L. Frank Baum Quotes
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Lyman Frank Baum was an American author chiefly famous for his children's books, particularly The Wonderful Wizard of Oz and its sequels. He wrote 14 novels in the Oz series, plus 41 other novels, 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and the nascent medium of film; the 1939 adaptation of the first Oz book would become a landmark of 20th-century cinema. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers , wireless telephones , women in high-risk and action-heavy occupations , and the ubiquity of advertising on clothing .



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✵ 15. May 1856 – 6. May 1919
L. Frank Baum photo
L. Frank Baum: 108   quotes 5   likes

L. Frank Baum Quotes

“Now we can cross the Shifting Sands.”

Last words, to his wife Maud (6 May 1919), as quoted in Uncovering Lives : The Uneasy Alliance of Biography and Psychology (1994) by Alan C. Elms, p. 154

“It is a callous age; we have seen so many marvels that we are ashamed to marvel more; the seven wonders of the world have become seven thousand wonders.”

"Julius Caesar: An Appreciation of the Hollywood Production" in The Mercury (15 June 1916)
Letters and essays

“If any of us takes a rest,
We'll be arrested sure,
And get no restitution
'Cause the rest we must endure.”

The Patchwork Girl of Oz (1913), Ch. 6 : The Journey
Later Oz novels

“The absurd and legendary devil is the enigma of the Church.”

The Aberdeen Saturday Pioneer (18 October 1890)
The Aberdeen Saturday Pioneer (1890 and 1891)

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

“Then he was wrong to have been born at all. Cheek- eek-eek-eek, oo, hoo!”

chuckled Rinkitink, his fat body shaking with merriment. "But it's hard to prevent oneself from being born; there's no chance for protest, eh, Bilbil?"
Rinkitink of Oz (1916), Ch. 5 : The Three Pearls
Later Oz novels