Carl Andre: Quotes about art

Carl Andre is American artist. Explore interesting quotes on art.
Carl Andre: 64   quotes 0   likes

“You might say that a creative person is a person who simply has a desire to have something, to add something to the world that's not there yet, and goes about arranging fort that to happen.... when you desire a work of art and make it, you've added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.”

Carl Andre

Source: Artists talks 1969 – 1977, p. 15

People , World , Art , Personality

“I like the description 'Physical art'. I think maybe art emerged when man first began to distinguish himself from nature. Art is part of himself, which he returns perhaps as an homage to the nature which he left. Of course, he never left nature. The rise of consciousness, perhaps... The main thing we believe, that separated us from not only animals but from the stones, is the fact that we are not stones, that we are not dogs. Now that is an assumption, perhaps it's a false assumption. But anyway, somehow I think one of the greatest functions of art is that man can feed back to his own consciousness through the knowledge that he is not a stone or not a dog.”

Carl Andre

December 1969; quote from a talk with his audience
Source: Artists talks 1969 – 1977, p. 12

Dogs , Art , Quotes , Nature

“People keep on wanting fetish figures, and things like that are very popular. That's Pop art. There was an enormous resistance to Abstract Expressionism and there still is to that school, which is not dead at all. But Pop art came as a reaction to that because kids can't paint abstract expressionism unless they're under five year of age. Because it really is tremendously hard work and it's very challenging. But the point is, people love an immediately recognizable word – if you put a word in anything, they lie it... I am not interested in culture at all. Once a work of art has gotten into the culture, its dead as far as I'm concerned. I think there is a difference between art and culture. Or as the sage once said, 'Art is what we do; culture is what is done to us.”

Carl Andre

Source: Artists talks 1969 – 1977, pp. 22-23

Love , People , Lie , Age

“It comes to me as a desire to have something in the world. And again to quote Blake, 'It is better to murder an infant in the cradle than to nurse an ungratified desire.'... You might say that a creative person is a person who simply has a desire to have something, to add something to the world that's not there yet, and goes about arranging fort that to happen.... when you desire a work of art and make it, you've added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.”

Carl Andre

Source: Artists talks 1969 – 1977, p. 15

People , World , Art , Quotes

“I think it's called Arte Povera. But it doesn't mean 'poor art'. It means the art which you would do out there if you were nobody at all. Aspects of this are street art and so forth. Earthworks interest me to the single extent that it means a great extension of the possibilities of materials. Dirt is a wonderful material to make things out of. And mud and rocks and things like this…”

Carl Andre

Source: Artists talks 1969 – 1977, p. 26

Art , Thinking

“Fortunately, the less you have to rely on art materials – what are considered classic art materials which are all overpriced anyway – the more you can rely on materials at large in the culture and the more you should rely on them. The more free you are because you're not tied down to a higher-priced set of materials. That's the advantage of getting out in to the streets. I find that work I'm interested in now is made out of things which have been discarded by people – metals and things which I find in vacant lots. I don't want all of it. I want only certain kinds for certain purposes. But this is of interest to me now, just so I won't get into a trap where I have to work and continue with more and more expensive materials.”

Carl Andre

Source: Artists talks 1969 – 1977, p. 25

People , Art

“Well sure, my sculptures are floor pieces. Each one, like any area on the surface of the earth, supports a column of air that weighs – what is it? – 14.7 pounds per square inch. So in a sense, that might represent a column. It's not an idea, it's a sense of something you know, a demarked place. Somehow I think I always thought of it going that way, rather than an idea of a narrowing triangle going to the center of the earth… I have nothing to do with Conceptual art [in contrast to his Physical Art, as Carl Andre called his sculpture art already in 1969]]. I'm not interested in ideas. If I were interested in ideas, I'd be in a field where what we think in is ideas… I don't really know what an idea is. One thing for me is that if I can frame something in language, I would never make art out of it. I make art out of things which cannot be framed in any other way. [quote from a talk with the audience, December 1969]”

Carl Andre

Source: Artists talks 1969 – 1977, p. 12

Art , Way , Quotes , Idea

“When I visit places remote from where I ordinarily work, people ask me long, elaborate questions that could not possibly have any relationship to my work. The people haven't ever seen it, and so I say: 'But my dear sir, have you ever seen my work?' The response is: 'Of course, I've seen many of your works.' - 'But where?' - 'In Artforum, Art in America..' - I say: 'Have you ever actually seen one of the objects, have you actually stood on one of them?”

Carl Andre

quote from: 'Un entretien entre Carl Andre et Elisabeth Lebovici et Thierry Chabanne,', question 15; reprinted in the chapter 'Art and Capitalism' as 'Art and Reproduction.'

People , Art , Question

“In the years when I was trying to get my work shown and accepted and so forth, I went to work for the Pennsylvania Railroad and that was my formal art school. You can learn a hell of a lot about sculpture, working in a railroad. The thing about getting a job outside of art is the fact that you can finds out whole areas of materials. I don't mean new ones. I mean old ones like scrap iron. A railroad is essentially a big collection of scrap iron, and that’s why it's great. You get out and beyond the art confine.”

Carl Andre

Source: Artists talks 1969 – 1977, p. 27

School , Art , Hell , Learning

“As I have said many times, for me an artist is a person who says he's an artist, and an artwork is what an artist says is an artwork. Although for myself, I am not interested in ideas as the burden of art.... the important thing about art is how it stimulates us. I think the more you are stimulated by more different kinds of art, the more demanding you're going to become on the level of your stimulation. The key to art is experience of it and proximity to it.”

Carl Andre

Source: Artists talks 1969 – 1977, p. 14

Art , Idea , Thinking , Time

“A work will be treated as art within a certain circle – that is, within the circle of let's say ten thousand people. There are about ten thousand in the world today who are prepared to take it on face value if you present anything to them as art, they deal with it straight on as art and tell you whether it stimulates them, moves them, or not. Some of them might even buy it... Anyway, it seems to me that within that ring of ten thousand, fortunately, that sincerity issue [the issue: is something art or not] is over. The reason why that issue failed is that it became obvious no one would live a life of art, a life of poverty, just to pull somebody's legs. In other words, there were compensating sacrifices for what people did.”

Carl Andre

Source: Artists talks 1969 – 1977, p. 18

Life , People , World , Art

“The Duchamp thing is played both ways. The 'Urinal' [famous 'ready-made' of Marcel Duchamp ] signed R. Mutt, is played as an art object, and then as the opposite of a legitimate art object. And it vacillates back and forth. Well perhaps that is a nice thing, but I don't know. I find Duchampianism a bore. It's very adolescent. I was very much excited by it when I was a teenager... My tradition is quite different. My conscious tradition is through Constantin Brâncuși, and Brancusi just strikes me as an infinitely wiser and infinitely more talented, an infinitely stronger figure than Duchamp. I think I could have done my work if Duchamp had not lived. I could not have done my work if Brancusi had not lived.”

Carl Andre

Source: Artists talks 1969 – 1977, pp. 15-16

Art , Way , Thinking