Quotes about diaphragm

A collection of quotes on the topic of diaphragm, breath, body, muscle.

Quotes about diaphragm

Michelle Phillips photo

“I didn’t feel comfortable with American children. I certainly knew more about sex and drugs by the time I was eleven than they would ever know. My father used to ask me when I was thirteen if I needed a diaphragm. I said, ‘No, Dad, really, I’m still a virgin.’ He said, ‘you let me know when you’re not.”

Michelle Phillips (1944) Singer, actress

On returning to California after having spent her early childhood in Mexico City, Rolling Stone no. 259 (February 23, 1978)

Children, Sex, Feeling, Time
Jon Stewart photo

“To the people who are upset about their hard-earned tax money going to things they don’t like: welcome to the f*cking club. Reimburse me for the Iraq war and oil subsidies, and diaphragms are on me!”

Jon Stewart (1962) American political satirist, writer, television host, actor, media critic and stand-up comedian

Money, War, People
George Biddell Airy photo

“The investigation of the form and brightness of the rings or rays surrounding the image of a star as seen in a good telescope, when a diaphragm bounded by a rectilinear contour is placed upon the object-glass, though sometimes tedious is never difficult. The expressions which it is necessary to integrate are always sines and cosines of multiples of the independent variable, and the only trouble consists in taking properly the limits of integration. Several cases of this problem have been completely worked out, and the result, in every instance, has been entirely in accordance with observation. These experiments… have seldom been made except by those whose immediate object was to illustrate the undulatory theory of light. There is however a case of a somewhat different kind; which in practice recurs perpetually, and which in theory requires for its complete investigation the value of a more difficult integral; I mean the usual case of an object-glass with a circular aperture. The desire of submitting to mathematical investigation every optical phænomenon of frequent occurrence has induced me to procure the computation of the numerical values of the integral that presents itself in this inquiry: and I now beg leave to lay before the Society the calculated table, with a few remarks upon its application.”

George Biddell Airy (1801–1892) English mathematician and astronomer

Star, Mathematics, Problem, Light
Ryū Murakami photo

“That’s what violence was: emotion leaking out from consciousness into the physical world, linking up with the muscles of the arms and shoulders and diaphragm and, inevitably, the face. Stifle emotion during an act of violence and the face becomes a blank, unreadable mask.”

Ryū Murakami book Audition

Source: Audition (1997), Chapter Twelve

World
Nancy Cartwright photo

“Rufus because my diaphragm gets a workout while trying to utilize the 18 vocal sounds a mole makes. Chuckie because […] he's an asthmatic with five personalities rolled into one—plus I have to do the voice the way [Christine Cavanaugh] did it for 10 years.”

Nancy Cartwright (1957) American actress

Quoted in [Voice behind Bart Simpson also lends her animated talents to other TV shows, The San Diego Union-Tribune, Knutzen, Eirik, (2002-08-18)]
In reference to voicing characters in Rugrats, whom she considers the most difficult.

Way, Personality

“(Cartoon title) Don't throw that old diaphragm away! (Sylvia at typewriter) Because it can be used as: 1. Doorknob cover (no need to worry about fingerprints ever again) 2. Bathtub stopper 3) Rainhat for cat 4. Small frisbee.”

Nicole Hollander (1939) Cartoonist

Source: Sylvia cartoon strip, p. 121

Cats
Andrew Ure photo

“of the body was immediately agitated with convulsive movements resembling a violent shuddering from cold. … On moving the second rod from hip to heel, the knee being previously bent, the leg was thrown out with such violence as nearly to overturn one of the assistants, who in vain tried to prevent its extension. The body was also made to perform the movements of breathing by stimulating the phrenic nerve and the diaphragm. When the supraorbital nerve was excited 'every muscle in his countenance was simultaneously thrown into fearful action; rage, horror, despair, anguish, and ghastly smiles, united their hideous expressions in the murderer's face, surpassing far the wildest representations of Fuseli or a Kean. At this period several of the spectators were forced to leave the apartment from terror or sickness, and one gentleman fainted.”

Andrew Ure (1778–1857) Scottish doctor and chemist

Andrew Ure (1819) Quart. J. Sci., vol. 6, pp. 283-294. quoted by: W.S.C. Copeman, (1951). "Andrew Ure, M.D., F.R.S. (1778-1857)". Proceedings of the Royal Society of Medicine. Royal Society of Medicine. 44 (8): pp. 658–59,

Fear, Smile, Rage, Despair
Robert Hooke photo

“Nor is this kind of Texture peculiar to Cork onely; for upon examination with my Microscope, I have found that the pith of an Elder, or almost any other Tree, the inner pulp or pith of the Cany hollow stalks of several other Vegetables: as of Fennel, Carrets, Daucus, Bur-docks, Teasels, Fearn, some kinds of Reeds &c., have much such a kind of Schematisme, as I have lately shewn that of Cork, save onely that here the pores are rang'd the long-ways, or the same ways with the length of the Cane, whereas in Cork they are transverse.
The pith also that fills that part of the stalk of a Feather that is above the Quil, has much such a kind of texture, save onely that which way foever I set this light substance, the pores seem'd to be cut transversly, so that I guess this pith which fills the Feather, not to consist of abundance of long pores separated with Diaphragms, as Cork does, but to be a kind of solid or hardned froth, or a congeries of very small bubbles consolidated in that form, into a pretty stiff as well as tough concrete, and that each Cavern, Bubble, or Cell, is distinctly separate from any of the rest, without any kind of hole in the encompassing films, so that I could no more blow through a piece of this kinde of substance, then I could through a piece of Cork, or the found pith of an Elder.”

Robert Hooke book Micrographia

Micrographia (1667) p. 115

Way, Tree, Light, Parting
Amit Chaudhuri photo

“… my mother will settle on the rug and unclip the bellows, pulling and pushing them with a mild aquatic motion with her left hand, the fingers of the right hand flowering upon the keys, the wedding-bangle suspended around her wrist. Each time the bellows are pushed, the round holes on the back open and close like eyes. Without the body music is not possible; it provides the hollow space for resonance as does the curved wooden box of the violin or the round urn of the sitar. At the moment of singing, breath tips in the swelling diaphragm as water does in a pitcher. The voice-box itself is a microscopic harp, its cords tautening and relaxing with each inflection.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Afternoon Raag (1993)

Music, Flowers, Wedding, Water
Robert Pinsky photo

“Poetry is the most bodliy of arts, the medium of poetry is the column of breath rising from the diaphragm in the individual's chest to be shaped into meaning sounds inside the mouth of whoever undertakes to say the poem.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

The Art of Poetry - interview 1995 with Downing & Kunitz

Art
Gautama Buddha photo

“Rahula, whatever internally, belonging to oneself, is solid, solidified, and clung-to, that is, head-hairs, body-hairs, nails, teeth, skin, flesh, sinews, bones, bone-marrow, kidneys, heart, liver, diaphragm, spleen, lungs, large intestines, small intestines, contents of the stomach, feces, or whatever else internally, belonging to oneself, is solid, solidified, and clung-to: this is called the internal earth element. Now both the internal earth element and the external earth element are simply earth element. And that should be seen as it actually is with proper wisdom thus: “This is not mine, this I am not, this is not my self.” When one sees it thus as it actually is with proper wisdom, one becomes disenchanted with the earth element and makes the mind dispassionate towards the earth element.”

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

Sutta 62, verse 8, p. 528
Source: Pali Canon, Sutta Pitaka, Majjhima Nikaya (Middle Length Discourses)

Wisdom, Heart
Vera Stanley Alder photo

“As soon as you have begun to master the diaphragm muscle, you can consider the rhythm of the breath. This must be gentle, even and deep, and have four stages; (1) pause for preparation, (counting three); (2) breathe in slowly, (counting three; (3) hold breath whilst absorbing life forces, (counting three) and (4) breathe out whilst spreading the new life all over the body (counting three). Then repeat the exercise. As soon as you feel able, increase the counts to four times four and gradually increase until you arc able to breathe to four times seven without strain.”

Vera Stanley Alder (1898–1984) British artist

Source: Humanity Comes of Age, A study of Individual and World Fulfillment (1950), Chapter XV The Essential Science of Breathing, p. 104

Time, Exercises, Life, Feeling
Vera Stanley Alder photo

“Correct breathing also performs a constant massage of the internal organs by raising them up and down, thus curing constipation when it is caused by faulty insufficient breathing (as is often the case) which holds the muscles of the abdomen in a static position. Therefore the first thing to do is to make sure that you know how to breathe from the physical standpoint, and how to control the muscle of the diaphragm. This muscle forms the dividing line between the chest and the stomach just below the ribs. Place the fingers upon the diaphragm muscle just below the ribs and under the centre breast bone. In this arched hollow lies the muscle upon which correct breathing depends. Take a slow breath, drawing the muscle upwards and inwards, following its movement with the fingers, fill the lungs with air right up to the collarbones. Then breathe out slowly whilst tucking the diaphragm still further inwards and upwards!”

Vera Stanley Alder (1898–1984) British artist

Source: Humanity Comes of Age, A study of Individual and World Fulfillment (1950), Chapter XV The Essential Science of Breathing

Drawing, Dependency