Anthony Burgess: Doing

“What I do I do because I like to do.”

Anthony Burgess book A Clockwork Orange

Variant: But what I do I do because I like to do.
Source: A Clockwork Orange

“I see what is right and approve, but I do what is wrong.”

Anthony Burgess book A Clockwork Orange

Source: A Clockwork Orange

“Welly, welly, welly, welly, welly, welly, well. To what do I owe the extreme pleasure of this surprising visit?”

Anthony Burgess book A Clockwork Orange

Source: A Clockwork Orange

Pleasure

“My son, my son. When I had my son I would explain all that to him when he was starry enough to like understand. But then I knew he would not understand or would not want to understand at all and would do all the veshches [things] I had done…and I would not be able to really stop him. And nor would he be able to stop his own son, brothers. And so it would itty on to like the end of the world.”

Anthony Burgess

Fiction, A Clockwork Orange (1962)

World , Understanding

“Where do I come into all of this? Am I just some animal or dog?' And that started them off govoreeting real loud and throwing slovos at me. So I creeched louder still, creeching: 'Am I just to be like a clockwork orange?”

Anthony Burgess book A Clockwork Orange

Source: A Clockwork Orange

Dogs , Animals

“Suddenly, I viddied what I had to do, and what I had wanted to do, and that was to do myself in; to snuff it, to blast off for ever out of this wicked, cruel world. One moment of pain perhaps and, then, sleep forever, and ever and ever.”

Anthony Burgess book A Clockwork Orange

Source: A Clockwork Orange

Pain , World , Sleep

“There was no real need…of crasting any more pretty polly to tolchock some old veck in an alley and viddy him swim in his blood while we counted the takings and divided by four, nor to do the ultra-violent on some shivering starry grey-haired ptitsa in a shop and go smecking off with the till’s guts.”

Anthony Burgess

Fiction, A Clockwork Orange (1962)

“Evidently, there is a political element in the attack on The Satanic Verses which has killed and injured good if obstreperous Muslims in Islamabad, though it may be dangerously blasphemous to suggest it. The Ayatollah Khomeini is probably within his self-elected rights in calling for the assassination of Salman Rushdie, or of anyone else for that matter, on his own holy ground. To order outraged sons of the Prophet to kill him, and the directors of Penguin Books, on British soil is tantamount to a jihad. It is a declaration of war on citizens of a free country, and as such it is a political act. It has to be countered by an equally forthright, if less murderous, declaration of defiance…. I do not think that even our British Muslims will be eager to read that great vindication of free speech, which is John Milton’s Areopagitica. Oliver Cromwell’s Republic proposed muzzling the press, and Milton replied by saying, in effect, that the truth must declare itself by battling with falsehood in the dust and heat…. I gain the impression that few of the protesting Muslims in Britain know directly what they are protesting against. Their Imams have told them that Mr Rushdie has published a blasphemous book and must be punished. They respond with sheeplike docility and wolflike aggression. They forgot what Nazis did to books … they shame a free country by denying free expression through the vindictive agency of bonfires…. If they do not like secular society, they must fly to the arms of the Ayatollah or some other self-righteous guardian of strict Islamic morality.”

Anthony Burgess

'Islam's Gangster Tactics', in the London Independent newspaper , 1989
Writing

War , Truth , Books , Thinking

“Some young men could not afford to marry or were statutorily forbidden to do so, and then their visits to Japanese brothels engendered guilt as well as VD. The official attitude to taking brown mistresses was always ambivalent. It let the side down, but a sleeping dictionary was the only way to learn the language. Mr Butcher is good on all this, and he gives such tables as one headed ‘Ethnicity of Women from whom European Men Treated at the Sultan Street Clinic Contracted Venereal Disease, 1927-1931.’ The girls of Siam were the great infectresses, but the Malays came a close second. The Japanese, who had regular medical inspections and lived in brothels cleaner than hotels, were down with the Eurasians to 0.4% in 1931. This damnable sex, by no means to be tamed by quinine or cricket. Guilt guilt guilt….”

Anthony Burgess

Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

Women , Men , Disease , Sex

“…Women I do not much care for myself - I prefer little Greek shepherd-boys…”

Anthony Burgess

Fiction, Tremor of Intent (1966)

Women , Boy

“I knew im, she knew im, e knew im, we all knew im.’ After this paradigm, which impressed his hearers, he paused. ‘E was a customer ere. Not perhaps one of the best customers. Not like Roger Alliwell ere oo drinks whisky to the tune of near one bottle a day, which is good for the ouse and, as far as we can see, does imself no arm. But e was a customer, loyal to the ouse, regular in attendance, and that’s all we ask of any man or woman for that matter. Well, now e’s gone. We’re sorry e’s gone. You’re sorry e’s gone. I’m sorry e’s gone. And we can’t say much more than that. Now the question is: is e gone to a better place? I don’t know the answer to that, nor do you, nor does she. Perhaps e knows,’ said Ted, shrugging towards the vicar, ‘because it’s is job to know. But the rest of us don’t know. Right. But I say this. E done is best for all. Never a ard word come out of that man’s art. Right. Well loved e was and for all is faults we would love im still, if e was still alive. But e’s dead now and we wish im all the best in is new destination. And I can’t say no fairer than that.”

