Quotes from book

The Saviors of God

The Saviors of God (1923)
Context: One power descends and wants to scatter, to come to a standstill, to die. The other power ascends and strives for freedom, for immortality.
These two armies, the dark and the light, the armies of life and of death, collide eternally.

The Saviors of God (1923)
Context: What is the essence of our God? The struggle for freedom. In the indestructible darkness a flaming line ascends and emblazons the march of the Invisible. What is our duty? To ascend with this blood-drenched line.
Whatever rushes upward and helps God to ascend is good. Whatever drags downward and impedes God from ascending is evil.
All virtues and all evils take on a new value. They are freed from the moment and from earth, they exist completely within man, before and after man, eternally.
For the essence of our ethic is not the salvation of man, who varies within time and space, but the salvation of God, who within a wide variety of flowing human forms and adventures is always the same, the indestructible rhythm which battles for freedom.
We, as human beings, are all miserable persons, heartless, small, insignificant. But within us a superior essence drives us ruthlessly upward.
From within this human mire divine songs have welled up, great ideas, violent loves, an unsleeping assault full of mystery, without beginning or end, without purpose, beyond every purpose.

The Saviors of God (1923)
Context: All hopes and despairs vanish in the voracious, funneling whirlwind of God. God laughs, wails, kills, sets us on fire, and then leaves us in the middle of the way, charred embers.
And I rejoice to feel between my temples, in the flicker of an eyelid, the beginning and the end of the world.
I condense into a lightning moment the seeding, sprouting, blossoming, fructifying, and the disappearance of every tree, animal, man, star, and god.
All Earth is a seed planted in the coils of my mind. Whatever struggles for numberless years to unfold and fructify in the dark womb of matter bursts in my head like a small and silent lightning flash.
Ah! let us gaze intently on this lightning flash, let us hold it for a moment, let us arrange it into human speech.
Let us transfix this momentary eternity which encloses everything, past and future, but without losing in the immobility of language any of its gigantic erotic whirling.

The Saviors of God (1923)
Context: I do not care what face other ages and other people have given to the enormous, faceless essence. They have crammed it with human virtues, with rewards and punishments, with certain ties. They have given a face to their hopes and fears, they have submitted their anarchy to a rhythm, they have found a higher justification by which to live and labor. They have fulfilled their duty.
But today we have gone beyond these needs; we have shattered this particular mask of the Abyss; our God no longer fits under the old features.
Our hearts have overbrimmed with new agonies, with new luster and silence. The mystery has grown savage, and God has grown greater. The dark powers ascend, for they have also grown greater, and the entire human island quakes.
Let us stoop down to our hearts and confront the Abyss valiantly. Let us try to mold once more, with our flesh and blood, the new, contemporary face of God.
For our God is not an abstract thought, a logical necessity, a high and harmonious structure made of deductions and speculations.
He is not an immaculate, neutral, odorless, distilled product of our brains, neither male nor female.
He is both man and woman, mortal and immortal, dung and spirit. He gives birth, fecundates, slaughters — death and eros in one — and then he begets and slays once more, dancing spaciously beyond the boundaries of a logic which cannot contain the antinomies.

The Saviors of God (1923)
Context: Joy! Joy! I did not know that all this world is so much part of me, that we are all one army, that windflowers and stars struggle to right and left of me and do not know me; but I turn to them and hail them.
The Universe is warm, beloved, familiar, and it smells like my own body. It is Love and War both, a raging restlessness, persistence and uncertainty.
Uncertainty and terror. In a violent flash of lightning I discern on the highest peak of power the final, the most fearful pair embracing:
Terror and Silence. And between them, a Flame.

The Saviors of God (1923)

The Saviors of God (1923)
Context: Cries rise up on every side. Who shouts? It is we who shout — the living, the dead, and the unborn. But at once we are crushed by fear, and we fall silent.
And then we forget — out of laziness, out of habit, out of cowardice. But suddenly the Cry tears at our entrails once more, like an eagle.
For the Cry is not outside us, it does not come from a great distance that we may escape it. It sits in the center of our hearts, and cries out.
God shouts: "Burn your houses! I am coming! Whoever has a house cannot receive me!
"Burn your ideas, smash your thoughts! Whoever has found the solution cannot find me."

The Saviors of God (1923)
Context: Your first duty, in completing your service to your race, is to feel within you all your ancestors. Your second duty is to throw light on their onrush and to continue their work. Your third duty is to pass on to your son the great mandate to surpass you.

The Saviors of God (1923)
Context: It is our duty to help liberate that God who is stifling in us, in mankind, in masses of people living in darkness.
We must be ready at any moment to give up our lives for his sake. For life is not a goal; it is also an instrument, like death, like beauty, like virtue, like knowledge. Whose instrument? Of that God who fights for freedom.
We are all one, we are all an imperiled essence. If at the far end of the world a spirit degenerates, it drags down our spirit into its own degradation. If one mind at the far end of the world sinks into idiocy, our own temples over-brim with darkness.
For it is only One who struggles at the far end of earth and sky. One. And if He goes lost, it is we who must bear the responsibility. If He goes lost, then we go lost.
This is why the salvation of the Universe is also our salvation, why solidarity among men is no longer a tenderhearted luxury but a deep necessity and self-preservation, as much a necessity as, in an army under fire, the salvation of your comrade-in-arms.

