“It's the Joshua tree's struggle that gives it its beauty.”

Source: The Glass Castle

Last update June 3, 2021. History

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Jeannette Walls 50
American writer and journalist 1960

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“Let's be simple and calm,
Like the trees and streams,
And God will love us, making us
Us, even as the trees are trees
And the streams are streams,
And will give us greenness in the spring, which is its season,
And a river to go to when we end…
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Sejamos simples e calmos,
Como os regatos e as árvores,
E Deus amar-nos-á fazendo de nós
Belos como as árvores e os regatos,
E dar-nos-á verdor na sua primavera,
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“…that very loyalty to the past with its dream of beauty and with its real hardness and hardships. These things save us from what is the greatest peril of our age, the peril of materialism…. The struggle against materialism in the hearts of our people is one of the greatest struggles of this age.”

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“My inspiration has been drawn from trees, from waves, from clouds, from the sympathies that exist between passion and the storm, between gentleness and the soft breeze, and the like, and I always endeavour to put into my movements a little of that divine continuity which gives to the whole of nature its beauty and its life.”

Isadora Duncan (1877–1927) American dancer and choreographer

As quoted in Modern Dancing and Dancers (1912) by John Ernest Crawford Flitch, p. 105.
Context: To seek in nature the fairest forms and to find the movement which expresses the soul of these forms — this is the art of the dancer. It is from nature alone that the dancer must draw his inspirations, in the same manner as the sculptor, with whom he has so many affinities. Rodin has said: "To produce good sculpture it is not necessary to copy the works of antiquity; it is necessary first of all to regard the works of nature, and to see in those of the classics only the method by which they have interpreted nature." Rodin is right; and in my art I have by no means copied, as has been supposed, the figures of Greek vases, friezes and paintings. From them I have learned to regard nature, and when certain of my movements recall the gestures that are seen in works of art, it is only because, like them, they are drawn from the grand natural source.
My inspiration has been drawn from trees, from waves, from clouds, from the sympathies that exist between passion and the storm, between gentleness and the soft breeze, and the like, and I always endeavour to put into my movements a little of that divine continuity which gives to the whole of nature its beauty and its life.

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