Quotes about cupola

A collection of quotes on the topic of cupola, put, thing.

Quotes about cupola

“The rich
Will make temples for Siva
what shall I, a poor man, do?
My legs are pillars,
the body the shrine,
the head the cupola of gold,
Listen, O! Lord:
Standing things shall fall,
that which moves shall stay”

Basava (1134–1196) a 12th-century Hindu philosopher, statesman, Kannada Bhakti poet of Lingayatism

[Chekki, Danesh A., Religion and Social System of the Vīraśaiva Community, http://books.google.com/books?id=x7JZMy1qntgC&pg=PA48, 1 January 1997, Greenwood Publishing Group, 978-0-313-30251-0, 48–]

“When I am tired of long, straight roof lines, why should I not introduce a cupola, especially where the cloud formation requires its support?.. Why should I not build my own towns to suit myself?”

Jacob Maris (1837–1899) Dutch painter

as cited in Landscape Painting and Modern Dutch Artists, E. B. Greenshields https://ia902605.us.archive.org/6/items/landscapepaintin00greeuoft/landscapepaintin00greeuoft.pdf; The Copp, Clark, Co. Limited, Toronto, 1906, p. 150 <br class="br">Jacob Maris painted many 'Dutch City' paintings, in which he combined different parts of the cities Amsterdam, Dordrecht, Delft and Rotterdam

“It is a pretty structure isn’t it? It makes you think of something solid, stable, well-linked. In fact it happens also in chemistry as in architecture that “beautiful” edifices, that is, symmetrical and simple, are also the most sturdy: in short, the same thing happens with molecules as with the cupolas of cathedrals of the arches of bridges.”

Primo Levi book The Periodic Table

On the structure of alloxan, in "Nitrogen".
The Periodic Table (1975)

Beauty, Thinking

“O’Hara was in his most non-stop way of talking, saying that the pictures put him in mind of Tiepolo [Spanish wall-painter, c. 1750]. Certain cupola frescoes. Suddenly I was working in an ancient building, a warehouse facing the Giudecca. The loft over the firehouse was transformed. It was filled with light reflected from the canal. [quote in 1955]”

Phillip Guston (1913–1980) American artist

Guston's quote; as cited in 'Ferguson', 1999, p. 18
1950 - 1960

Way, Quotes, Light

““…The temple of Nagarkot, which is outside the city, was taken at the very outset… On this occasion many mountaineers became food for the flashing sword. And that golden umbrella, which was erected on the top of the cupola of the temple, they riddled with arrows… And black cows, to the number of 200, to which they pay boundless respect, and actually worship, and present to the temple, which they look upon as an asylum, and let loose there, were killed by the Musulmans. And, while arrows and bullets were continually falling like drops of rain, through their zeal and excessive hatred of idolatry they filled their shoes full of blood and threw it on the doors and walls of the temple… the army of Husain Quli Khan was suffering great hardships. For these reasons he concluded a treaty with them… and having put all things straight he built the cupola of a lofty mosque over the gateway of Rajah Jai Chand.”186”

`Abd al-Qadir Bada'uni book Muntakhab-ut-Tawarikh

Jalalu’d-Din Muhammad Akbar Padshah Ghazi (AD 1556-1605) Nagarkot Kangra (Himachal Pradesh)
Muntakhab-ut-Tawarikh

Food, Shoe, Mountain, Suffering

“There is no doubt that Goya thought that one of the drugs chiefly responsible for the sleep of reason was the Church, and he had the lowest possible opinion of ecclesiastical institutions. However, this did not prevent him from painting religious pictures, completely sincerely because, like all Latin people, however little he believed in Christianity, he felt himself to be within the structure of the Catholic Church. One of his finest works was the decoration of a church near Madrid called S. Antonio de la Florida. He used the kind of device that would have appealed to Tiepolo. He painted a balcony round the drum of a cupola, and behind it he put a crowd of loiterers who are supposed to be watching the saint raise a man from the dead. Very few of them are interested in this unusual event. They are interested in each other or themselves, and show very well the curious tension between the individual and the collective, which is the essence of a crowd.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 3: Goya

People, Sleep, Painting, Sincerity