"Introduction" to Diary of a Genius (1974) by Salvador Dalí
Context: The uneasy marriage of reason and nightmare which has dominated the 20th century has given birth to an increasingly surreal world. More and more, we see that the events of our own times make sense in terms of surrealism rather than any other view — whether the grim facts of the death-camps, Hiroshima and Viet Nam, or our far more ambiguous unease at organ transplant surgery and the extra-uterine foetus, the confusions of the media landscape with its emphasis on the glossy, lurid and bizarre, its hunger for the irrational and sensational. The art of Salvador Dalí, an extreme metaphor at a time when only the extreme will do, constitutes a body of prophecy about ourselves unequaled in accuracy since Freud's "Civilization And Its Discontents". Voyeurism, self-disgust, the infantile basis of our fears and longings, and our need to pursue our own psychopathologies as a game — these diseases of the psyche Dali has diagnosed with dismaying accuracy. His paintings not only anticipate the psychic crisis which produced our glaucous paradise, but document the uncertain pleasures of living within it. The great twin leitmotifs of the 20th century — sex and paranoia — preside over his life, as over ours.
J. G. Ballard: Trending quotes (page 3)
J. G. Ballard trending quotes. Read the latest quotes in collectionInterview (30 October 1982) in Re/Search no. 8/9 (1984)
As quoted in J. G. Ballard Quotes : Does The Future Have A Future? (2004) edited by V. Vale and Mike Ryan
As quoted in "Age of unreason" by Jeannette Baxter in The Guardian (22 June 2004)
As quoted in "some ideas for free from time recording" by Emit Records (1995) https://archive.is/20130628060534/www.emit.cc/img/catalog-page9.jpg
"Fictions of Every Kind" in Books and Bookmen (February 1971)
The benign catastrophist (2003)
“In a totally sane society, madness is the only freedom.”
Running Wild (1988)
"Project for a Glossary of the Twentieth Century" originally published in Zone (1992)
A User's Guide to the Millennium (1996)
"The Consumer Consumed", originally published in Ink (1971)
A User's Guide to the Millennium (1996)
"Paula Hamilton"
Cocaine Nights (1996)
“Sooner or later, all games become serious.”
"J.G. Ballard, Super-Cannes"
Super-Cannes (2000)
“Psychiatrists — the dominant lay priesthood since the First World War…”
"The Lure of the Madding Crowd", review of The Faber Book of Madness, edited by Roy Porter, originally published in The Independent on Sunday (1991)
A User's Guide to the Millennium (1996)
Source: High-Rise (1975), Ch. 8
if there is such a thing
Interview in Penthouse (September 1970)
Interview in Metaphors No. 7, (1983)
Conversation with George MacBeth on Third Programme (BBC) (1 February 1967), published in The New S.F. (1969), edited by Langdon Jones
As quoted in "Age of unreason" by Jeannette Baxter in The Guardian (22 June 2004)
“I wanted to rub the human face in its own vomit and force it to look in the mirror.”
On the reasons why he wrote Crash, as quoted in "From Wales, A World Apart" by Jeff Miers in Buffalo News (7 January 2005); also in "The Body Horrific : Cronenberg Classics at the IFC Center" by David Sharko at Tribeca Film (17 February 2009) http://www.tribecafilm.com/news-features/features/david_cronenberg.html
Unsourced variant: "I wanted to rub humanity's face in its own vomit and force it to look in the mirror."
Source: High-Rise (1975), Ch. 2