George Eliot: Making

George Eliot was English novelist, journalist and translator. Explore interesting quotes on making.
George Eliot: 600   quotes 47   likes

“What do we live for, if it is not to make life less difficult to each other?”

George Eliot book Middlemarch

Middlemarch (1871)
Context: What do we live for, if it is not to make life less difficult to each other? I cannot be indifferent to the troubles of a man who advised me in my trouble, and attended me in my illness.

Relationship , Life

“There are few prophets in the world; few sublimely beautiful women; few heroes. I can't afford to give all my love and reverence to such rarities: I want a great deal of those feelings for my every-day fellow-men, especially for the few in the foreground of the great multitude, whose faces I know, whose hands I touch for whom I have to make way with kindly courtesy.”

George Eliot book Adam Bede

Adam Bede (1859)
Context: All honour and reverence to the divine beauty of form! Let us cultivate it to the utmost in men, women, and children — in our gardens and in our houses. But let us love that other beauty too, which lies in no secret of proportion, but in the secret of deep human sympathy. Paint us an angel, if you can, with a floating violet robe, and a face paled by the celestial light; paint us yet oftener a Madonna, turning her mild face upward and opening her arms to welcome the divine glory; but do not impose on us any aesthetic rules which shall banish from the region of Art those old women scraping carrots with their work-worn hands, those heavy clowns taking holiday in a dingy pot-house, those rounded backs and stupid weather-beaten faces that have bent over the spade and done the rough work of the world — those homes with their tin pans, their brown pitchers, their rough curs, and their clusters of onions. In this world there are so many of these common coarse people, who have no picturesque sentimental wretchedness! It is so needful we should remember their existence, else we may happen to leave them quite out of our religion and philosophy and frame lofty theories which only fit a world of extremes. Therefore, let Art always remind us of them; therefore let us always have men ready to give the loving pains of a life to the faithful representing of commonplace things — men who see beauty in these commonplace things, and delight in showing how kindly the light of heaven falls on them. There are few prophets in the world; few sublimely beautiful women; few heroes. I can't afford to give all my love and reverence to such rarities: I want a great deal of those feelings for my every-day fellow-men, especially for the few in the foreground of the great multitude, whose faces I know, whose hands I touch for whom I have to make way with kindly courtesy.

Love , Women , Men , World

“So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.”

George Eliot

O May I Join the Choir Invisible (1867)

Life , World , Music

“While the heart beats, bruise it — it is your only opportunity; while the eye can still turn towards you with moist, timid entreaty, freeze it with an icy unanswering gaze; while the ear, that delicate messenger to the inmost sanctuary of the soul, can still take in the tones of kindness, put it off with hard civility, or sneering compliment, or envious affectation of indifference; while the creative brain can still throb with the sense of injustice, with the yearning for brotherly recognition — make haste — oppress it with your ill-considered judgements, your trivial comparisons, your careless misrepresentations.”

George Eliot book The Lifted Veil

The Lifted Veil (1859); Eliot here quotes the Latin epitaph of Jonathan Swift, translated as "Where savage indignation can lacerate his heart no more" · The Lifted Veil online at Wikisource
Context: I wish to use my last hours of ease and strength in telling the strange story of my experience. I have never fully unbosomed myself to any human being; I have never been encouraged to trust much in the sympathy of my fellow-men. But we have all a chance of meeting with some pity, some tenderness, some charity, when we are dead: it is the living only who cannot be forgiven — the living only from whom men's indulgence and reverence are held off, like the rain by the hard east wind. While the heart beats, bruise it — it is your only opportunity; while the eye can still turn towards you with moist, timid entreaty, freeze it with an icy unanswering gaze; while the ear, that delicate messenger to the inmost sanctuary of the soul, can still take in the tones of kindness, put it off with hard civility, or sneering compliment, or envious affectation of indifference; while the creative brain can still throb with the sense of injustice, with the yearning for brotherly recognition — make haste — oppress it with your ill-considered judgements, your trivial comparisons, your careless misrepresentations. The heart will by and by be still — "ubi saeva indignatio ulterius cor lacerare nequit" the eye will cease to entreat; the ear will be deaf; the brain will have ceased from all wants as well as from all work. Then your charitable speeches may find vent; then you may remember and pity the toil and the struggle and the failure; then you may give due honour to the work achieved; then you may find extenuation for errors, and may consent to bury them.

Soul , Sense , Heart , Indifference

“It is so much easier to make up your mind that your neighbour is good for nothing, than to enter into all the circumstances that would oblige you to modify that opinion.”

George Eliot book Scenes of Clerical Life

"The Sad Fortunes of the Rev. Amos Barton" Ch. 4
Scenes of Clerical Life (1858)
Context: Nice distinctions are troublesome. It is so much easier to say that a thing is black, than to discriminate the particular shade of brown, blue, or green, to which it really belongs. It is so much easier to make up your mind that your neighbour is good for nothing, than to enter into all the circumstances that would oblige you to modify that opinion.

“No evil dooms us hopelessly except the evil we love, and desire to continue in, and make no effort to escape from.”

George Eliot book Daniel Deronda

Source: Daniel Deronda

Love , Effort , Evil

“And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it.”

George Eliot book Middlemarch

Source: Middlemarch

Way

“Our deeds still travel with us from afar/And what we have been makes us what we are.”

