Quotes about moccasins (7 quotes) | Quotes of famous people

“Like the old Indian proverb says, do not judge a man until you've walked 2 moons in his moccasins.
Most people don't know me, that is why they write such things in which most is not true. I cry very very often because it hurts and I worry about the children, all my children all over the world, I live for them.
If a man could say nothing against a character but what he could prove, history could not be written.
Animals strike not from malice but because they want to live, it is the same with those who criticize, they desire our blood not our pain. But still I must achieve I must seek truth in all things. I must endure for the power I was sent forth, for the world for the children.
But have mercy, for I've been bleeding a long time now. MJ.”

Michael Jackson (1958–2009) American singer, songwriter and dancer

Handwritten note published in People (12 October 1987)

Pain , Children , People , Truth

“Don't judge a man until you have walked two moons in his moccasins.”

Sharon Creech Walk Two Moons

Source: Walk Two Moons

“Once I was beautiful. Now I am myself,
Counting this row and that row of moccasins
Waiting on the silent shelf.”

Anne Sexton (1928–1974) poet from the United States

Beauty , Waiting

“With careless joy we thread the woodland ways
And reach her broad domain.
Thro' sense of strength and beauty, free as air.
We feel our savage kin,
And thus alone with conscious meaning wear
The Indian's moccasin!”

Elaine Goodale Eastman (1863–1953) American novelist, poet

Moccasin Flower, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 519.

Beauty , Way , Feeling , Sense

“Every evening after dinner, a new life began. There was no hurry. Some walked in the garden. Others smoked. About nine o’clock we made our way alone or in twos and threes to the Study House. Outdoor shoes came off and soft shoes or moccasins were put on. We sat quietly, each on his or her own cushion, round the floor in the centre. Men sat on the right, women on the left; never together.

Some went straight on to the stage and began to practice the rhythmic exercises. On our first arrival, each of us had the right to choose his own teacher for the movements. I had chosen Vasili Ferapontoff, a young Russian, tall, with a sad studious face. He wore pince-nez, and looked the picture of the perpetual student, Trofimov, in The Cherry Orchard. He was a conscientious instructor, though not a brilliant performer. I came to value his friendship, which continued until his premature death ten years later. He told me in one of our first conversations that he expected to die young.

The exercises were much the same as those I had seen in Constantinople three years before. The new pupils, such as myself, began with the series called Six Obligatory Exercises. I found them immensely exciting, and worked hard to master them quickly so that I could join in the work of the general class.”

John G. Bennett (1897–1974) British mathematician and author

Source: Witness: the Story of a Search (1962), p. 90–91 cited in: "Gurdjieff’s Temple Dances by John G. Bennett", Gurdjieff International Review, on gurdjieff.org; About Fontainebleau 1923

Life , Death , Women , Men

“We're going all the way, till the wheels fall off and burn, till the sun peels the paint and the seat covers fade and the water moccasins die.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Knocked Out Loaded (1986), Brownsville Girl (with Sam Shepard)

Way , Water , Sun , Painting

“The character of the artist has to be responsive and lucky. Personally I have never been interested in a defensible reason post card for working achievement functionally is a delusion. To do a needed work short changes art. It seems to me that a great part Indian moccasins of urgency in working lies in the fact that one acts freely friends and associates may become more closely allied with you real soon.”

Robert Rauschenberg (1925–2008) American artist

Quote from 'Note on Painting', Robert Rauschenberg, in Pop Art Redefined, October/November 1963, J. Rusell and Suzi Gablik, Praeger Publishers, New York, 1969
1960's

Art , Change , Parting , Personality