Quotes about needle
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Stephen King photo

“He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boogie of electricity- Available At Your Nearest Switch plate Or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nerdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too- Shower With A Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who's out there? you howled in the dark when you were all frightened and all alone, and it was his answer that came back: Don't be afraid, it's just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let's go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar cast of the fingernails following asphyxiation- in its final grim struggle to survive the brain takes all oxygen that is left, even that in those living cells under the nails. Hi, folks, my name's Oz the Gweat and Tewwible, but you can call me Oz if you want- hell, we're old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can't stay, got to see a woman about a breech birth, then I've got a little smoke-inhalation job to do in Omaha.”

Pet Sematary (1983)

Annie Proulx photo
Mark Ames photo

“No! No, she's fif-teen. Fif-teen.' Right then my pervometer needle hit the red. I had to have her, even if she was homely.”

Mark Ames (1965) American writer and journalist

The Exile: Sex, Drugs, and Libel in the New Russia (2000)

Chris Jericho photo

“Yeah, congratulations. Way to go, Punk, way to go. Congratulations on your big win. You need to enjoy them while you can. You see, you can smirk if you want to, but I see straight through you. When I look at you, I see a fraud. And I'm not talking about the fact that you call yourself the best in the world, I'm talking about you as a person. Because I did a little research this week, Punk, and I found something, a little deep, dirty, dark secret about you. You've been straight edge ever since you came to the WWE, but you've never explained the reasons why. I wanna tell all of these wannabes why you're straight edge. I wanna tell them that you're straight edge because your father is an alcoholic.
Yeah, that's right. Your father was an alcoholic who let you down every step of the way when you were growing up, and it terrifies you. You don't want to end up like him. But it's inevitable that you will, because alcohol is in your blood, it's in your genes, it's part of who you are, and that tortures you. I know you've built this facade, this wall that you're a sarcastic antihero with not a care in the world, but I think I've found something that you care about. I've found something that gives you nightmares, something that terrifies you.
And isn't it ironic that the very alcohol that you crave is the same thing that ruined your childhood? Oh, the nightmares you must have about your father; I almost feel bad for you, Punk. Is that the reason why you have all those tattoos? Was the pain of wanting to drink so bad that you needed the pain of a tattoo needle to take it out of your mind? Was that your only solace?
It doesn't matter if it is, Punk, because you are going to drink eventually, and I'm the one who is going to make you drink. At WrestleMania XXVIII, I'm going to take away your title, I'm gonna take away your claims of being the best in the world, I'm gonna take away your bravado, and I'm gonna leave you a broken man. You're gonna hit bottom, Punk, and when you do, you're going to embrace your destiny, and you're gonna take a drink. And it's gonna taste so good that you're gonna wanna take another one, and another one, and another one. After April 1st, I'm gonna be recognized for who I am—the undisputed best in the world and the new WWE Champion. And you're gonna be recognized for who you are, who your father was—a pathetic damn drunk!”

Chris Jericho (1970) American professional wrestler, musician, television host, podcast host and author

March 12, 2012 - WWE Raw

“You have seen bigger horses than his thirteen and a half, perhaps fourteen hands, his nine hundred pounds. You have seen handsomer profiles than this Roman nose, slightly convex. Burrs cling to his long sweeping tail. His coat is dark and unglossed. Yet look again, while he is still, for he will not be still long. Sense the vitality in those muscles, trembling beneath the skin; see the pride in that high head, hear the haughty command to his voice. For this is a wild horse, my friend. Once he claimed the western range. Then they took his range away from him. But nothing, no one claims him. He feels the wind and the air with his nose, with his ears, with his very soul, and what he feels is good. He tosses his head, once, quickly, and behind him his harem of six mares trot up to join him, and behind them, a yearling colt, a filly and two stork-legged foals. Coats dusty and chewed, tails spiked with bits of the desert, sage and nettle and leftover pine needles from winter climbs down from timberland. The Barb-nosed stallion led his family down to the waterhole. Not Barb from barbed wire, though perhaps the chewed skin was from barbed wire, but Barb from the Spanish horses from which he descended, brought to the New World over four hundred years ago, from the Barbary states of North Africa, Tunisia, Morocco, Algeria, Fez, Tripoli. Indians stole them from the Spaniards; the Barbs stole themselves free from the Indians. Running wild, a few still run free.”

