“Make yourself an honest man, and then you may be sure that there is one less scoundrel in the world.”

Source: Hamlet

Source: East of Eden (1952)
Context: Maybe that's the reason," Adam said slowly, feeling his way. "Maybe if I had loved him I would have been jealous of him. You were. Maybe-maybe love makes you suspicious and doubting. Is it true that when you love a woman you are never sure-never sure of her because you aren't sure of yourself? I can see it pretty clearly. I can see how you loved him and what it did to you. I did not love him. Maybe he loved me. He tested me and hurt me and punished me and finally he sent me out like a sacrifice, maybe to make up for something. But he did not love you, and so he had faith in you. Maybe — why, maybe it's a kind of reverse.

The Autobiography of Margot Asquith (Harmondsworth: Penguin, 1963) p. 63. (1920).

The Great Infidels (1881)

February 1954 The Diary of Anaïs Nin, Vol. 5 as quoted in Woman as Writer (1978) by Jeannette L. Webber and Joan Grumman, p. 38
Diary entries (1914 - 1974)
Context: The artist is the only one who knows that the world is a subjective creation, that there is a choice to be made, a selection of elements. It is a materialization, an incarnation of his inner world. Then he hopes to attract others into it. He hopes to impose his particular vision and share it with others. And when the second stage is not reached, the brave artist continues nevertheless. The few moments of communion with the world are worth the pain, for it is a world for others, an inheritance for others, a gift to others, in the end. When you make a world tolerable for yourself, you make a world tolerable for others.
We also write to heighten our own awareness of life. We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely. We write as the birds sing, as the primitives dance their rituals. If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it. When I don't write, I feel my world shrinking. I feel I am in a prison. I feel I lose my fire and my color. It should be a necessity, as the sea needs to heave, and I call it breathing.

No. 387
Characteristics, in the manner of Rochefoucauld's Maxims (1823)

Source: The Warrior Within : The Philosophies of Bruce Lee (1996), p. 126