Quotes about eavesdropper

A collection of quotes on the topic of eavesdropper.

Quotes about eavesdropper

Rick Riordan photo
Winston S. Churchill photo
Fred Thompson photo
Andrew S. Tanenbaum photo

“Show me a congenital eavesdropper with the instincts of a peeping Tom, and I will show you the makings of a dramatist.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Pausing on the Stairs (1957)<!-- also quoted in Bartlett's Familiar Quotations (2014 edition) -->
Context: Useless, of course, to point out that the genesis of good plays is hardly ever abstract; that it tends, on the contrary, to be something as concrete and casual as a glance intercepted, a remark overheard, or an insignificant news item buried at the bottom of page three. Yet it is by trivialities like these that the true playwright's blood is fired. They spur him to story-telling; they bring on the narrative fit that is his glory and his basic credential. Show me a congenital eavesdropper with the instincts of a peeping Tom, and I will show you the makings of a dramatist. Only the makings, of course: curiosity about people is merely the beginning of the road to the masterpiece: but if that curiosity is sustained you will find, when the rules have been mastered and the end has been reached, that a miracle has happened.

Petina Gappah photo

“A lot of my writing is triggered by something true, either something I read in the papers, something I overheard—I am an inveterate eavesdropper—or something that happened in my very large, and very extended, family. And yet it is precisely those things that no one believes are real.”

Petina Gappah (1971) Zimbabwean writer, journalist and business lawyer

On what she typically writes about in “Exclusive interview: Petina Gappah speaks about the highs and lows of her writing career, and reveals details of her next book” https://johannesburgreviewofbooks.com/2017/09/04/exclusive-interview-petina-gappah-speaks-about-the-highs-and-lows-of-her-writing-career-and-reveals-details-of-her-next-book/ in the Johannesburg Review of Books (2017 Sep 4)