L. Frank Baum: Quotes about people

L. Frank Baum was Children's writer, editor, journalist, screenwriter. Explore interesting quotes on people.
L. Frank Baum: 216   quotes 5   likes

“One might think you knew all about witches, to hear you chatter. But your words prove you to be very ignorant of the subject. You may find good people and bad people in the world; and so, I suppose, you may find good witches and bad witches.”

"The Witchcraft of Mary-Marie", in Baum's American Fairy Tales (1908)
Short stories
Context: "But what can I do?" cried she, spreading out her arms helplessly. "I can not hew down trees, as my father used; and in all this end of the king's domain there is nothing else to be done. For there are so many shepherds that no more are needed, and so many tillers of the soil that no more can find employment. Ah, I have tried; hut no one wants a weak girl like me."
"Why don't you become a witch?" asked the man.
"Me!" gasped Mary-Marie, amazed. "A witch!"
"Why not?” he inquired, as if surprised.
"Well," said the girl, laughing. "I'm not old enough. Witches, you know, are withered dried-up old hags."
"Oh, not at all!" returned the stranger.
"And they sell their souls to Satan, in return for a knowledge of witchcraft," continued Mary-Marie more seriously.
"Stuff and nonsense!" cried the stranger angrily.
“And all the enjoyment they get in life is riding broomsticks through the air on dark nights," declared the girl.
"Well, well, well!" said the old man in an astonished tone. "One might think you knew all about witches, to hear you chatter. But your words prove you to be very ignorant of the subject. You may find good people and bad people in the world; and so, I suppose, you may find good witches and bad witches. But I must confess most of the witches I have known were very respectable, indeed, and famous for their kind actions."
"Oh. I'd like to be that kind of witch!" said Mary-Marie, clasping her hands earnestly.

“If your heads were stuffed with straw, like mine, you would probably all live in the beautiful places, and then Kansas would have no people at all. It is fortunate for Kansas that you have brains.”

Source: The Wonderful Wizard of Oz (1900)
Context: The Scarecrow listened carefully, and said, "I cannot understand why you should wish to leave this beautiful country and go back to the dry, gray place you call Kansas."
"That is because you have no brains" answered the girl. "No matter how dreary and gray our homes are, we people of flesh and blood would rather live there than in any other country, be it ever so beautiful. There is no place like home."
The Scarecrow sighed.
"Of course I cannot understand it," he said. "If your heads were stuffed with straw, like mine, you would probably all live in the beautiful places, and then Kansas would have no people at all. It is fortunate for Kansas that you have brains."

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays