James Jones: Trending quotes (page 2)

“I don't think that combat has ever been written about truthfully; it has always been described in terms of bravery and cowardice. I won't even accept these words as terms of human reference any more. And anyway, hell, they don't even apply to what, in actual fact, modern warfare has become.”

James Jones

Comment mentioning his work on The Thin Red Line.
The Paris Review interview (1958)
Context: I am at the moment trying to write a novel, a combat novel, which, in addition to being a work which tells the truth about warfare as I saw it, would free all these young men from the horseshit which has been engrained in them by my generation. I don't think that combat has ever been written about truthfully; it has always been described in terms of bravery and cowardice. I won't even accept these words as terms of human reference any more. And anyway, hell, they don't even apply to what, in actual fact, modern warfare has become.

Hell , Thinking

“The first note was clear and absolutely certain. There was no question or stumbling in this bugle.”

James Jones book From Here to Eternity

Robert E. Lee Prewitt playing Taps
From Here to Eternity (1951)
Context: He looked at his watch and as the second hand touched the top stepped up and raised the bugle to the megaphone, and the nervousness dropped from him like a discarded blouse, and he was suddenly alone, gone away from the rest of them.
The first note was clear and absolutely certain. There was no question or stumbling in this bugle. It swept across the quadrangle positively, held just a fraction longer than most buglers hold it. Held long like the length of time, stretching away from weary day to weary day. Held long like thirty years. The second note was short, almost too abrupt. Cut short and soon gone, like the minutes with a whore. Short like a ten minute break is short. And then the last note of the first phrase rose triumphantly from the slightly broken rhythm, triumphantly high on an untouchable level of pride above the humiliations, the degradations.
He played it all that way, with a paused then hurried rhythm that no metronome could follow. There was no placid regimented tempo to Taps. The notes rose high in the air and hung above the quadrangle. They vibrated there, caressingly, filled with an infinite sadness, an endless patience, a pointless pride, the requiem and epitaph of the common soldier, who smelled like a common soldier, as a woman had once told him. They hovered like halos over the heads of sleeping men in the darkened barracks, turning all the grossness to the beauty that is the beauty of sympathy and understanding. Here we are, they said, you made us, now see us, dont close your eyes and shudder at it; this beauty, and this sorrow, of things as they are.

Question

“But the thing is that Fatso doesn't even know why he is being killed; and when Prewitt sees that, he realizes what a fruitless thing he has done.”

James Jones

The Paris Review interview (1958)
Context: The perfect ideal would be that a man who is essentially nonviolent would be able to defend himself against any form of violence. But this is very rare in life. But this raises one of the most important themes in Eternity, why Prewitt does not shoot back at the MPs who kill him as he tries to get back to his unit after his murder of Fatso Judson. You see, when Prewitt kills Fatso he is carrying the theory of vengeance by violence to its final logical end. But the thing is that Fatso doesn't even know why he is being killed; and when Prewitt sees that, he realizes what a fruitless thing he has done.

“Also by the way, I have found a title for this book. From Here to Eternity.”

James Jones

Letter to Maxwell Perkins (21 October 1946); p. 80
To Reach Eternity (1989)
Context: Also by the way, I have found a title for this book. From Here to Eternity. Taken from the "Whiffenpoof" song, of Yale drinking fame. It goes: "We are little black sheep who have gone astray, baa... baa... baa. Gentlemen songsters out on a spree, damned from here to eternity. God have mercy on such as we. Baa, etc." Maybe it's maudlin, but so am I. I get chills every time I sing it, even when sober.

Books , Way

“If I never meet you
In this life
Let me feel the lack
A glance from your eyes
Then my life
Will be yours”

James Jones book The Thin Red Line

Source: The Thin Red Line

Life , Feeling

“The main trouble with being an honest man was that it lost you all your illusions.”

James Jones book From Here to Eternity

Source: From Here to Eternity

“War don't ennoble men, it turns 'em into dogs. It poisons the soul.”

James Jones book The Thin Red Line

Source: The Thin Red Line

Men , War , Dogs , Soul

“The little bit you and me might change the world," Malloy smiled, "it wouldnt show up until a hundred years after we were dead. We'd never see it."

"But it'd be there.”

James Jones book From Here to Eternity

Source: From Here to Eternity

World , Smile , Change , Dead

“Being in love made you especially vulnerable.”

James Jones

Love

“Somewhere along the line, he thought, these things have become your heritage. You are multiplied by each sound that you hear. And you cannot deny them, without denying with them the purpose of your own existence. Yet now, he told himself, you are denying them, by renouncing the place that they have given you.”

James Jones book From Here to Eternity

From Here to Eternity (1951)

“We got the word that the four of them were coming a month before they arrived. Scattered all across the country in the different hospitals as we were, it was amazing how fast word of any change got back to us. When it did, we passed it back and forth among ourselves by letter or post card. We had our own private network of communications flung all across the map of the nation.
There were only four of them this time. But what an important four. Winch. Strange. Prell. And Landers. About the four most important men the company had held.”

