The Barber of Seville or the Useless Precaution is a French play by Pierre Beaumarchais, with original music by Antoine-Laurent Baudron. It was initially conceived as an opéra comique, and was rejected as such in 1772 by the Comédie-Italienne. The play as it is now known was written in 1773, but, due to legal and political problems of the author, it was not performed until February 23, 1775, at the Comédie-Française in the Tuileries. It is the first play in a trilogy of which the other constituents are The Marriage of Figaro and The Guilty Mother.
“It is not necessary to retain facts that we may reason concerning them.”
Il n'est pas nécessaire de tenir les choses pour en raisonner.
Act V, scene iv. Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 658-59.
Le Barbier de Séville (1773)
Que les gens d'esprit sont bêtes.
Act I, scene i. Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 883-86.
Le Barbier de Séville (1773)
“Calumniate, calumniate; there will always be something which sticks.”
Calomniez, calomniez; il en reste toujours quelque chose.
Act III, scene xiii
Le Barbier de Séville (1773)
“Be commonplace and creeping, and you attain all things.”
Médiocre et rampant, et l'on arrive à tout.
Act III, scene vii. Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 759-62.
Le Barbier de Séville (1773)
“I hasten to laugh at everything, for fear of being obliged to weep.”
Je me presse de rire de tout, de peur d'être obligé d'en pleurer.
Act I, scene ii
Variant translations:
I quickly laugh at everything, for fear of having to cry.
I force myself to laugh at everything, for fear of having to cry.
Le Barbier de Séville (1773)
“That which is not worth speaking they sing.”
Ce qui ne vaut pas la peine d'être dit, on le chante.
Act I, scene i. Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 712-13.
Le Barbier de Séville (1773)
