“Every man takes the limits of his own field of vision for the limits of the world.”
"Psychological Observations"
Parerga and Paralipomena (1851), Studies in Pessimism
Variant: Everyone takes the limits of his own vision for the limits of the world.
Source: Studies in Pessimism: The Essays
Vol. I, Ch. III, The World As Representation
The World as Will and Representation (1819; 1844; 1859)
Context: The composer reveals the innermost nature of the world, and expresses the profoundest wisdom in a language that his reasoning faculty does not understand, just as a magnetic somnambulist gives information about things of which she has no conception when she is awake. Therefore in the composer, more than in any other artist, the man is entirely separate and distinct from the artist.
Vol. 2 "On Philosophy and the Intellect" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims
Context: Talent works for money and fame; the motive which moves genius to productivity is, on the other hand, less easy to determine. It isn’t money, for genius seldom gets any. It isn’t fame: fame is too uncertain and, more closely considered, of too little worth. Nor is it strictly for its own pleasure, for the great exertion involved almost outweighs the pleasure. It is rather an instinct of a unique sort by virtue of which the individual possessed of genius is impelled to express what he has seen and felt in enduring works without being conscious of any further motivation. It takes place, by and large, with the same sort of necessity as a tree brings forth fruit, and demands of the world no more than a soil on which the individual can flourish.
“In our monogamous part of the world, to marry means to halve one’s rights and double one’s duties.”
Vol. 2, Ch. 27, § 370
Variant translation: To marry is to halve your rights and double your duties.
Parerga and Paralipomena (1851), Counsels and Maxims
Source: The Wisdom of Life and Counsels and Maxims
"Thinking for Oneself" http://ebooks.adelaide.edu.au/s/schopenhauer/arthur/essays/chapter8.html
Essays
Unverified attribution noted in Respectfully Quoted: A Dictionary of Quotations (1993), ed. Suzy Platt, Library of Congress, p. 227
Vol. I, Ch. III, The World As Representation: Second Aspect, as translated by Eric F. J. Payne (1958)
The World as Will and Representation (1819; 1844; 1859)
Vol I, Ch. 4, The World As Will: Second Aspect, § 53, as translated by Eric F. J. Payne (1958)
The World as Will and Representation (1819; 1844; 1859)
"The Art of Controversy" as translated by T. Bailey Saunders
Essays
Die wohlfeilste Art des Stolzes hingegen ist der Nationalstolz. Denn er verrät in dem damit Behafteten den Mangel an individuellen Eigenschaften, auf die er stolz sein könnte, indem er sonst nicht zu dem greifen würde, was er mit so vielen Millionen teilt. Wer bedeutende persönliche Vorzüge besitzt, wird vielmehr die Fehler seiner eigenen Nation, da er sie beständig vor Augen hat, am deutlichsten erkennen. Aber jeder erbärmliche Tropf, der nichts in der Welt hat, darauf er stolz sein könnte, ergreift das letzte Mittel, auf die Nation, der er gerade angehört, stolz zu sein. Hieran erholt er sich und ist nun dankbarlich bereit, alle Fehler und Torheiten, die ihr eigen sind, mit Händen und Füßen zu verteidigen.
Kap. II
Parerga and Paralipomena (1851), Aphorisms on the Wisdom of Life
E. Payne, trans., Vol. II, Ch. XVII: On Man's Need for Metaphysics
The World as Will and Representation (1819; 1844; 1859)
From 'Parerga and Paralipomena', Vol. 1, Aphorisms on the Wisdom of Life, 'What A Man Represents', pp. 360
Parerga and Paralipomena (1851), Aphorisms on the Wisdom of Life