George Eliot book Middlemarch

Source: Middlemarch

Travel

“We are all humiliated by the sudden discovery of a fact which has existed very comfortably and perhaps been staring at us in private while we have been making up our world entirely without it.”

George Eliot book Middlemarch

Source: Middlemarch

World

“There is one order of beauty which seems made to turn heads. It is a beauty like that of kittens, or very small downy ducks making gentle rippling noises with their soft bills, or babies just beginning to toddle.”

George Eliot book Adam Bede

Source: Adam Bede

Beauty , Baby

“Pride only helps us to be generous; it never makes us so, any more than vanity makes us witty.”

George Eliot book Middlemarch

Source: Middlemarch

Help

“If you deliver an opinion at all, it is mere stupidity not to do it with an air of conviction and well-founded knowledge. You make it your own in uttering it, and naturally get fond of it.”

George Eliot book The Mill on the Floss

Source: The Mill on the Floss

Stupidity , Nature , Knowledge

“Fancy what a game at chess would be if all the chessmen had passions and intellects, more or less small and cunning; if you were not only uncertain about your adversary's men, but a little uncertain also about your own; if your knight could shuffle himself on to a new square by the sly; if your bishop, in disgust at your castling, could wheedle your pawns out of their places; and if your pawns, hating you because they are pawns, could make away from their appointed posts that you might get checkmate on a sudden. You might be the longest-headed of deducted reasoners, and yet you might be beaten by your own pawns. You would be especially likely to be beaten, if you depended arrogantly on your mathematical imagination, and regarded your passionate pieces with contempt.
Yet this imaginary chess is easy compared with the game a man has to play against his fellow-men with other fellow-men for his instruments. He thinks himself sagacious, perhaps, because he trusts no bond except that of self-interest; but the only self-interest he can safely rely on is what seems to be such to the mind he would use or govern. Can he ever be sure of knowing this?”

George Eliot book Felix Holt, the Radical

Start of Chapter 29 (at page 237)
Felix Holt, the Radical (1866)

Men , Hate , Imagination , Game

“It is true that an observer, under that softening influence of the fine arts which makes other people’s hardships picturesque, might have been delighted with this homestead called Freeman’s End.”

George Eliot book Middlemarch

Middlemarch (1871)

People , Art

“The beings closest to us, whether in love or hate, are often virtually our interpreters of the world, and some feather-headed gentleman or lady whom in passing we regret to take as legal tender for a human being may be acting as a melancholy theory of life in the minds of those who live with them — like a piece of yellow and wavy glass that distorts form and makes colour an affliction. Their trivial sentences, their petty standards, their low suspicions, their loveless ennui, may be making somebody else's life no better than a promenade through a pantheon of ugly idols.”

George Eliot book Daniel Deronda

Daniel Deronda (1876)

Love , Life , Hate , World

“Inclination snatches arguments
To make indulgence seem judicious choice.”

George Eliot

Book 1
The Spanish Gypsy (1868)

“Rosamond felt herself beginning to know a great deal of the world, especially in discovering what when she was in her unmarried girlhood had been inconceivable to her except as a dim tragedy in by-gone costumes— that women, even after marriage, might make conquests and enslave men. Still, vanity, with a woman’s whole mind and day to work in, can construct abundantly on slight hints, especially on such a hint as the possibility of indefinite conquests. How delightful to make captives from the throne of marriage with a husband as crown-prince by your side—himself in fact a subject— while the captives look up forever hopeless, losing their rest probably, and if their appetite too, so much the better!”

George Eliot book Middlemarch

Middlemarch (1871)

Women , Men , Marriage , World

“She could not reconcile the anxieties of a spiritual life involving eternal consequences, with a keen interest in gimp and artificial protrusions of drapery. Her mind was theoretic, and yearned by its nature after some lofty conception of the world which might frankly include the parish of Tipton and her own rule of conduct there; she was enamoured of intensity and greatness, and rash in embracing whatever seemed to her to have those aspects; likely to seek martyrdom, to make retractations, and then to incur martyrdom after all in a quarter where she had not sought it. Certainly such elements in the character of a marriageable girl tended to interfere with her lot, and hinder it from being decided according to custom, by good looks, vanity, and merely canine affection.”

George Eliot book Middlemarch

Middlemarch (1871)

Life , Marriage , World , Girl

“Apropos of the "The Lifted Veil," I think it will not be judicious to reprint it at present. I care for the idea which it embodies, and which justifies its painfulness. A motto which I wrote on it yesterday perhaps is a sufficient indication of that idea: —
"Give me no light, great heaven, but such as turns
To energy of human fellowship;
No powers save the growing heritage
That makes complete manhood."
But it will be well to put the story in harness with some other productions of mine, and not send it forth in its dismal loneliness. There are many things in it which I would willingly say over again, and I shall never put them in any other form. But we must wait a little. The question is not in the least one of money, but of care for the best effect of writing, which often depends on circumstances, much as pictures depend on light and juxtaposition.”

George Eliot

Comments on The Lifted Veil with a motto for it used in the "Cabinet Edition" of her works (1878), in a letter to John Blackwood (28 February 1873), published in George Eliot's Life as Related in Her Letters and Journals (1885), Vol. 4

Money , Pain , Idea , Question