Source: Keep the Aspidistra Flying (1936), Ch. 1
Source: Why I Write
Context: Money, once again; all is money. All human relationships must be purchased with money. If you have no money, men won't care for you, women won't love you; won't, that is, care for you or love you the last little bit that matters. And how right they are, after all! For, moneyless, you are unlovable. Though I speak with the tongues of men and of angels. But then, if I haven't money, I DON'T speak with the tongues of men and of angels.
Quotes from work
Why I Write
"Why I Write" is an essay by George Orwell detailing his personal journey to becoming a writer. It was first published in the Summer 1946 edition of Gangrel. The editors of this magazine, J.B.Pick and Charles Neil, had asked a selection of writers to explain why they write.The essay offers a type of mini-autobiography in which he writes of having first completed poems and tried his hand at short-stories, and carried on a continuous "story" about himself in his head, before finally becoming a full-fledged writer. It goes on to set out some important motives for writing.
"Politics and the English Language" (1946)
Source: Why I Write
Context: All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred, and schizophrenia. When the general atmosphere is bad, language must suffer. I should expect to find — this is a guess which I have not sufficient knowledge to verify — that the German, Russian and Italian languages have all deteriorated in the last ten or fifteen years, as a result of dictatorship.
But if thought corrupts language, language can also corrupt thought. A bad usage can spread by tradition and imitation even among people who should and do know better.
"The Lion and the Unicorn" (1941)
Source: Why I Write
Context: Is the English press honest or dishonest? At normal times it is deeply dishonest. All the papers that matter live off their advertisements, and the advertisers exercise an indirect censorship over news. Yet I do not suppose there is one paper in England that can be straightforwardly bribed with hard cash. In the France of the Third Republic all but a very few of the newspapers could notoriously be bought over the counter like so many pounds of cheese.
Source: "Why I Write" http://www.k-1.com/Orwell/site/work/essays/write.html, Gangrel (Summer 1946)
Context: Anyone who cares to examine my work will see that even when it is downright propaganda it contains much that a full-time politician would consider irrelevant. I am not able, and do not want, completely to abandon the world view that I acquired in childhood. So long as I remain alive and well I shall continue to feel strongly about prose style, to love the surface of the Earth, and to take pleasure in solid objects and scraps of useless information. It is no use trying to suppress that side of myself. The job is to reconcile my ingrained likes and dislikes with the essentially public, non-individual activities that this age forces on all of us.
It is not easy. It raises problems of construction and of language, and it raises in a new way the problem of truthfulness.
"Why I Write," Gangrel (Summer 1946)
Context: The Spanish war and other events in 1936-7 turned the scale and thereafter I knew where I stood. Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism, as I understand it. It seems to me nonsense, in a period like our own, to think that one can avoid writing of such subjects.