
"Viewing the Waterfall at Mount Lu" (望庐山瀑布), trans. Burton Watson
The Controller, Mustapha Mond, in Ch. 16
Source: Brave New World (1932)
"Viewing the Waterfall at Mount Lu" (望庐山瀑布), trans. Burton Watson
Ain - I - Akbari Of Abul Fazl -i-allami Vol.ii. (ca. 1590) https://archive.org/stream/in.ernet.dli.2015.276273/2015.276273.Ain--_djvu.txt Quoted from Narain, Harsh (1993). The Ayodhya temple-mosque dispute: Focus on Muslim sources. Delhi: Penman Publishers. https://archive.org/details/TheAyodhyaTempleMosqueDisputeFocusOnMuslimSourcesHarshNarain
Source: The Gospel of Sri Ramakrishna (1942), p. 659
"De la Ligne" in La Difficulté d’Etre [The Difficulty of Being] (1947)
Context: What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.
Manmadin, The Indian Cupid. Floating down the Ganges from The London Literary Gazette (14th December 1822) Fragments in Rhyme VII
The Improvisatrice (1824)
'Inter-Allied Conference on Reparations, etc.', Miscellaneous No. 3 (1923), pp. 123-124, quoted in Étienne Mantoux, The Carthaginian Peace, or The Economic Consequences of Mr. Keynes (London: Oxford University Press, 1946), p. 23.
"Haiku and Englyn" in The Toronto Daily Star (4 April 1959), republished in The Enthusiasms of Robertson Davies (1979) edited by Judith Skelton Grant, p. 241.