Anthony Burgess

Fiction, The Right to an Answer (1960)

Love , Art , Drink , Question

“Sit like a fool then, crassly emptying
Glass after wineglass in some foul tavern,
Watching the night and its candles gutter,
Snoring at sunrise.
In England now the wind blows high
And clouds brush rudely at the sky;
The blood runs thinly through my frame,
I half-caress the hearthstone’s flame,
Oppressed by autumn’s desolate cry.
Then homesick for the south am I,
For where the lucky swallows fly,
But each warm land is just a name
In England now.
The luckless workers I espy
With chins dipped low and collars high,
Walk into winter, do not blame
The shifting globe. A gust of shame
Represses my unmanly sigh
In England now.”

Anthony Burgess

English Literature: A Survey for Students.
Poetry

Fools , Autumn , Winter , Cry

“Why then are the arts and sciences important? I suppose with the sciences we could say that the answer is obvious: we have radium, penicillin, television and recorded sound, motor-cars and aircraft, air-conditioning and central heating. But these achievements have never been the primary intention of science; they are a sort of by-product, the things that emerge only when the scientist has performed his main task. That task is simply stated: to be curious, to keep on asking the question 'Why?' and not to be satisfied till an answer has been found. The scientist is curious about the universe: he wants to know why water boils at one temperature and freezes at another; why cheese is different from chalk; why one person behaves differently from another. Not only 'Why?' but ‘What?' What is salt made of? What are the stars? What is the constitution of all matter? The answers to these questions do not necessarily malke our lives any easier. The answer to one question—'Can the atom be split?' - has made our lives somewhat harder. But the questions have to be asked. It is man's job to be curious; it is man's job to try to find out the truth about the world about us, to answer the big question 'What is the world really like?”

Anthony Burgess

Non-Fiction, English Literature: A Survey for Students (1958, revised 1974)

Truth , World , Art , Cars

“I am near the end of the wine, sweet lords and lovely ladies, but out there the big wine is being poured – thin, slow, grey. Never more shall I taste the oncoming of this particular darkness. But I shall not be sorry to go. I am not seduced by the dainty lusts, clothed in cold green and clean linen, of an English spring. If you plunge into that dark there you will emerge at length into a raging sun and all the fabled islands of my East. And that is what I shall be doing tonight, off like a bird. I see you have your pennies ready, ladies. Twitch not, hop not about nor writhe so: I shall not be long now.”

Anthony Burgess

Fiction, Nothing Like the Sun (1964)

Love , Spring , Bird , Rage

“At various universities, I've seen black men who are treated very indulgently, over-indulgently. They are allowed to do what they want, take what they want, drop what they want. I met one young man in Philadelphia, a young black, who wanted to learn music. But he wouldn't learn music from whites because it was 'tainted' music. Well, this is bloody ridiculous…”

Anthony Burgess

remark made in 1971, cited in Roger Lewis, Anthony Burgess (2002), p. 152
General

Men , Music , Learning , Universe

“…. There was a good deal of drunkenness - … There was lechery, nakedness. It was a warm afternoon,’ he added, as if to excuse the nakedness….
‘I saw the ceremony between the Empress and Gaius Silius and I assumed it was all a game. There was a great deal of laughter and little solemnity. Then the marriage or mock marriage was …. consummated at once and in public. And, in sympathy as it were, the other guests - A great mass of naked bodies. Men and women. Fornication for them. There were boys there too, Ganymedes. ….
‘And when does Gaius Silius think he can strike the blow that will secure him the imperial c -’
I do not think,’ Narcissus said, ‘that Gaius Silius has such an ambition. He is a weak man besotted by the erotic, no more.”

Anthony Burgess

Fiction, The Kingdom of the Wicked (1985)

Women , Men , Marriage , Game

“The country will absorb you and you will cease to be Victor Crabbe. You will less and less find it possible to do the work for which you were sent here. You will lose function and identity. You will be swallowed up and become another kind of eccentric. You may become a Muslim. You may forget your English, or at least lose your English accent. You may end in a kampong, no longer a foreigner, an old brownish man with many wives and children, one of the elders whom the young will be encouraged to consult on matters of the heart. You will be ruined.”

Anthony Burgess

Fiction, Time for a Tiger (1956)

Children , Heart , Country , Forgetting

“The Residents knew what they wanted of their Malayan Civil Service cadets as early as 1883: "What we require out here are young public school men - Cheltenham, for preference - who have failed conspicuously at all bookwork and examinations in proportion as they have excelled at sports." As Resident of Perak, Swettenham “kept an eye out for men who would do credit to both the civil service and the state cricket team, which one sporting official judged as the equal of a good English county team.” Oliver Marks, who performed brilliantly for a visiting Ceylon eleven, was at once urged to come and work for the Perak government….”

Anthony Burgess

Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

Men , School , Sport

“[Youth] is only being in a way like it might be an animal. No, it is not just like being an animal so much as being like one of these malenky toys you viddy being sold in the streets, like little chellovecks made out of tin and with a spring inside and then a winding handle on the outside and you wind it up grrr grrr grrr and off it itties, like walking, O my brothers. But it itties in a straight line and bangs straight into things bang bang and it cannot help what it is doing. Being young is like being like one of these malenky machines.”

Anthony Burgess

Fiction, A Clockwork Orange (1962)

Youth , Way , Spring , Help

“The Turks would do anything with a captured screaming infidel body - make it chew its own penis, thrust the testicles up the anus, saw the noseless earless head off with slow delicacy.”

Anthony Burgess

Fiction, Napoleon Symphony (1974)