life that then becomes his own, this is what expresses in the whole work of Marx the theme of vampire. "Capitalism is dead work which, such as a vampire, animates itself only in sucking the living work and the more it pumps, the more its life is cheerful."”

Michel Henry

Michel Henry, Marx II. une philosophie de l’économie, éd. Gallimard, coll. « Nrf », 1976, p. 435
Books on Economy and Politics, Marx. A Philosophy of Human Being (1976)
Original: (fr) Comment le capital trouve sa substance et son essence dans le travail vivant, de telle manière qu’il provient exclusivement de lui, ne peut se passer de lui, ne vit que pour autant qu’il puise à chaque instant sa vie dans celle du travailleur, vie qui devient ainsi la sienne, c’est ce qu’exprime à travers toute l’œuvre de Marx le thème du vampire. « Le capital est du travail mort qui, semblable au vampire, ne s’anime qu’en suçant le travail vivant et sa vie est d’autant plus allègre qu’il en pompe davantage ».

Drawing , Time , Dead , Animals

“Suffering makes up the tissue of the existence, it is the place where the life becomes living, the reality and the phenomenological effectivity of this gradual change.”

Michel Henry

Original: (fr) La souffrance forme le tissu de l'existence, elle est le lieu où la vie devient vivante, la réalité et l'effectivité phénoménologique de ce devenir.
Source: Michel Henry, L'Essence de la manifestation, 1963, t. 2, § 70, p. 828
Source: Books on Phenomenology of Life, The Essence of Manifestation (1963)

Suffering , Reality , Life , Making love

“What is true about heat and pain is also true about colour. The rock is no more red than it is hot or painful. It can only have a colour -- red, blue, yellow -- in the invisible life where the colour is felt, on the basis of 'feeling oneself' (se sentir soi-même). Life's feeling of itself and its feeling of colour is a pathos. Colour is not linked to a tonality through an external and contingent association that would vary with individuals. In the phenomenological substance of its flesh and being, colour is a sensation and subjectivity; it is this affective tonality and inner tone.”

Michel Henry

Michel Henry, Seeing the invisible: On Kandinsky, Continuum, 2009, p. 71
Books on Culture and Barbarism, Seeing the Invisible: On Kandinsky (1988)

Pain , Life , Feeling

“To be born is not to come into the world. To be born is to come into life.”

Michel Henry

Books on Religion and Christianity, I am the Truth. Toward a philosophy of Christianity (1996)
Original: (fr) Naître, ce n’est pas venir dans le monde. Naître, c’est venir dans la vie.

Michel Henry, C'est moi la Vérité, éd. du Seuil, 1996, p. 79

World , Life

“Life is given in its own way, in a completely unique way, even though this singular mode of givenness is universal. Life is given in such a way that what it gives is given to itself and that what it gives to itself is never separated from it, not in the least. In this way, what life gives is itself. Life is self-givenness in a radical and rigorous sense, in the sense that it is both life that gives and life that is given. Because it is life that gives, we can only have a share of this gift in life. No road leads to life except life itself. [...] Life is absolute subjectivity inasmuch as it experiences itself and is nothing other than that experience. It is the pure fact of experiencing itself immediately and without any distance. This is what constitutes the essence of every possible community. Again, what is shared in common is not some thing; instead, it is this original givenness as self-givenness. It is the internal experience that brings to life everything that is and makes what is alive in this experience become alive in and through it alone.”

Michel Henry

Source: Michel Henry, Material Phenomenology, Fordham University Press, 2008, p. 120
Source: Books on Phenomenology and Life, Material Phenomenology (1990)

Communication , Universe , Self-confidence , Way

“The idea of community presupposes the idea of something in common as well as the idea of community members who have in common what is held in common. [...] Perhaps there is only one and the same reality, one and the same essence, of community and its members. Let us give a name right away to this single and essential reality of the community and its members: life. So, we can already say that the essence of community is life; every community is a community of living beings.”

Michel Henry

Michel Henry, Material Phenomenology, Fordham University Press, 2008, p. 118-119
Books on Phenomenology and Life, Material Phenomenology (1990)

Idea , Life , Reality , Communication

“Inasmuch as the essence of community is affectivity, the community is not limited to humans alone. It includes everything that is defined in itself by the primal suffering of life and thus by the possibility of suffering. This pathos-with is the brosdest form of every conceivable community.”

Michel Henry

Source: Michel Henry, Material Phenomenology, Fordham University Press, 2008, p. 133-134
Source: Books on Phenomenology and Life, Material Phenomenology (1990)

Life , Suffering , Communication

“Material phenomenology is able to designate this invisible phenomenological substance. It is not a nothing but rather an affect, or put otherwise, it is what makes every affect, ultimately every affection, and every thing possible. The phenomenological substance that material phenomenology has in view is the pathetic immediacy in which life experiences itself. Life is itself nothing other than this pathetic embrace and, in this way, is phenomenality itself according to the how of its original phenomenalization. Life is thus not a something, like the object of biology, but the principle of every thing. It is a phenomenological life in the radical sense where life defines the essence of pure phenomenality and accordingly of being insofar as being is coextensive with the phenomenon and founded on it. For what could I know that could not appear ?”