James Jones book Whistle

First lines.
Whistle (1978)

Men , Communication , Change , Time

“Unofficially, nobody really minded the clap. It was a joke to those who had never had it and to those who had been over it for a while. No worse than a bad cold, they said. Apparently the only time it was not a joke was when you had it. And instead of hurting your unofficial reputation it boosted you a notch, it was like getting a wound stripe. They said that in Nicaragua they used to give out Purple Hearts.
But officially it hurt your Service Record, and it automatically lost you your rating. On your papers it put a stigma on you. When he put in to get back in the Bugle Corps, he found that while he was away they had suddenly gone over-strength. He went back on straight duty for the rest of his enlistment.”

James Jones book From Here to Eternity

From Here to Eternity (1951)

Time , Heart , Hurt

“I'm really serious about this writing thing. What time I haven't been writing, I've been reading: Thomas Wolfe, if you know who he is. His writing is mostly built about the central character of a writer, himself. Altho it's fiction, it deals with his life and experiences. In my opinion, little as it's worth, he is the greatest writer that has lived, Shakespeare included. He is a genius.”

James Jones

Letter to his brother Jeff, from Hawaii (7 April 1941); p. 11
To Reach Eternity (1989)

Life , Wolf , Time , Reading

“I have discovered only two writers whom I can take all the way, or at least nearly so; and those are Scott Fitzgerald and Tom Wolfe. I think Hemingway is confused on lots of things, just as I think the Fountainhead was confused; but I also think both are magnificently right in many things.)”

James Jones

Letter to Maxwell Perkins (21 October 1946); p. 77
To Reach Eternity (1989)

Way , Thinking , Wolf

“My grandfather had a saying he used to say to me when I was a kid… "always remember that I'm always for you, but I'd rather be for you when you're right than when you're wrong." Well, that's the way I feel about America. There's no use trying to say we haven't done a lot of things that were bad. We have.”

James Jones

The Paris Review interview (1958)

Way , Feeling

“I want to make everybody in the world groan with the inevitability of sorrow.”

James Jones

As quoted in Into Eternity : The Life of James Jones, American Writer (1985) by Frank MacShane, p. 305

World

“You have to really work at it to write. I guess there has to be talent first; but even with talent you still have to work at it, to write.”

James Jones

The Paris Review interview (1958)

“Here's the way I wrote in one of the things I wrote a while back: "But since he had been in the army, he had come to understand his ungraspable longing and his phantasmal and belly-shrinking dissatisfaction: there were such things he wanted to be, to do, to write: He wanted to be the voice that shrieked out the agony of frustration and lostness and despair and loneliness, that all men feel, yet cannot understand; the voice that rolled forth the booming, intoxicating laughter of men's joy; the voice that richly purred men's love of good hot food and spicy strong drink; men's love of thick, moist, pungent tobacco smoke on a full belly; men's love of woman: voluptuous, throaty voiced, silken-thighed, and sensual."”

James Jones

I suppose that sounds an awful lot like Wolfe, but if it does, it's exactly the way I feel.
Letter to his brother Jeff, from Hawaii (7 April 1941); p. 13
To Reach Eternity (1989)

Love , Men , Food , Way

“"You've killed me. Why'd you want to kill me," he said, and died. The expression of hurt surprise and wounded reproach and sheer inability to understand stayed on his face like a forgotten suitcase left at the station, and gradually hardened there. Prew stood looking down at him, still shocked by the reproving question.”

James Jones book From Here to Eternity

From Here to Eternity (1951)

Understanding , Question , Hurt

“There're so many young guys, you know — young Americans and, yes, young men everywhere — a whole generation of people younger than me who have grown up feeling inadequate as men because they haven't been able to fight in a war and find out whether they are brave or not. Because it is in an effort to prove this bravery that we fight — in wars or in bars — whereas if a man were truly brave he wouldn't have to be always proving it to himself. So therefore I am forced to consider bravery suspect, and ridiculous, and dangerous. Because if there are enough young men like that who feel strongly enough about it, they can almost bring on a war, even when none of them want it, and are in fact struggling against having one. (And as far as modern war is concerned I am a pacifist. Hell, it isn't even war anymore, as far as that goes. It's an industry, a big business complex.) And it's a ridiculous thing because this bravery myth is something those young men should be able to laugh at. Of course the older men like me, their big brothers, and uncles, and maybe even their fathers, we don't help them any. Even those of us who don't openly brag. Because all the time we are talking about how scared we were in the war, we are implying tacitly that we were brave enough to stay. Whereas in actual fact we stayed because we were afraid of being laughed at, or thrown in jail, or shot, as far as that goes.”

James Jones

The Paris Review interview (1958)

Men , War , People , Guy