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“Are we not like that actor of old time,
Who wore his mask so long his face took
Its likeness?”

Letitia Elizabeth Landon

A Summer Evening’s Tale
The Venetian Bracelet (1829)

“Gentlest one, I bow to thee,
Rose-lipp'd queen of poesy,
Sweet Erato, thou whose chords
Waken but for love-touched words!”

Letitia Elizabeth Landon

(9th August 1823) Poetical Catalogue of Pictures. Stothard’s Erato
23rd August 1823) Change see The Improvisatrice (1824
30th August, 6th and 13th September 1823) The Bayadere see The Improvisatrice (1824
The London Literary Gazette, 1823

“Let the rose fall, another rose
Will bloom upon the self-same tree;
Let the bird die, ere evening close
Some other bird will sing for me.
It is for the beloved to love,
'Tis for the happy to be kind;
Sorrow will more than death remove
The associate links affections bind.”

Letitia Elizabeth Landon

(2nd April 1831) Lines Supposed to be the Prayer of the Supplicating Nymph in Mr. Lawrence Macdonald’s Exhibition of Sculptures
The London Literary Gazette, 1831

“Love has no power to look forward — the delicious consciousness of the present, a faint but delightful shadow of the past, form its eternity.”

Letitia Elizabeth Landon

(18th August 1822) These from a prose sketch - Isadore
The London Literary Gazette, 1821-1822

“There is no tie
Like that last holiest link of love, which binds
The lonely child to its more lonely parent.”

Letitia Elizabeth Landon

(5th July 1823) A Tale Founded on Fact
12th July 1823) Glencoe see The Vow of the Peacock (1835
(19th July 1823) Execution of Crescentius see The Improvisatrice (1824) Crescentius
The London Literary Gazette, 1823

“Now a nation’s character is in its literature.”

Letitia Elizabeth Landon

The Monthly Magazine

“Ah! love and song are but a dream,
A flower's faint shade on life's dark stream.”

Letitia Elizabeth Landon

All from The Vow of the Peacock (Title Poem - Introduction)
The Vow of the Peacock (1835)