Mary Renault Quotes

Mary Renault , born Eileen Mary Challans, was an English and South African writer best known for her historical novels set in ancient Greece. In addition to vivid fictional portrayals of Theseus, Socrates, Plato, and Alexander the Great, she wrote a non-fiction biography of Alexander.



Wikipedia  

✵ 4. September 1905 – 13. December 1983

Works

The Persian Boy
The Persian Boy
Mary Renault
The Charioteer
The Charioteer
Mary Renault
Fire from Heaven
Fire from Heaven
Mary Renault
The Mask of Apollo
The Mask of Apollo
Mary Renault
The King Must Die
The King Must Die
Mary Renault
The Praise Singer
The Praise Singer
Mary Renault
Mary Renault: 31   quotes 0   likes

Famous Mary Renault Quotes

“It is better to believe in men too rashly, and regret, than believe too meanly. Men could be more than they are, if they would try for it. He has shown them that.”

On Alexander the Great, p. 312
Source: The Persian Boy (1972)
Context: It is better to believe in men too rashly, and regret, than believe too meanly. Men could be more than they are, if they would try for it. He has shown them that. How many have tried, because of him? Not only those I have seen; there will be men to come. Those who look in mankind only for their own littleness, and make them believe in that, kill more than he ever will in all his wars.

Mary Renault Quotes

“Christianity and Islam have changed irrevocably the moral reflexes of the world.”

The Mask of Apollo (1966)
Context: Christianity and Islam have changed irrevocably the moral reflexes of the world. The philosopher Herakleitos said with profound truth that you cannot step twice into the same river. The perpetual stream of human nature is formed into ever-changing shallows, eddies, falls and pools by the land over which it passes. Perhaps the only real value of history lies in considering this endlessly varied play between the essence and the accidents.

“They had identified themselves with their limitations; they were making a career of them. They had turned from all other reality, and curled up in them snugly, as in a womb.”

Source: The Charioteer (1953), p. 141
Context: After some years of muddled thinking on the subject, he suddenly saw quite clearly what it was he had been running away from; why he had refused Sandy's first invitation, an what the trouble had been with Charles. It was also the trouble, he perceived, with nine-tenths or the people here tonight. They were specialists. They had not merely accepted their limitations, as Laurie was ready to accept his, loyal to his humanity if not to his sex, and bringing an extra humility to the hard study of human experience. They had identified themselves with their limitations; they were making a career of them. They had turned from all other reality, and curled up in them snugly, as in a womb.

“Those who look in mankind only for their own littleness, and make them believe in that, kill more than he ever will in all his wars.”

On Alexander the Great, p. 312
The Persian Boy (1972)
Context: It is better to believe in men too rashly, and regret, than believe too meanly. Men could be more than they are, if they would try for it. He has shown them that. How many have tried, because of him? Not only those I have seen; there will be men to come. Those who look in mankind only for their own littleness, and make them believe in that, kill more than he ever will in all his wars.

“The perpetual stream of human nature is formed into ever-changing shallows, eddies, falls and pools by the land over which it passes.”

The Mask of Apollo (1966)
Context: Christianity and Islam have changed irrevocably the moral reflexes of the world. The philosopher Herakleitos said with profound truth that you cannot step twice into the same river. The perpetual stream of human nature is formed into ever-changing shallows, eddies, falls and pools by the land over which it passes. Perhaps the only real value of history lies in considering this endlessly varied play between the essence and the accidents.

“Sometimes it gets so that the only thing is just to say, 'That's what I'd like to feel twenty-four hours a day; but, the hell with it, this is how I feel now.”

Source: The Charioteer (1953), p. 285
Context: You mustn't get so upset about what you feel, Spud. No one's a hundred per cent consistent all the time. We might like to be. We can plan our lives along certain lines. But you know, there's no future in screwing down all the pressure valves and smashing in the gauge. You can do it for a bit and then something goes. Sometimes it gets so that the only thing is just to say, 'That's what I'd like to feel twenty-four hours a day; but, the hell with it, this is how I feel now.

“How can people trust the harvest, unless they see it sown?”

The King Must Die (1958)
Context: Don't you understand even seedtime and reaping? How can people trust the harvest, unless they see it sown?

“Men who hover over their opponents have no cause to evolve a science of wrestling; and Theseus is conventionally shown in combat with hulking of monstrous enemies, living by his wits.”

On her portrayal of Theseus in her books, in her "Author's Note", p. 333
The King Must Die (1958)
Context: Men who hover over their opponents have no cause to evolve a science of wrestling; and Theseus is conventionally shown in combat with hulking of monstrous enemies, living by his wits. The tradition that he emulated the feats of Herakles may well embalm some ancient sneer at the over-compensation of a small assertive man. Napoleon comes to mind.
If one examines the legend in this light, a well-defined personality emerges. It is that of a light-weight; brave and aggressive, physically tough and quick; highly sexed and rather promiscuous; touchily proud, but with a feeling for the underdog; resembling Alexander in his precocious competence, gift of leadership, and romantic sense of destiny.

“When we serve the great, they are our destiny.”

Source: The Persian Boy (1972), p. 26

“To hate excellence is to hate the gods.”

Source: The Persian Boy (1972), p. 400

“Miss Searle had always considered boredom an intellectual defeat.”

North Face (1948), Ch. 1

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