“Roy Ascott was among the first artists to launch an appeal for total spectator participation: for him, the strict antinomy between action and contemplation needed to be abolished.”

Frank Popper (2007). From Technological to Virtual Art.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Roy Ascott was among the first artists to launch an appeal for total spectator participation: for him, the strict antin…" by Frank Popper?

Frank Popper4

French art historian 1918

Related quotes

“Democracy is about participation in the first place. And with participation comes responsibility for decisions and actions.”

Sviatlana Tsikhanouskaya (1982) Belarusian politician and educator

"Sviatlana Tsikhanouskaya, Leader Of The Democracy Movement In Belarus" in Faces of Democracy https://www.faces-of-democracy.org/sviatlana-tsikhanouskaya/ (6 July 2021)

“To see things properly, it is not enough simply to look. People who look at life - purely as witnesses, spectators - are not rare; and one of the strangest lessons to be learnt from our literature is that professional spectators, judges by vocation and witnesses by predestination, contemplate life with less understanding and grasp of its rich content than anyone else. There really is no substitution for participation!”

Henri Lefebvre (1901–1991) French philosopher

From Critique of Everyday Life: Volume 1 (1947/1991)

“If there is no freedom of expression, then the beauty of life is lost. Participation in a society is not an artistic choice, it’s a human need.”

Ai Weiwei (1957) Chinese concept artist

Solway, Diane. “Enforced Disappearance.” W Magazine, November 2011.
2010-, 2011

“Machines have no political opinions, but they have profound political effects. They demand a strict regimentation of time, and, by abolishing the need for manual skill, have transformed the majority of the population from workers into laborers.”

W. H. Auden book Forewords and Afterwords

"A Russian Aesthete", p. 279
Forewords and Afterwords (1973)
Context: Machines have no political opinions, but they have profound political effects. They demand a strict regimentation of time, and, by abolishing the need for manual skill, have transformed the majority of the population from workers into laborers. There are, that is to say, fewer and fewer jobs which a man can find a pride and satisfaction in doing well, more and more which have no interest in themselves and can be valued only for the money they provide.

“In the late 1950s, experiments such as the cybernetic sculptures of Nicolas Schöffer or the programmatic music compositions of John Cage and Iannis Xenakis transposed systems theory from the sciences to the arts. By the 1960s, artists as diverse as Roy Ascott, Hans Haacke, Robert Morris, Sonia Sheridan, and Stephen Willats were breaking with accepted aesthetics to embrace open systems that emphasized organism over mechanism, dynamic processes of interaction among elements, and the observer’s role as an inextricable part of the system. Jack Burnham’s 1968 Artforum essay “Systems Aesthetics” and his 1970 “Software” exhibition marked the high point of systems-based art until its resurgence in the changed conditions of the twenty-first century.”

Edward A. Shanken (1964) American art historian

Edward A. Shanken. Systems https://books.google.nl/books?id=Ip_0rQEACAAJ, 2015. Overview

“Participant. A participant is active, a part of the process, and a necessary component of the magical experience. This is how it should be. No magic happens unless the participant perceives it as magical, so she can never be a mere spectator.”

Derren Brown (1971) British illusionist

Books, Confessions of a Conjuror (2010)

“Democracy is not a spectator sport, it's a participatory event. If we don't participate in it, it ceases to be a democracy. So Obama will rise or fall based not so much on what he does but on what we do to support him.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

"Capitalism is evil," says new Michael Moore film, Mike, Collett-White, Reuters, 6 September 2009 http://www.reuters.com/article/lifestyleMolt/idUSTRE5850F320090906, <br class="br">2009

“One of the main reasons for my interest early on in the art and technology relationship was that during my studies of movement and light in art I was struck by the technical components in this art. Contrary to most, if not all, specialists in the field who put the stress on purely plastic issues and in the first place on the constructivist tradition, I was convinced that the technical and technological elements played a decisive part in this art. One almost paradoxical experience was my encounter with the kinetic artist and author of the book Constructivism, George Rickey, and my discovery of the most subtle technical movements in his mobile sculptures. But what seemed to me still more decisive for my option towards the art and technology problematic was the encounter in the early 1950s with artists like Nicholas Schöffer and Frank Malina whose works were based on some first hand or second hand scientific knowledge and who effectively or symbolically employed contemporary technological elements that gave their works a prospective cultural meaning. The same sentiment prevailed in me when I encountered similar artistic endeavors from the 1950s onwards in the works of Piotr Kowalski, Roy Ascott and many others which confirmed me in the aesthetic option I had taken, particularly when I discovered that this option was not antinomic (contradictory) to another aspect of the creative works of the time, i. e. spectator participation.”

Frank Popper (1918) French art historian

Source: Joseph Nechvatal. in: " Origins of Virtualism: An Interview with Frank Popper http://www.mediaarthistory.org/refresh/Programmatic%20key%20texts/pdfs/Popper.pdf," in: Media Art History, 2004.

“Millions of artist create; only a few thousands are discussed or accepted by the spectator and many less again are consecrated by posterity.
In the last analysis, the artist may shout from all the rooftops that he is a genius; he will have to wait for the verdict of the spectator in order that his declarations take a social value and that, finally posterity include him in the primers of Art history.
I know that this statement will not meet with the approval of many artists who refuse this mediumistic role and insist on the validity of their awareness in the creative act.”

Marcel Duchamp (1887–1968) French painter and sculptor

1951 - 1968, The Creative Act', 1957

“The world can only be grasped by action, not by contemplation.”

Jacob Bronowski The Ascent of Man

Unidentified episode
The Ascent of Man (1973)

“Roy Ascott was among the first artists to launch an appeal for total spectator participation: for him, the strict antinomy between action and contemplation needed to be abolished.”

Help us to complete the source, original and additional information

Frank Popper4

Related quotes

Related topics