George Chapman: Trending quotes (page 3)

George Chapman trending quotes. Read the latest quotes in collection
George Chapman: 120   quotes 6   likes

“The lady of the light, the rosy-fingered Morn,
Rose from the hills.”

Book I, line 460, p. 11
The Iliads of Homer, Prince of Poets (1611)

“Promise is most given when the least is said.”

Musæus of Hero and Leander; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Man is a name of honour for a king.”

Act IV, scene i.
Bussy D'Ambois (1607)

“This was a sleight well mask'd. O, what is man,
Unless he be a Politician?”

Act I, scene i.
Bussy D'Ambois (1607)

“Use makes things nothing huge, and huge things nothing.”

Ovid's Banquet of Sense (1595), line 718.

“Tis immortality to die aspiring,
As if a man were taken quick to heaven.”

Act I, scene i; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
The Conspiracy and Tragedy of Charles, Duke of Byron (1608)

“Fair words never hurt the tongue.”

Act IV, scene i.
Eastward Hoe (1605)

“I know an Englishman,
Being flattered, is a lamb; threatened, a lion.”

Alphonsus, Emperor of Germany (1654), Act I, scene ii, lines 208–209. Attributed, probably falsely, to Chapman. Perhaps by George Peele.
Disputed

“To put a girdle round about the world.”

Act I, scene i.
Bussy D'Ambois (1607)

“Let pride go afore, shame will follow after.”

Act IV, scene i.
Eastward Hoe (1605)

“An ill weed grows apace.”

An Humorous Day's Mirth; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Words writ in waters.”

Revenge for Honour, Act V, scene ii; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Disputed

“I am ashamed the law is such an ass.”

Revenge for Honour, Act III, scene ii.
Disputed

“And for the authentical truth of either person or actions, who (worth the respecting) will expect it in a poem, whose subject is not truth, but things like truth?”

Poor envious souls they are that cavil at truth's want in these natural fictions; material instruction, elegant and sententious excitation to virtue, and deflection from her contrary, being the soul, limbs, and limits of an authentical tragedy.
The Revenge of Bussy D'Ambois (1613)