Quotes about success and happiness

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Dalida photo

“I believe that my dream has always been to become someone. To succeed in life, in the show, I did not know exactly what, but it was or singing or acting, or do cinema or theater… it was the show.”

Dalida (1933–1987) French singer, actress, model and beauty pageant titleholder

Source: http://dalidaideal.blogspot.com/2018/10/dalida-quotes.html

Mwanandeke Kindembo photo

“It's all true that education will make you intelligent. But it can't automatically make you a good person too.”

Mwanandeke Kindembo (1996) Congolese author

Karen Horney photo

“A perfectly normal person is rare in our civilization.”

Karen Horney (1885–1952) American-German psychoanalyst

Hedy Lamarr photo

“I win because I learned years ago that scared money always loses. I never care, so I win.”

Hedy Lamarr (1914–2000) Austrian-American actress and co-inventor of an early technique for spread spectrum communications and freq…

Popcorn in Paradise (1980)

Muhammad Yunus photo

“If you are born into a poor family, if you are a woman you have seen the worst of poverty. In a cultural way in the families in Bangladesh it's the women who eats last. So if you have a scarcity in the family … she misses out so everything comes in the raw deal for her. So, given a chance she works very hard to make a change to improve her life. And by training she is the most efficient manager of scarce resources. Because with the little resource she has, she has to stretch it as much as she can to look after the children, look after the family and everything else.. unlike men - men want to enjoy right away. Whatever he got, whatever tiny bit of thing he got he doesn't care for much what's coming up.”

Muhammad Yunus (1940) Bangladeshi banker, economist and Nobel Peace Prize recipient

"Interview with Prof. Muhammad Yunus" Australian Broadcasting Corporation (25 March 1997)

Anna Freud photo

“In our dreams we can have our eggs cooked exactly how we want them, but we can't eat them.”

Anna Freud (1895–1982) Austrian-British psychoanalyst & essayist

Keanu Reeves photo

“I never cared about the money, that's not why I started acting, and I never liked the fame. The paparazzi culture is more pervasive than it used to be, kind of: 'Let's watch the actor pump gas.' It's nice not to have to worry about bills, though.
It's a cliche that money doesn't buy you happiness, but it does buy you the freedom to live your life the way you want.”

Keanu Reeves (1964) Canadian actor, director, producer and musician

Mohamed Ould Ghazouani photo

“It is unimaginable how much the peoples of the region pay for the failure of a strong, efficient and integrated Maghreb union.”

Mohamed Ould Ghazouani (1956) Mauritanian former general and politician

Source: Mohamed Ould Ghazouani (2021) cited in " El Ghazouani: Mauritania Offers Hand in Restoring Ties Between Maghreb Countries https://www.moroccoworldnews.com/2021/12/346185/el-ghazouani-mauritania-offers-hand-in-restoring-ties-between-maghreb-countries" on Morocco World News, 24 December 2021.

Claude Monet photo

“I am working as hard as I possibly can, and do not even dream of doing anything except the cathedral. It is an immense task.”

Claude Monet (1840–1926) French impressionist painter

in a letter from to his art-dealer Durand-Ruel, 30 March 1893; as quoted in: Christoph Heinrich (2000), Monet, p. 57
1890 - 1900

Claude Monet photo

“Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.”

Claude Monet (1840–1926) French impressionist painter

As quoted in Claude Monet: Les Nymphéas (1926) by Georges Clemenceau, Ch. 2.
1920 - 1926

Claude Monet photo

“I won't be here long, I am working as hard as I can, as I told you [in a letter] yesterday, I am very happy to be here Etretat, Normandy] and I hope to come up with something good, in any case I will bring lots of studies back with me so I can work on some big things at home.”

Claude Monet (1840–1926) French impressionist painter

Quote in Monet's letter from Etretat to his second [future] wife Alice Hoschedé, 1883; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 51
1870 - 1890

Claude Monet photo

“I am distressed, almost discouraged, and fatigued to the point of slightly ill... Never have I been so unlucky with the weather. Never three suitable days in succession, so I have to be always making changes [in his paintings] for everything is growing and turning green. And I have dreamed of painting the Creuse [river in the South of France] just as we saw it... In short, by dint of changes I am following Nature without being able to grasp her, and then there is that river that shrinks, swells again, green one day, then yellow, sometimes almost dry, and which tomorrow will be a torrent, after the terrible rain that is falling at the moment. In fact, I am very worried. Write to me; I have a great need of comfort.”

