Famous Leonardo Da Vinci Quotes
The Notebooks of Leonardo Da Vinci (1938), XLV Prophecies
Leonardo Da Vinci Quotes about nature
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter
Richter II p. 126 no. 837 books.google http://books.google.de/books?id=A7dUhbBfmzMC&pg=PA126
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Leonardo Da Vinci Quotes about men
The Notebooks of Leonardo Da Vinci (1938), XLV Prophecies
Quoted allegedly "From da Vinci`s Notes" in Jon Wynne-Tyson: The Extended Circle. A Dictionary of Humane Thought. Centaur Press 1985, p. 65 books.google http://books.google.de/books?id=1mMbAQAAIAAJ&q=murder.
Actually the quote is not authentic but made up from a novel by Dmitri Merejkowski (w:Dmitry Merezhkovsky) entitled "The Romance of Leonardo da Vinci" (La Résurrecton de Dieux 1901), translated from Russian into English by Herbert Trench. G.P. Putnam's Sons New York and London, The Knickerbocker Press. There, in Book (i.e. chapter) VI, entitled The Diary of Giovanni Boltraffio, one finds the following:
The master [Leonardo da Vinci] permits harm to no living creatures, not even to plants. Zoroastro http://it.wikipedia.org/wiki/Tommaso_Masini tells me that from an early age he has abjured meat, and says that the time shall come when all men such as he will be content with a vegetable diet, and will think on the murder of animals as now they think on the murder of men ( p. 226 books.google http://books.google.de/books?id=g_pa0OaYX64C&pg=PA226).
However, despite the quote's false attribution, da Vinci was in fact a vegetarian.
Misattributed
“What is fair in men, passes away, but not so in art.”
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
“The greatest deception men suffer is from their own opinions.”
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Leonardo Da Vinci: Trending quotes
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
“Constancy does not begin, but is that which perseveres.”
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations
Leonardo Da Vinci Quotes
A Treatise on Painting (1651); "The Paragone"; compiled by Francesco Melzi prior to 1542, first published as Trattato della pittura by Raffaelo du Fresne (1651)
Context: Painting is poetry which is seen and not heard, and poetry is a painting which is heard but not seen. These two arts, you may call them both either poetry or painting, have here interchanged the senses by which they penetrate to the intellect.
This quotation was first used in print (and misattributed to Leonardo da Vinci) in a science fiction story published in 1975, The Storms of Windhaven. One of the authors, Lisa Tuttle, remembers that the quote was suggested by science fiction writer Ben Bova, who says he believes he got the quote from a TV documentary narrated by Fredric March, presumably I, Leonardo da Vinci, written by John H. Secondari for the series Saga of Western Man, which aired on 23 February 1965. Bova incorrectly assumed that he was quoting da Vinci. The probable author is John Hermes Secondari (1919-1975), American author and television producer.
Misattributed
Variant: For once you have tasted flight you will walk the earth with your eyes turned skywards, for there you have been and there you will long to return.
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Variant: In rivers, the water that you touch is the last of what has passed and the first of that which comes; so with present time.
Source: Leonardo's Notebooks
“Poor is the pupil that does not surpass his master.”
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
“Shadow is the diminution alike of light and of darkness, and stands between darkness and light.”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
“Love, Fear, and Esteem, — Write these on three stones.”
"Of servants"
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations
“Our body is dependent on heaven and heaven on the Spirit.”
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
“To speak well of a base man is much the same as speaking ill of a good man.”
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
As quoted in The 48 Laws of Power (2000) by Robert Greene, p. 33
“One can have no smaller or greater mastery than mastery of oneself.”
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Variant: You can have no dominion greater or less than that over yourself.
“Art is never finished, only abandoned.”
Variant: Art is never finished, only abandoned.
“As a day well spent procures a happy sleep, so a life well employed procures a happy death.”
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
Context: Though I may not, like them, be able to quote other authors, I shall rely on that which is much greater and more worthy — on experience, the mistress of their Masters. They go about puffed up and pompous, dressed and decorated with [the fruits], not of their own labours, but of those of others. And they will not allow me my own. They will scorn me as an inventor; but how much more might they — who are not inventors but vaunters and declaimers of the works of others — be blamed.
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: Drawing is based upon perspective, which is nothing else than a thorough knowledge of the function of the eye. And this function simply consists in receiving in a pyramid the forms and colours of all the objects placed before it. I say in a pyramid, because there is no object so small that it will not be larger than the spot where these pyramids are received into the eye. Therefore, if you extend the lines from the edges of each body as they converge you will bring them to a single point, and necessarily the said lines must form a pyramid.
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Context: The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen. If you, historians, or poets, or mathematicians had not seen things with your eyes you could not report of them in writing. And if you, O poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness and less tedious to be understood. And if you call painting dumb poetry, the painter may call poetry blind painting. Now which is the worse defect? to be blind or dumb? Though the poet is as free as the painter in the invention of his fictions they are not so satisfactory to men as paintings; for, though poetry is able to describe forms, actions and places in words, the painter deals with the actual similitude of the forms, in order to represent them. Now tell me which is the nearer to the actual man: the name of man or the image of the man. The name of man differs in different countries, but his form is never changed but by death.