The Saviors of God (1923)
Context: I do not care what face other ages and other people have given to the enormous, faceless essence. They have crammed it with human virtues, with rewards and punishments, with certain ties. They have given a face to their hopes and fears, they have submitted their anarchy to a rhythm, they have found a higher justification by which to live and labor. They have fulfilled their duty.
But today we have gone beyond these needs; we have shattered this particular mask of the Abyss; our God no longer fits under the old features.
Our hearts have overbrimmed with new agonies, with new luster and silence. The mystery has grown savage, and God has grown greater. The dark powers ascend, for they have also grown greater, and the entire human island quakes.
Let us stoop down to our hearts and confront the Abyss valiantly. Let us try to mold once more, with our flesh and blood, the new, contemporary face of God.
For our God is not an abstract thought, a logical necessity, a high and harmonious structure made of deductions and speculations.
He is not an immaculate, neutral, odorless, distilled product of our brains, neither male nor female.
He is both man and woman, mortal and immortal, dung and spirit. He gives birth, fecundates, slaughters — death and eros in one — and then he begets and slays once more, dancing spaciously beyond the boundaries of a logic which cannot contain the antinomies.

The Saviors of God (1923)
Context: What is the essence of our God? The struggle for freedom. In the indestructible darkness a flaming line ascends and emblazons the march of the Invisible. What is our duty? To ascend with this blood-drenched line.
Whatever rushes upward and helps God to ascend is good. Whatever drags downward and impedes God from ascending is evil.
All virtues and all evils take on a new value. They are freed from the moment and from earth, they exist completely within man, before and after man, eternally.
For the essence of our ethic is not the salvation of man, who varies within time and space, but the salvation of God, who within a wide variety of flowing human forms and adventures is always the same, the indestructible rhythm which battles for freedom.
We, as human beings, are all miserable persons, heartless, small, insignificant. But within us a superior essence drives us ruthlessly upward.
From within this human mire divine songs have welled up, great ideas, violent loves, an unsleeping assault full of mystery, without beginning or end, without purpose, beyond every purpose.

The Saviors of God (1923)
Context: Which of the two eternal roads shall I choose? Suddenly I know that my whole life hangs on this decision — the life of the entire Universe.
Of the two, I choose the ascending path. Why? For no intelligible reason, without any certainty; I know how ineffectual the mind and all the small certainties of man can be in this moment of crisis.
I choose the ascending path because my heart drives me toward it. "Upward! Upward! Upward!" my heart shouts, and I follow it trustingly.

The Saviors of God (1923)
Context: It is not you talking, but innumerable ancestors talking with your mouth. It is not you who desire, but innumerable generations of descendants longing with your heart.
Your dead do not lie in the ground. They have become birds, trees, air. You sit under their shade, you are nourished by their flesh, you inhale their breathing. They have become ideas and passions, they determine your will and your actions.
Future generations do not move far from you in an uncertain time. They live, desire, and act in your loins and your heart.
In this lightning moment when you walk the earth, your first duty, by enlarging your ego, is to live through the endless march, both visible and invisible, of your own being.

The Saviors of God (1923)
Context: I will not accept boundaries; appearances cannot contain me; I choke! To bleed in this agony, and to live it profoundly, is the second duty.
The mind is patient and adjusts itself, it likes to play; but the heart grows savage and will not condescend to play; it stifles and rushes to tear apart the nets of necessity.

The Saviors of God (1923)
Context: How does the light of a star set out and plunge into black eternity in its immortal course? The star dies, but the light never dies; such also is the cry of freedom.
Out of the transient encounter of contrary forces which constitute your existence, strive to create whatever immortal thing a mortal may create in this world — a Cry.
And this Cry, abandoning to the earth the body which gave it birth, proceeds and labors eternally.

The Saviors of God (1923)
Context: Our profound human duty is not to interpret or to cast light on the rhythm of God's arch, but to adjust, as much as we can, the rhythm of our small and fleeting life to his.
Only thus may we mortals succeed in achieving something immortal, because then we collaborate with One who is Deathless.
Only thus may we conquer mortal sin, the concentration on details, the narrowness of our brains; only thus may we transubstantiate into freedom the slavery of earthen matter given us to mold.

The Saviors of God (1923)
Context: You are not a miserable and momentary body; behind your fleeting mask of clay, a thousand-year-old face lies in ambush. Your passions and your thoughts are older than your heart or brain.

The Saviors of God (1923)
Context: Gather your strength and listen; the whole heart of man is a single outcry. Lean against your breast to hear it; someone is struggling and shouting within you.
It is your duty every moment, day and night, in joy or in sorrow, amid all daily necessities, to discern this Cry with vehemence or restraint, according to your nature, with laughter or with weeping, in action or in thought, striving to find out who is imperiled and cries out.
And how we may all be mobilized together to free him.

The Saviors of God (1923)
Context: "Fire is the first and final mask of my God. We dance and weep between two enormous pyres."
Our thoughts and our bodies flash and glitter with reflected light. Between the two pyres I stand serenely, my brain unshaken amid the vertigo, and I say:
"Time is most short and space most narrow between these two pyres, the rhythm of this life is most sluggish, and I have no time, nor a place to dance in. I cannot wait."
Then all at once the rhythm of the earth becomes a vertigo, time disappears, the moment whirls, becomes eternity, and every point in space — insect or star or idea — turns into dance.