Arnold Hano (1922) American writer

From Running Wild (1973) by Hano, p. 10
Other Topics

Amir Khusrow photo
James Braid photo
T.C. Boyle photo

“His hips felt as if an army of mad acupuncturists had been driving hot needles into them.”

T.C. Boyle (1948) American novelist and short story writer

Acts of God (1989)

P.G. Wodehouse photo
Herman Melville photo
Richard D. Ryder photo
Prince photo
Elia M. Ramollah photo
Philip José Farmer photo

“Here and Now are needles which
Sew a pattern black as pitch,
Waiting for the rocket's light.”

Philip José Farmer (1918–2009) American science fiction writer

"Imagination" in America Sings (1949)
Context: Miles above the Earth we know,
Fancy's rocket roars. Below,
Here and Now are needles which
Sew a pattern black as pitch,
Waiting for the rocket's light.

Arsène Wenger photo

“The speed at which we moved the ball in small spaces and our quality was superb. We played the ball through needles and it was very difficult for Aston Villa.”

Arsène Wenger (1949) French footballer and manager

Aston Villa 1-2 Arsenal (1 December 2007) http://www.soccerway.com/news/2007/December/01/premiership-rivals-will-struggle-against-us-says-wenger/
Interviews

Eric Hobsbawm photo

“Uncertainty and unpredictability impended. Compass needles no longer had a North, maps became useless.”

Source: The Age of Extremes (1992), Chapter Eleven, Cultural Revolution, p.338-339
Context: The old moral vocabulary of rights and duties, mutual obligations, sin and virtue, sacrifice, conscience, rewards, and penalties, could no longer be translated into the new language of desired gratification. Once such practices and institutions were no longer accepted as part of a way of ordering society that linked people to each other and ensured social cooperation and reproduction, most of their capacity to structure human social life vanished. They were reduced simply expressions of individuals' preferences, and claims that the law should recognize the supremacy of these preferences. Uncertainty and unpredictability impended. Compass needles no longer had a North, maps became useless.

Albert Pike photo

“The unknown is an ocean, of which conscience is the compass. Thought, meditation, prayer, are the great mysterious pointings of the needle.”

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. I : Apprentice, The Twelve-Inch Rule and Common Gavel, p. 1
Context: Though Masonry neither usurps the place of, nor apes religion, prayer is an essential part of our ceremonies. It is the aspiration of the soul toward the Absolute and Infinite Intelligence, which is the One Supreme Deity, most feebly and misunderstandingly characterized as an "architect." Certain faculties of man are directed toward the Unknown — thought, meditation, prayer. The unknown is an ocean, of which conscience is the compass. Thought, meditation, prayer, are the great mysterious pointings of the needle. It is a spiritual magnetism that thus connects the human soul with the Deity. These majestic irradiations of the soul pierce through the shadow toward the light.
It is but a shallow scoff to say that prayer is absurd, because it is not possible for us, by means of it, to persuade God to change His plans. He produces foreknown and foreintended effects, by the instrumentality of the forces of nature, all of which are His forces. Our own are part of these. Our free agency and our will are forces. We do not absurdly cease to make efforts to attain wealth or happiness, prolong life, and continue health, because we cannot by any effort change what is predestined. If the effort also is predestined, it is not the less our effort, made of our free will.

Robert H. Jackson photo

“He who must search a haystack for a needle is likely to end up with the attitude that the needle is not worth the search.”

Robert H. Jackson (1892–1954) American judge

Brown v. Allen, 344 U.S. 443, 537 (1953) (concurring)
Judicial opinions

Leonard Cohen photo

“Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape.”

Beautiful Losers (1966)
Context: What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is the caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape. His house is dangerous and finite, but he is at home in the world. He can love the shape of human beings, the fine and twisted shapes of the heart. It is good to have among us such men, such balancing monsters of love.

Harlan Ellison photo
Alastair Reynolds photo