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: The body of the atmosphere is full of infinite radiating pyramids produced by the objects existing in it. These intersect and cross each other with independent convergence without interfering with each other and pass through all the surrounding atmosphere; and are of equal force and value — all being equal to each, each to all. And by means of these, images of the body are transmitted everywhere and on all sides, and each receives in itself every minutest portion of the object that produces it.
“The point, being indivisible, occupies no space. That which occupies no space is nothing.”
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: The point, being indivisible, occupies no space. That which occupies no space is nothing. The limiting surface of one thing is the beginning of another.
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Context: When you wish to represent a man speaking to a number of people, consider the matter of which he has to treat and adapt his action to the subject. Thus, if he speaks persuasively, let his action be appropriate to it. If the matter in hand be to set forth an argument, let the speaker, with the fingers of the right hand hold one finger of the left hand, having the two smaller ones closed; and his face alert, and turned towards the people with mouth a little open, to look as though he spoke; and if he is sitting let him appear as though about to rise, with his head forward. If you represent him standing make him leaning slightly forward with body and head towards the people. These you must represent as silent and attentive, all looking at the orator's face with gestures of admiration; and make some old men in astonishment at the things they hear, with the corners of their mouths pulled down and drawn in, their cheeks full of furrows, and their eyebrows raised, and wrinkling the forehead where they meet.
“Light is the chaser away of darkness. Shade is the obstruction of light.”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
Context: Light is the chaser away of darkness. Shade is the obstruction of light. Primary light is that which falls on objects and causes light and shade. And derived lights are those portions of a body which are illuminated by the primary light. A primary shadow is that side of a body on which the light cannot fall.
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Context: O Time! consumer of all things; O envious age! thou dost destroy all things and devour all things with the relentless teeth of years, little by little in a slow death. Helen, when she looked in her mirror, seeing the withered wrinkles made in her face by old age, wept and wondered why she had twice been carried away.
Of dreams
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings
Context: Men will seem to see new destructions in the sky. The flames that fall from it will seem to rise in it and to fly from it with terror. They will hear every kind of animals speak in human language. They will instantaneously run in person in various parts of the world, without motion. They will see the greatest splendour in the midst of darkness. O! marvel of the human race! What madness has led you thus! You will speak with animals of every species and they with you in human speech. You will see yourself fall from great heights without any harm and torrents will accompany you, and will mingle with their rapid course.
“The body which is nearest to the light casts the largest shadow, and why?”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
Context: The body which is nearest to the light casts the largest shadow, and why? If an object placed in front of a single light is very close to it you will see that it casts a very large shadow on the opposite wall, and the farther you remove the object from the light the smaller will the image of the shadow become.
“Learning acquired in youth arrests the evil of old age”
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Context: Learning acquired in youth arrests the evil of old age; and if you understand that old age has wisdom for its food, you will so conduct yourself in youth that your old age will not lack for nourishment.
"Of the Cruelty of Man"
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings
Context: Animals will be seen on the earth who will always be fighting against each other with the greatest loss and frequent deaths on each side. And there will be no end to their malignity; by their strong limbs we shall see a great portion of the trees of the vast forests laid low throughout the universe; and, when they are filled with food the satisfaction of their desires will be to deal death and grief and labour and wars and fury to every living thing; and from their immoderate pride they will desire to rise towards heaven, but the too great weight of their limbs will keep them down. Nothing will remain on earth, or under the earth or in the waters which will not be persecuted, disturbed and spoiled, and those of one country removed into another. And their bodies will become the sepulture and means of transit of all they have killed.
O Earth! why dost thou not open and engulf them in the fissures of thy vast abyss and caverns, and no longer display in the sight of heaven such a cruel and horrible monster.
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Context: A picture or representation of human figures, ought to be done in such a way as that the spectator may easily recognise, by means of their attitudes, the purpose in their minds. Thus, if you have to represent a man of noble character in the act of speaking, let his gestures be such as naturally accompany good words; and, in the same way, if you wish to depict a man of a brutal nature, give him fierce movements; as with his arms flung out towards the listener, and his head and breast thrust forward beyond his feet, as if following the speaker's hands. Thus it is with a deaf and dumb person who, when he sees two men in conversation — although he is deprived of hearing — can nevertheless understand, from the attitudes and gestures of the speakers, the nature of their discussion.
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Context: Every action needs to be prompted by a motive. To know and to will are two operations of the human mind. Discerning, judging, deliberating are acts of the human mind.
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: The air is filled with endless images of the objects distributed in it; and all are represented in all, and all in one, and all in each, whence it happens that if two mirrors are placed in such a manner as to face each other exactly, the first will be reflected in the second and the second in the first. The first being reflected in the second takes to it the image of itself with all the images represented in it, among which is the image of the second mirror, and so, image within image, they go on to infinity in such a manner as that each mirror has within it a mirror, each smaller than the last and one inside the other. Thus, by this example, it is clearly proved that every object sends its image to every spot whence the object itself can be seen; and the converse: That the same object may receive in itself all the images of the objects that are in front of it.
