Henri Cartier-Bresson: Photography

Henri Cartier-Bresson was French photographer. Explore interesting quotes on photography.
Henri Cartier-Bresson: 66   quotes 13   likes

“I hate looking at photography books or illustrated magazines. This is not because of contempt. I’d rather look at contact sheets: that is where you can sense the individual.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Only Geometricians May Enter: Interview with Yves Bourde (1974), p. 62

Hate , Books , Sense

“There are photographers who invent, others who discover. Personally, I am interested in discoveries, not for the trials or experiences but to capture life itself. I flee from the dangers of the anecdote and the picturesque, which are very easy and better than sensational, but quite as bad. To my mind, photography has the power to evoke, and must not simply document. We have to be abstract, just like nature.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, To Seize Life: Interview with Yvonne Baby (1961), p. 44

Life , Nature , Personality

“Photography has fulfilled my adventurous side: it is a real trade. I behaved like a thief in every country where I went, in China, in Africa, in America… all things considered, our trade is situated somewhere between pickpocket and tightrope walker… yes, we steal from people, we take something that belongs to them: their image, their culture.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Photographing Is Nothing, Looking Is Everything! Interview with Philippe Boegner (1989), p. 114

People , Country

“Photography is solitary work. There is emulation. It is interesting to know what other people do. Even so, writers do not read everything that is published. A painter does not look at everything. You have to choose. It’s reality, it’s life that is important. We shouldn’t be sniffing around each other all the time, looking….”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, The Main Thing Is Looking: Interview with Alain Desvergnes (1979), p. 75

Life , People , Reality , Time

“But with photography as with drawing or painting, once it is done I want to know whether it holds together or not. That is the real critique. I couldn’t care less if the person to whom I show what I do likes it or not — it takes all sorts to make a world and all that. To criticize is to put oneself in someone else’s shoes and try to figure out what they wanted to do. Only the “why” of things is important to me.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, We Always Talk Too Much: Conversation with Pierre Assouline (1994), p. 132

World , Shoe , Drawing , Painting

“Photography has never been a problem for me, [what is important] is looking, the way of looking, of questioning with your eyes: I don’t think; I am impulsive, it is /looking/ that’s important, not photography. Now, since I have started drawing, I’ve merely switched tools, but it is still looking that’s important. To look the right way, one should learn to become a deaf-mute.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Photographing Is Nothing, Looking Is Everything! Interview with Philippe Boegner (1989), p. 113

Way , Question , Problem , Thinking

“This book [Zen in the Art of Archery], by Herrigel, which I discovered a few years ago, seems to me fundamental to our profession as photographers. Matisse wrote similarly about drawing: set a discipline, make rigor a rule, forget oneself completely. And in photography the attitude must be the same: detach oneself, do not try to prove anything at all. My sense of freedom is the same: a frame that allows any variation. This is the basis of Zen Buddhism, the evidence: that you go in with great force and then you succeed in forgetting yourself.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Only Geometricians May Enter: Interview with Yves Bourde (1974), p. 65

Books , Art , Sense , Freedom