C. D. Broad: Philosopher

“Those who, like the present writer, never had the privilege of meeting Sidgwick can infer from his writings, and still more from the characteristic philosophic merits of such pupils of his as McTaggart and Moore, how acute and painstaking a thinker and how inspiring a teacher he must have been. Yet he has grave defects as a writer which have certainly detracted from his fame. His style is heavy and involved, and he seldom allowed that strong sense of humour, which is said to have made him a delightful conversationalist, to relieve the uniform dull dignity of his writing. He incessantly refines, qualifies, raises objections, answers them, and then finds further objections to the answers. Each of these objections, rebuttals, rejoinders, and surrejoinders is in itself admirable, and does infinite credit to the acuteness and candour of the author. But the reader is apt to become impatient; to lose the thread of the argument: and to rise from his desk finding that he has read a great deal with constant admiration and now remembers little or nothing. The result is that Sidgwick probably has far less influence at present than he ought to have, and less than many writers, such as Bradley, who were as superior to him in literary style as he was to them in ethical and philosophical acumen. Even a thoroughly second-rate thinker like T. H. Green, by diffusing a grateful and comforting aroma of ethical "uplift", has probably made far more undergraduates into prigs than Sidgwick will ever make into philosophers.”

C. D. Broad

From Five Types of Ethical Theory (1930)

Sense , Strong , Teachers , Reading

“I understand that it is the wish of the Editor of this collection of essays that each contributor should describe his own system of philosophy. Were I to interpret this demand literally I could not contribute anything at all, for two excellent reasons. In the first place, I have nothing worth calling a system of philosophy of my own, and there is no other philosopher of whom I should be willing to reckon myself a faithful follower. If this be a defect I see no likelihood of its ever being cured. Secondly, if I had a system of my own, I should doubt the propriety of "pushing" my crude philosophical wares in competition with the excellent products of older firms with well-earned reputations.”

C. D. Broad

From Critical and Speculative Philosophy (1924)

Faith , Understanding

“In the meanwhile I retire to my well-earned bath-chair, from which I shall watch with a fatherly eye the philosophic gambols of my younger friends as they dance to the highly syncopated pipings of Herr Wittgenstein's flute.”

C. D. Broad

From the Preface to Mind and Its Place in Nature (1925)

Dance

“There certainly are changes of fashion in philosophy. When a new kind is in vogue, many things in the philosophy of an earlier day, which are of permanent value and perhaps highly relevant to contemporary problems, tend to be altogether forgotten or carelessly and ignorantly dismissed, simply because they occur in an out-of-date setting and are clad in an unfashionable dress. It is now quite certain that much of permanent value in Scholastic philosophy was ignored or contemned from this cause by Locke, Berkeley, Hume, and their followers. I have little doubt that the same is true mutatis mutandis of the attitude of many present-day philosophers towards the systems of monistic idealism which were fashionable at the beginning of this century. It is consoling to a philosopher's vanity not to pry too closely into the history of his subject, for otherwise he is liable to find that his discoveries have been anticipated and his fallacies refuted in advance by predecessors whom he has ignored or despised.”

C. D. Broad

From Philosophy (I), in Inquiry (1), (1958)

History , Fashion , Problem , Change