Source: The Notebooks of Leonardo Da Vinci (1938), I Philosophy, p. 91
Context: He who suffers time to slip away and does not grow in virtue the more one thinks about him the sadder one becomes. No man has a capacity for virtue who sacrifices honour for gain. Fortune is powerless to help one who does not exert himself. That man becomes happy who follows Christ. There is no perfect gift without great suffering. Our triumphs and our pomps pass away; gluttony and sloth and enervating luxury have banished every virtue from the world; so that as it were wandering from its course our nature is subdued by habit. Now and henceforth it is meet that you cure yourself of laziness. The Master has said that sitting on down or lying under the quilts will not bring thee to fame. He who without it has frittered life away leaves no more trace of himself upon the earth than smoke does in the air or the foam on the water.
“Men will seem to see new destructions in the sky.”
Of dreams
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings
Context: Men will seem to see new destructions in the sky. The flames that fall from it will seem to rise in it and to fly from it with terror. They will hear every kind of animals speak in human language. They will instantaneously run in person in various parts of the world, without motion. They will see the greatest splendour in the midst of darkness. O! marvel of the human race! What madness has led you thus! You will speak with animals of every species and they with you in human speech. You will see yourself fall from great heights without any harm and torrents will accompany you, and will mingle with their rapid course.
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: All objects project their whole image and likeness, diffused and mingled in the whole of the atmosphere, opposite to themselves. The image of every point of the bodily surface, exists in every part of the atmosphere. All the images of the objects are in every part of the atmosphere.
“Shadow partakes of the nature of universal matter.”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
Context: Shadow partakes of the nature of universal matter. All such matters are more powerful in their beginning and grow weaker towards the end, I say at the beginning, whatever their form or condition may be and whether visible or invisible. And it is not from small beginnings that they grow to a great size in time; as it might be a great oak which has a feeble beginning from a small acorn. Yet I may say that the oak is most powerful at its beginning, that is where it springs from the earth, which is where it is largest.
Folks little indebted to Nature, since it is only by chance that they wear the human form and without it I might class them with the herds of beasts.
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
“What is called Nothingness is to be found only in time and in speech.”
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Context: What is called Nothingness is to be found only in time and in speech. In time it stands between the past and future and has no existence in the present; and thus in speech it is one of the things of which we say: They are not, or they are impossible.
“Nothing is that which fills no space.”
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: Nothing is that which fills no space. If one single point placed in a circle may be the starting point of an infinite number of lines, and the termination of an infinite number of lines, there must be an infinite number of points separable from this point, and these when reunited become one again; whence it follows that the part may be equal to the whole.
“The eye — which sees all objects reversed — retains the images for some time.”
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
Context: The eye — which sees all objects reversed — retains the images for some time. This conclusion is proved by the results; because, the eye having gazed at light retains some impression of it. After looking (at it) there remain in the eye images of intense brightness, that make any less brilliant spot seem dark until the eye has lost the last trace of the impression of the stronger light.
“The boundaries of bodies are the least of all things.”
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: The boundaries of bodies are the least of all things. The proposition is proved to be true, because the boundary of a thing is a surface, which is not part of the body contained within that surface; nor is it part of the air surrounding that body, but is the medium interposted between the air and the body, as is proved in its place.
“There will be great winds by reason of which things of the East will become things of the West”
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings
Context: There will be great winds by reason of which things of the East will become things of the West; and those of the South, being involved in the course of the winds, will follow them to distant lands.
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Context: Amid the vastness of the things among which we live, the existence of nothingness holds the first place; its function extends over all things that have no existence, and its essence, as regards time, lies precisely between the past and the future, and has nothing in the present. This nothingness has the part equal to the whole, and the whole to the part, the divisible to the indivisible; and the product of the sum is the same whether we divide or multiply, and in addition as in subtraction; as is proved by arithmeticians by their tenth figure which represents zero; and its power has not extension among the things of Nature.
“Shadow is not the absence of light, merely the obstruction of the luminous rays by an opaque body.”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
Context: Shadow is not the absence of light, merely the obstruction of the luminous rays by an opaque body. Shadow is of the nature of darkness. Light is of the nature of a luminous body; one conceals and the other reveals. They are always associated and inseparable from all objects. But shadow is a more powerful agent than light, for it can impede and entirely deprive bodies of their light, while light can never entirely expel shadow from a body, that is from an opaque body.
“The name of man differs in different countries, but his form is never changed but by death.”
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Context: The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen. If you, historians, or poets, or mathematicians had not seen things with your eyes you could not report of them in writing. And if you, O poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness and less tedious to be understood. And if you call painting dumb poetry, the painter may call poetry blind painting. Now which is the worse defect? to be blind or dumb? Though the poet is as free as the painter in the invention of his fictions they are not so satisfactory to men as paintings; for, though poetry is able to describe forms, actions and places in words, the painter deals with the actual similitude of the forms, in order to represent them. Now tell me which is the nearer to the actual man: the name of man or the image of the man. The name of man differs in different countries, but his form is never changed but by death.
