Berthe Morisot: Paint

“Another stroll along the quays with Julie asking questions all the time. We stood for a long time examining the sun and the planet at a mapmaker's.... There in the Tuileries Gardens.... sitting down I began to ponder over my painting of the garden, watching the shadows on the sand and on the roof of the Louvre, and trying to find the relationship between light and shade. Julie saw pink in the light and purple in the shadows.”

Berthe Morisot

a note of Berthe Morisot, June, 1887; from 'Carnet Beige', in Morisot Enchantment, Philippe Huisman, La Bibliotheque des Arts; Lausanne; Paris, 1962. p. 26
about a walk with daughter Julie, 8 years old, through Paris
1881 - 1895

Question , Light , Time , Sun

“As I admired it [a red pencil and chalk drawing by Degas of a young mother, nursing her child] he showed me a whole series done from the same model and with the same sort of rhythm. He is a draughtsman of the first order; it would be interesting to show all these preparatory studies for a painting to the public, which generally imagines that the impressionists work in a very casual way. I do not think it possible to go further in the rendering of form.”

Berthe Morisot

note in Berthe's Journal, Jan. 1886; as quoted in The Private Lives of the Impressionists, Sue Roe; Harper Collins Publishers, New York, 2006, pp. 262-263
Berthe visited Degas in his studio
1881 - 1895

Way , Imagination , Thinking , Study

“My dearest little Julie, I love you as I lie dying; I shall still love you when I am dead. I beg of you, do not cry; this parting was inevitable. I would have liked to be with you until you married – Work hard and be good as you have always been; you have never caused me a moment's sorrow in you little life [Julie is 16, then]. You have beauty, good fortune; use them well. I think the best thing would be to live with your cousins in the Rue de Villejust, but I do not wish to force you to do anything. Give a memento of me to you aunt Edma [Berthe's sister], and to your cousins too; and give Monet's [painting] 'Bateaux en reparation' to your cousin Gabriel. Tell M. Degas that if he found a museum he is to choose a Manet [of her Manet paintings]. A keepsake for Monet; one for Renoir, and one of my drawings for Bartolomé. Give something to the two concierges. Do not cry, I love you more than I can tell you.”

Berthe Morisot

Quote of Berthe's last letter to daughter Julie, End of Feb. 1895; as cited in Berthe Morisot, Jean-Dominique Rey; translation in English, Flammarion, S.A. (ISBN: 978-2-08-020345-8), Paris, 2016, p. 217
1881 - 1895

Love , Life , Lie , Beauty

“His [ Edouard Manet's] paintings, as they always do, produce the impression of a wild or even a somewhat unripe fruit. I do not in the least dislike them.”

Berthe Morisot

Quote of Berthe 1864-65 in a letter to her sister Edma Morisot; as cited in Berthe Morisot, the first lady of Impressionism, Margaret Sehnan; Sutton Publishing (ISBN 0 7509 2339 3) 1996, p. 50
1860 - 1870

Painting

“I saw the passers-by on the avenue clearly and simply, in the way they are in Japanese prints [she saw some earlier, together with Mary Casatt in the 'Ecole des Beaux Arts', Paris]. I was thrilled, I knew definitely why I had been painting badly and why I would never paint that way again. I mean to say, I am fifty years old and once a year at least I have the same joy and the same hope.”

Berthe Morisot

Quote of Berthe Morisot, Jan. 1891; in 'Carnet Noir'; as cited in Berthe Morisot by Monique Angoulvent, Morance, Paris, 1933, p. 97
1881 - 1895

Hope , Art , Way , Joy

“This painting, this work you miss so much [the two sisters Morisot painted a lot together] is a cause of much trouble and concern, you know this as well as I do and yet, child that you are, you are already weeping for the loss of the very thing that darkened you mood only recently. Think of it, yours is not the very worst lot: you have a real affection, a devoted heart that is yours an yours alone, do not be ungrateful for the dealings of fate, think of the great sorrow that is solitude; whatever anyone says or does, womankind has immense need of affection; to want to retreat into yourself is to attempt the impossible.”

Berthe Morisot

in Berthe's letter to her sister Edma, c. 1870; as cited in The Correspondence of Berthe Morisot, ed. Denis Rouart; Camden, London 1986 / Kinston, R. I. Moyer Bell, 1989, p. 29
1860 - 1870

Fate , Mood , Thinking , Solitude

“Music and painting should never be literary, a very subtle distinction according to Renoir. As soon as I try to represent an individual, their physiognomy and attitudes, I become a literary artist.”

Berthe Morisot

Quote in a notebook, after having visited Renoir; as cited in Berthe Morisot, ed. Delafond and Genet-Bondeville, 1997, p. 54
undated quotes

Music , Painting

“I think that it will be a great success, that all this painting [of Edouard Manet, shortly after his death], so fresh, so vital, will electrify the 'Palais des Beaux Arts' [in Paris], which is accustomed to dead art. It will be the revenge for so many rebuffs, but a revenge that the poor boy only in his grave.”

Berthe Morisot

in a letter to her sister Edma Morisot, c. Jan 1884; as cited in: Impressionist quartet, ed. Jeffrey Meyers; publishers, Harcourt, 2005, p. 124
1881 - 1895

Death , Art , Boy , Revenge

“He [ Manet ] begged me to go straight up and see his painting [ 'Le Balcon'] - Berthe was model for this painting], as he was rooted to the spot. I've never seen anyone in such a state, one minute he was laughing, the next insisting his picture was dreadful; in the next breath, sure it would be a huge success.”

Berthe Morisot

quote from Berthe Morisot to her sister Edma Morisot, after visiting the Salon of Paris in 1869; as cited in The Correspondence of Berthe Morisot, with her family and friends, Denish Rouart with Adler and Garb; Camden Press London 1984, pp. 33-34
1860 - 1870

Success , Painting

“It seems to me a painting [she is working on] like the one I gave Manet ['The Harbour at Lorient'] could perhaps sell, and that is all I care about.”

Berthe Morisot

note about her first painting she started after the battle in Paris, 1870; in The Correspondence of Berthe Morisot with her family and friends', ed. Denis Rouart (transl. Betty W. Hubbard); Camden Press, London, 1986, p. 57
1860 - 1870

Painting