Frida Kahlo: Thing

“I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.”

Frida Kahlo

Reality , Painting

“I drank because I wanted to drown my sorrows, but now the damned things have learned to swim.”

Frida Kahlo

Quote in a letter to Ella Wolfe, "Wednesday 13," 1938, as cited in Frida: A Biography of Frida Kahlo by Hayden Herrera (1983) ISBN 0-06-091127-1 , p. 197. In a footnote (p.467), Herrera writes that Kahlo had heard this joke from her friend, the poet José Frías.
1925 - 1945
Variant: I tried to drown my sorrows but the bastards learned how to swim.

Learning

“Nothing is worth more than laughter. It is strength to laugh and to abandon oneself, to be light. Tragedy is the most ridiculous thing.”

Frida Kahlo

Laughter , Light

“The most important thing for everyone in Gringolandia is to have ambition and become 'somebody,' and frankly, I don't have the least ambition to become anybody.”

Frida Kahlo

“You deserve the best, the very best, because you are one of the few people in this lousy world who are honest to themselves, and that is the only thing that really counts.”

Frida Kahlo

People , World

“I was really ugly [circa 8 a 10 years old] and had an admiration complex for Christi [her beautiful sister]. They sent us tot the ous of senora Maria a Campos for instruction... I asked about the mysteries of the Bible, and I think I behaved badly so they sent me to a retreat. It was the usual thing: "to dedicate oneself mor to God".... it was a house where one spent about fifteen days... I asked the priest so many questions about how Christ was born, and was the virgin really a virgin, that they threw me out.”

Frida Kahlo

9 September 1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My life', p. 64

God , Beauty , Question , Thinking

“One Sunday, Diego came to the house to see my paintings and critiqued all of them in a very clear manner, and he told me all the possibilities he saw in them. Then I painted two or three things, which are around the house, that to me seem very influenced by him [circa 1928]. They are portraits of thirteen- or fourteen-year-old kids... In 1929, I joined the Communist Party, I got married to Diego, and I had my first abortion. In that year I painted a portrait of Cristina Moya.... and other drawings that Morillo Safa [her main patron] owns. The unfinished [self-]portrait of my first abortion was my first Surrealist painting ['Frida and the Caesarean', she painted in 1929] but not completely. I have it [at home].”

Frida Kahlo

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 74

Home , Drawing , Painting , Housing

“His [Diego Rivera's] supposed mythomania is in direct relation to his tremendous imagination. That is to say, he is as much of a liar as the poets or as the children who have not yet been turned into idiots by school or mothers. I have heard him tell all kinds of lies: from the most innocent, to the most complicated stories about people whom his imagination combined in a fantastic situation or actions, always with a great sense of humor and a marvelous critical sense; but I have never heard him say a single stupid or banal lie. Lying, or playing at lying, he unmasks many people, he learns the interior mechanism of others, who are much more ingenuously liars than he, and the most curious thing about the supposed lies of Diego, is that in the long and short of it, those who are involved in the imaginary combination become angry, not because of the lie, but because of the truth contained in the lie, that always comes to the surface.”

Frida Kahlo

Frida's quote On Diego Rivera, in 'Portrait of Diego' [Retrato de Diego] (22 January 1949), first published in Hoy (Mexico City) and posthumously (17 July 1955) in Novedades (Mexico City): "México en la Cultura"
1946 - 1953

Children , People , Truth , Lie

“We [Frida and Diego] moved from the house on Reforma [street] to Coyoacán, and that had an enormous influence on me. How we painted the house and the Mexican furniture, all that influenced my painting a lot. While still on Reforma, I painted a self-portrait [Self-portrait 'Time Flies', 1929] that is owned by Morillo Safa. Once in Coyoacán I began to make paintings with backgrounds and Mexican things in them. I painted the portraits of Hale's sister.... and the one of Diego, which I did not finish [this painting is lost and was never documented before]. Those three paintings, who knows where they are. Mirillo Safa has the third self-portrait [her Self-portrait of 1930], showing me bald and sitting in a cane chair.”

Frida Kahlo

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 75

Sister , Time , Painting , Housing

“I'll be in Detroit two more weeks. I would like to tell you every thing that happened to me since the last time we saw each other, but most of them are sad and you mustn't know sad things now. After all I shouldn't complain because I have been happy in many ways though. Diego is good to me, and you can't imagine how happy he has been working on the frescoes here. I have been painting a little too and that helped. I thought of you a lot and never forget your wonderful hands and the color of your eyes. I will see you soon. I am sure that in New York I will be much happier. If you still in the hospital when I come back I will bring you flowers.”

Frida Kahlo

Quote of Kahlo, in her letter to Georgia O'Keeffe, 1 March 1933, from http://www.patronofthearts.com/2015/07/frida-kahlos-letter-to-georgia-okeefe/
1925 - 1945

Sadness , Color , Way , Imagination

“José Clemente Orozco [became later a famous Mexican painter as well] and I would travel on the same trolley from Coyoacán to Mexico City, and I would carry his papers. We became pals, and I invited him to the house. I had painted four or five things when he visited, and he gave me a hug and said I had a lot of talent, and he chatted on about the horrors of Diego [Rivera]. There was beginning to be talk about Diego; that he had returned from Russia and was giving talks on on Russian theater and art. I would go to hear him. Afterwards, he began to paint at the Prepa. [Escuela Prepatoria] and later at the Secretaríade Educación. I was studying at the Prepa, but the [bus] accident [in 1925] messed me up.”

Frida Kahlo

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', pp. 73-74

Art , Travel , Study , Painting