“I think it's called Arte Povera. But it doesn't mean 'poor art'. It means the art which you would do out there if you were nobody at all. Aspects of this are street art and so forth. Earthworks interest me to the single extent that it means a great extension of the possibilities of materials. Dirt is a wonderful material to make things out of. And mud and rocks and things like this…”

Source: Artists talks 1969 – 1977, p. 26

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Carl Andre32

American artist 1935

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 27

“Fortunately, the less you have to rely on art materials – what are considered classic art materials which are all overpriced anyway – the more you can rely on materials at large in the culture and the more you should rely on them. The more free you are because you're not tied down to a higher-priced set of materials. That's the advantage of getting out in to the streets. I find that work I'm interested in now is made out of things which have been discarded by people – metals and things which I find in vacant lots. I don't want all of it. I want only certain kinds for certain purposes. But this is of interest to me now, just so I won't get into a trap where I have to work and continue with more and more expensive materials.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 25

“I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.”

David Cronenberg (1943) Canadian film director, screenwriter and actor

Source: Cronenberg on Cronenberg (1997), Ch. 4

“Good art however "immoral" is wholly a thing of virtue. Good art can not be immoral. By good art I mean art that bears true witness, I mean the art that is most precise.”

Ezra Pound (1885–1972) American Imagist poet and critic

“Their choice of material was always very much to do with what they were thinking as architecture students. Rather unexciting people, I would've thought, primarily. I mean, anybody walking into an art school like that would've been tricked--maybe they were working their entry into an art school.”

Syd Barrett (1946–2006) English musician

Syd Barrett interview in Melody Maker, 1971-03-27

“A genuine work of art must mean many things; the truer its art, the more things it will mean.”

George MacDonald (1824–1905) Scottish journalist, novelist

The Fantastic Imagination (1893)
Context: "Suppose my child ask me what the fairytale means, what am I to say?"
If you do not know what it means, what is easier than to say so? If you do see a meaning in it, there it is for you to give him. A genuine work of art must mean many things; the truer its art, the more things it will mean. If my drawing, on the other hand, is so far from being a work of art that it needs THIS IS A HORSE written under it, what can it matter that neither you nor your child should know what it means? It is there not so much to convey a meaning as to wake a meaning. If it do not even wake an interest, throw it aside. A meaning may be there, but it is not for you. If, again, you do not know a horse when you see it, the name written under it will not serve you much.