Michel Henry

Source: Michel Henry, Material Phenomenology, Fordham University Press, 2008, p. 2-3
Source: Books on Phenomenology and Life, Material Phenomenology (1990)

Appearance , Way , Sense , Life

“Life confers a value on things -- they do not have any value by themselves -- inasmuch as they are suited to it and satisfy its desires. But this spontaneous evaluation by life is only possible, in turn, if life experiences itself, even through its most humble needs, as what it is and must be, as an absolute value. The fundamental values have no other content than what is implied in life's first experience of itself; they are the proper content of this life.”

Michel Henry

Michel Henry, Barbarism, Continuum, 2012, p. 97
Books on Culture and Barbarism, Barbarism (1987)

Life

“Instead of determining the action of life, ends, norms and values are determined by it. This determination consists in the fact that one experiences oneself constantly and knows oneself at every moment. Life also knows at each instant what must be done and what is suited to it. This knowledge is no different from action. It does not precede it or "determine" it, properly speaking. It is identical to it, as the original know-how of life, as praxis and a living body. Action, as we have seen, is only the actualization of the primitive power of this phenomenological body.”

Michel Henry

Michel Henry, Barbarism, Continuum, 2012, p. 96-97
Books on Culture and Barbarism, Barbarism (1987)

Knowledge , Life

“Technology is nature without the human being. It is abstract nature, reduced to itself, delivered over to itself, exalting and expressing itself on its own. It develops in such a way that all the virtualities and potentialities within it must be actualized, for them and for what they are, for their own sake, so that everything is done that can be done, that is to say, everything that nature can become. It is a matter of making gold, going to the moon, building self-guiding and self-monitoring missiles that can decide on the moment to self-destruction – and destroy us. Technology is alchemy; it is the self-fulfillment of nature in place of the self-fulfillment of the life that we are. It is barbarism, the new barbarism of our time, in place of culture. Inasmuch as it puts the prescriptions and regulations of life out of play, it is not simply barbarism in its most extreme and inhumane form that has ever been known – it is sheer madness.”

Michel Henry

Michel Henry, Barbarism, Continuum, 2012, p. 52
Books on Culture and Barbarism, Barbarism (1987)

Madness , Nature , Life , Time

“Experiencing oneself as Life does is to enjoy oneself [jouir de soi]. Enjoyment does not presuppose any differences similar to those in which the world is born: it is homogeneous phenomenological material, a monolithic affective body whose phenomenality is affectivity as such. The self-revelation of Life is not a formal structure that can be conceived on the basis of “outside oneself” and in terms of its own structures, since these are bypassed, overcome while being maintained in this very bypassing. The self-revelation of life is its enjoyment, the primordial self-enjoyment that defines the essence of Living and thus of God himself. According to Christianity, God is Love. Love is nothing other than the self-revelation of God understood as in its pathetic phenomenological essence, specifically, the self-enjoyment of absolute Life. This is why the Love of God is the infinite love in which he eternally loves himself, and the revelation of God is none other than this Love.”

Michel Henry

Books on Religion and Christianity, I am the Truth. Toward a philosophy of Christianity (1996)
Source: Michel Henry, I am the Truth. Toward a Philosophy of Christianity, translated by Susan Emanuel, Stanford University Press, 2003, p. 30

Love , Life , God , World

“Where is a self-revelation of this sort achieved? In Life, as its essence, since Life is nothing other than that which reveals itself – not something that might have an added property of self-revealing, but the very fact of self-revealing, self-revelation as such. Everywhere that something like a self-revelation is produced there is Life. Everywhere there is Life, this self-revelation is produced. If, then, the Revelation of God is a self-revelation that owes nothing to the truth of the world, and if we ask where such a self-revelation is achieved, the answer is unequivocal: in Life and in Life alone. Therefore we are in the presence of the first fundamental equation of Christianity: God is Life – he is the essence of Life, or if one prefers, the essence of Life is God. Saying this we already know what God is, but we do not know it through the effect of some knowledge or learning – we do not know it through thought, against the background of the truth of the world. Rather we know it, and we can know it, only in and through Life itself. We can know the essence of God only in God. But this observation is premature.”

Michel Henry

Books on Religion and Christianity, I am the Truth. Toward a philosophy of Christianity (1996)
Source: Michel Henry, I am the Truth. Toward a Philosophy of Christianity, translated by Susan Emanuel, Stanford University Press, 2003, p. 27-28

Knowledge , Life , God , Learning

“This is the miracle of abstract painting: it constructs the unlimited monumentality of a work that no longer has a foothold in the visible world, that ignores its rules and does not seek anything from it, neither aid nor sanction, and that emerges with the pure force and infinite certainty of life. Withdrawn from the weight of things and from the inertial systems in which things are held and have their limited possibilities circumscribed, the work of art proceeds from the imagination. To imagine is to posit something other than what is and what is there right in front of us -- something other than the world. To imagine is to posit life.”

Michel Henry

Books on Culture and Barbarism, Seeing the Invisible: On Kandinsky (1988)
Source: Michel Henry, Seeing the invisible: On Kandinsky, Continuum, 2009, p. 107

Imagination , Painting , Life , World