Quotes about breastplate

A collection of quotes on the topic of breastplate, head, work, working.

Quotes about breastplate

Leonardo Da Vinci photo
Giordano Bruno photo

“They dispute not in order to find or even to seek Truth, but for victory, and to appear the more learned and strenuous upholders of a contrary opinion. Such persons should be avoided by all who have not a good breastplate of patience.”

Giordano Bruno (1548–1600) Italian philosopher, mathematician and astronomer

"Introductory Epistle : Argument of the Third Dialogue"
On the Infinite Universe and Worlds (1584)
Context: After it hath been seen how the obstinate and the ignorant of evil disposition are accustomed to dispute, it will further be shewn how disputes are wont to conclude; although others are so wary that without losing their composure, but with a sneer, a smile, a certain discreet malice, that which they have not succeeded in proving by argument — nor indeed can it be understood by themselves — nevertheless by these tricks of courteous disdain they pretend to have proven, endeavouring not only to conceal their own patently obvious ignorance but to cast it on to the back of their adversary. For they dispute not in order to find or even to seek Truth, but for victory, and to appear the more learned and strenuous upholders of a contrary opinion. Such persons should be avoided by all who have not a good breastplate of patience.

Robert E. Howard photo
Kunti photo
Cormac McCarthy photo

“A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or saber done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses’ ears and tails worked with bits of brightly colored cloth and one whose horse’s whole head was painted crimson red and all the horsemen’s faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.”

Source: Blood Meridian (1985), Chapter IV

“Siward, the stalwart earl, being stricken by dysentery, felt that death was near, and said, "How shameful it is that I, who could not die in so many battles, should have been saved for the ignominious death of a cow! At least clothe me in my impenetrable breastplate, gird me with my sword, place my helmet on my head, my shield in my left hand, my gilded battle-axe in my right, that I, the bravest of soldiers, may die like a soldier." He spoke, and armed as he had requested, he gave up his spirit with honour.”
Siwardus, consul rigidissimus, pro fluuio uentris ductus mortem sensit imminere. Dixitque, "Quantus pudor me tot in bellis mori non potuisse, et uaccarum morti cum dedecore reseruarer! Induite me saltem lorica mea impenetrabili, precingite gladio. Sublimate galea. Scutum in leua. Securim auratam michi ponite in dextra, ut militum fortissimus modo militis moriar." Dixerat, et ut dixerat armatus honorifice spiritum exalauit.

Siwardus, consul rigidissimus, pro fluuio uentris ductus mortem sensit imminere. Dixitque, "Quantus pudor me tot in bellis mori non potuisse, et uaccarum morti cum dedecore reseruarer! Induite me saltem lorica mea impenetrabili, precingite gladio. Sublimate galea. Scutum in leua. Securim auratam michi ponite in dextra, ut militum fortissimus modo militis moriar."
Dixerat, et ut dixerat armatus honorifice spiritum exalauit.
Book VI, §24, pp. 378-81.
Historia Anglorum (The History of the English People)

Arundhati Roy photo

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

pages 232-233.
The God of Small Things (1997)