Claude Monet (1840–1926) French impressionist painter

In his letter from Normandy to art-critic and friend Gustave Geffroy, 24 April 1889; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 129
1870 - 1890

Claude Monet photo

“Though I remained insensitive to the subtleties and delicate gradations of colour.... my eyes at least did not deceive me when I drew back and looked at the subject in its broad lines, and this was the starting-point of new compositions... Slowly I tried my strength in innumerable rough sketches which convinced me... I could see as clearly as ever when it came to vivid colours isolated in a mass of dark tones. How was I to put this to use? My intentions gradually became clearer... I said to myself, as I made my sketches, that a series of general impressions, captured at the times of day when I had the best chance of seeing correctly, would not be without interest. I waited for the idea to consolidate, for the grouping and composition of the themes to settle themselves in my brain little by little, of their own accord; and the day when I felt I held enough cards to be able to try my luck with a real hope of success, I determined to pass to action, and did so.”

Claude Monet (1840–1926) French impressionist painter

remark by Monet – between 1900 and 1920 – on his 'Water lilies' paintings; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 132
1900 - 1920

Claude Monet photo

“I am surrounded by a small group of young landscapists who will be very happy get to know you. Besides, they are real painters… I find myself very well fixed here. I am drawing figures at hard. And at the Academy, there are only landscapists. They begin to perceive that it's a good thing.”

Claude Monet (1840–1926) French impressionist painter

Quote of Monet, 1859 in a letter to his mentor Eugène Boudin; as cited in: John Rewald (1961) The History of Impressionism - Volume 1. p. 48
1850 - 1870

Claude Monet photo

“I was completely ignorant of the poetry of Poe; it is admirable, it is poetry itself, the dream, and how one feels that you have translated its soul! I am no more than a completely illiterate ignoramus, but am not any the less moved by it. I knew only Poe's prose, which I had read and admired very young before I had heard it spoken of, but how your poems complete and express the man he was”

Claude Monet (1840–1926) French impressionist painter

in his letter, 15 February 1889, (L. 911); as cited in Steven Z. Levine, ‎Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93
1870 - 1890

Claude Monet photo

“My dear Hoschedé, I do not know if in Paris it is the same weather as here, it is probable and so you will be able to understand my discouragement. I am heartbroken, and I absolutely must share with you all my disillusionment; for nearly two months, I have given myself a lot of trouble without result. You do not believe it perhaps, but it is so: I have not lost an hour and would have reproached myself to have taken even a day to come see our exhibition, just out of the fear of losing a single good painting session, an hour of sun. I alone can know my anxieties and the trouble that I give myself to finish canvases that don't even satisfy me and please so few people. In a word, I am absolutely discouraged, not seeing, not hoping in any future... I feel all too well the void that is being made around me and the impossibility of facing up to my part of our expenses if we were to continue living together... I see everything in black, in pain... Please believe all the sorrow that I have in causing you trouble.”

Claude Monet (1840–1926) French impressionist painter

In a letter to Ernest Hoschedé, May 15, 1879 (W, letter, 158); as cited in: Mary M. Gedo (2013) Psychoanalytic Perspectives on Art. p. 123
1870 - 1890

Claude Monet photo

“I can't hold out any longer and am in a state of utter despair. After a few days of good weather, it's raining again and once again I have had to put the studies I started to one side. It's driving me to distraction and the unfortunate thing is that I take it out on my poor paintings. I destroyed a large picture of flowers which I'd just done along with three or four paintings which I not only scraped down but slashed. This is absurd... Please be kind enough to have some money forwarded to me.”

Claude Monet (1840–1926) French impressionist painter

Quote in a letter from Pourville c. 1882, to his art-dealer Durand-Ruel; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 50
1870 - 1890

Claude Monet photo

“I have a dream a picture of the bathing spot at the Grenouillere, for which I've made a few poor sketches, but it is a dream. Renoir, who has just spent two months here, also wants to do this painting.”

Claude Monet (1840–1926) French impressionist painter

quote in a letter to Frédéric Bazille, September 25, 1869; as cited in: Bonafoux (1986, 72), cited in Michael P. Farrell (2003) Collaborative Circles: Friendship Dynamics and Creative Work. p. 42
1850 - 1870
Context: [Chopping wood] is harder than you think, and I'll bet that you would not split much wood... All the same, I have probably not reached the end of my troubles. Here is winter at hand, a season not very pleasant for the wretched. Then comes the Salon. Alas! I still won't be in it, for I shall have done nothing. I have a dream a picture of the bathing spot at the Grenouillere, for which I've made a few poor sketches, but it is a dream. Renoir, who has just spent two months here, also wants to do this painting.

Claude Monet photo

“I'm very happy, very delighted.... for I am surrounded here by all that I love. I spent my time out of doors.... and naturally I'm working all the time, and I think this year I'm going to do some serious things. And then in the evening, dear fellow, I come home to my little cottage to find a good fire and a dear little family... Dear friend, it's a delight to watch this person [his first son Jean, born in 1867] grow, and I am glad to have him to be sure…”

Claude Monet (1840–1926) French impressionist painter

in a letter to Frédéric Bazille: as cited by K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 22
1850 - 1870