Frank Popper Quotes

Frank Popper is a historian of art and technology and Professor Emeritus of Aesthetics and the Science of Art at the University of Paris VIII. He has been decorated with the medal of the Légion d'honneur by the French Government. He is author of the books: Origins and Development of Kinetic Art, Art, Action, and Participation, Art of the Electronic Age and From Technological to Virtual Art. He turned 100 in April 2018.Popper documents the historical record of the relationship between technology and participatory forms of art, especially between the late 1960s and the early 1990s. Sharing his focus on art and technology are Jack Burnham and Gene Youngblood . They show how art has become, in Frank Popper's terms, virtualized. Wikipedia  

✵ 17. April 1918
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Frank Popper: 4   quotes 1   like

Famous Frank Popper Quotes

“One of the main reasons for my interest early on in the art and technology relationship was that during my studies of movement and light in art I was struck by the technical components in this art. Contrary to most, if not all, specialists in the field who put the stress on purely plastic issues and in the first place on the constructivist tradition, I was convinced that the technical and technological elements played a decisive part in this art. One almost paradoxical experience was my encounter with the kinetic artist and author of the book Constructivism, George Rickey, and my discovery of the most subtle technical movements in his mobile sculptures. But what seemed to me still more decisive for my option towards the art and technology problematic was the encounter in the early 1950s with artists like Nicholas Schöffer and Frank Malina whose works were based on some first hand or second hand scientific knowledge and who effectively or symbolically employed contemporary technological elements that gave their works a prospective cultural meaning. The same sentiment prevailed in me when I encountered similar artistic endeavors from the 1950s onwards in the works of Piotr Kowalski, Roy Ascott and many others which confirmed me in the aesthetic option I had taken, particularly when I discovered that this option was not antinomic (contradictory) to another aspect of the creative works of the time, i. e. spectator participation.”

Source: Joseph Nechvatal. in: " Origins of Virtualism: An Interview with Frank Popper http://www.mediaarthistory.org/refresh/Programmatic%20key%20texts/pdfs/Popper.pdf," in: Media Art History, 2004.

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