Hermann Hesse: Use
Hermann Hesse was German writer. Explore interesting quotes on use.
Source: Demian (1919), p. 147
Context: Certainly you shouldn't go kill somebody or rape a girl, no! But you haven't reached the point where you can understand the actual meaning of "permitted" and "forbidden." You've only sensed part of the truth. You will feel the other part, too, you can depend on it. For instance, for about a year you have had to struggle with a drive that is stronger than any other and which is considered "forbidden." The Greeks and many other peoples, on the other hand, elevated this drive, made it divine and celebrated it in great feasts. What is forbidden, in other words, is not something eternal; it can change. Anyone can sleep with a woman as soon as he's been to a pastor with her and has married her, yet other races do it differently, even nowadays. Each of us has to find out for himself what is permitted and what is forbidden — forbidden for him. It's possible for one never to transgress a single law and still be a bastard. And vice versa. Actually it's only a question of convenience. Those who are too lazy and comfortable to think for themselves and be their own judges obey the laws. Others sense their own laws within them; things are forbidden to them that every honorable man will do any day in the year and other things are allowed to them that are generally despised. Each person must stand on his own feet.
Wenn wir einen Menschen hassen, so hassen wir in seinem Bild etwas, was in uns selber sitzt. Was nicht in uns selber ist, das regt uns nicht auf.
Source: Demian (1919), p. 182
Steppenwolf (1927)
Context: “It is not a good thing when man overstrains his reason and tries to reduce to rational order matters that are no susceptible of rational treatment. Then there are ideals such as those of the Americans or Bolsheviks. Both are extraordinarily rational, and both lead to a frightful oppression and impoverishment of life, because they simplify it so crudely. The likeness of man, once a high ideal, is in process of becoming a machinemade article. It is for madmen like us, perhaps, to ennoble it again.”
Source: Gertrude (1910), p. 236
Context: It was no different with my own life, and with Gertrude's and that of many others. Fate was not kind, life was capricious and terrible, and there was no good or reason in nature. But there is good and reason in us, in human beings, with whom fortune plays, and we can be stronger than nature and fate, if only for a few hours. And we can draw close to one another in times of need, understand and love one another, and live to comfort each other. And sometimes, when the black depths are silent, we can do even more. We can then be gods for moments, stretch out a commanding hand and create things which were not there before and which, when they are created, continue to live without us. Out of sounds, words, and other frail and worthless things, we can construct playthings — songs and poems full of meaning, consolation and goodness, more beautiful and enduring than the grim sport of fortune and destiny. We can keep the spirit of God in our hearts and, at times, when we are full of Him, He can appear in our eyes and our words, and also talk to others who do no know or do not wish to know Him. We cannot evade life's course, but we can school ourselves to be superior to fortune and also to look unflinchingly upon the most painful things.
“We create gods and struggle with them, and they bless us.”
Source: Demian (1919), p. 188
Context: We aren't pigs as you seem to think, but human beings. We create gods and struggle with them, and they bless us.
“Us speeding on to fresh and newer spaces”
The Glass Bead Game (1943)
The Glass Bead Game (1943)
Siddhartha (1922)
“And life may summon us to newer races.”
The Glass Bead Game (1943)
“Serenely let us move to distant places”
The Glass Bead Game (1943)
“For guarding us and helping us to live.”
The Glass Bead Game (1943)
“Since life may summon us at every age”
The Glass Bead Game (1943)
Peter Camenzind (1904)
Steppenwolf (1927)
“And let no sentiments of home detain us.”
The Glass Bead Game (1943)