Quotes about necktie (5 quotes) | Quotes of famous people

“The object of a ceremony is not to be beautiful, though that is a valuable element. The object of a ceremony is to be ceremonious. Ritual is a need of the human soul — nay, it is rather a need of the human body, like exercise. A man does not take off his hat to a lady because he looks nicer without it; the instance of bald men would be alone sufficient to upset such an explanation. He does it because you must positively do something when you meet a lady, or your whole civilisation goes to pieces; and taking off your hat is easier than taking off your necktie or lying face downwards on the pavement.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Collected Works of G.K. Chesterton : The Illustrated London News, 1905-1907 (1986), p. 191

Soul , Beauty , Lying , Men

“The odd thing in this world is that an eager-beaver type, with no original ideas, who mimes those in authority above him right to the last twist of necktie and scrape of chin, always gets noticed. Gets selected. Rises.”

Philip K. Dick book Time Out of Joint

Source: Time Out of Joint

World , Idea

“If until now colour and form were used as inner agents, it was mainly done subconsciously. The subordination of composition to geometrical form is no new idea (cf. the art of the Persians). Construction on a purely spiritual basis is a slow business, and at first seemingly blind and unmethodical. The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation. If we begin at once to break the bonds that bind us to nature and to devote ourselves purely to combination of pure colour and independent form, we shall produce works that are mere geometric decoration, resembling something like a necktie or a carpet. Beauty of form and colour is no sufficient aim by itself, despite the assertions of pure aesthetes or even of naturalists obsessed with the idea of "beauty". It is because our painting is still at an elementary stage that we are so little able to be moved by wholly autonomous colour and form composition. The nerve vibrations are there (as we feel when confronted by applied art), but they get no farther than the nerves because the corresponding vibrations of the spirit which they call forth are weak. When we remember however, that spiritual experience is quickening, that positive science, the firmest basis of human thought is tottering, that dissolution of matter is imminent, we have reason to hope that the hour of pure composition is not far away. The first stage has arrived.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from Concerning the Spiritual in Art, Wassily Kandinsky, Munich, 1912; as cited in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 15
1910 - 1915

Beauty , Hope , Art , Feeling

“I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

Hell , Thinking

“Try to imagine a man setting out for the day without a single prejudice. … Inevitably he would be in a state of paralysis. He could not get up in the morning, or choose his necktie, or make his way to the office, … or, to come right down to the essence of the thing, even maintain his identity.”

Richard M. Weaver (1910–1963) American scholar

“Life without prejudice,” p. 12.
Life Without Prejudice (1965)

Way , Imagination