Source: Diary of a Drug Fiend
Source: Our Modern Idol: Mathematical Science (1984), p. 95.
Three Worlds, Three Summers — But Not the Summer Just Past (1949).
Context: One might think, to hear some people talk, that this had been a particularly fine summer. From their point of view, I suppose, it has. They have rushed about the lakes in noisy little boats; they have permitted themselves to be dragged behind other little boats, standing more or less upright on ironing boards; they have immersed themselves in lakes into which countless summer cottage privies drain; they have laboriously pursued summer flirtations, and some of them have achieved gritty conquests on the sands; they have sat in hot little boats waiting to catch fish which they have then had to eat; they have passed many hours changing their skins from pinkish-drab to brown, erroneously believing that they are "storing up sunshine" against the winter months; they have motored penitential distances; they have taken thousands of feet of film of people whose names they will not be able to remember in November. They have amused themselves after their fashion, and I have no quarrel with them.
The Paris Review interview (1984)
Context: Beckett shows death; his people are in dustbins or waiting for God. (Beckett will be cross with me for mentioning God, but never mind.) Similarly, in my play The New Tenant, there is no speech, or rather, the speeches are given to the Janitor. The Tenant just suffocates beneath proliferating furniture and objects — which is a symbol of death. There were no longer words being spoken, but images being visualized. We achieved it above all by the dislocation of language. … Beckett destroys language with silence. I do it with too much language, with characters talking at random, and by inventing words.
The Evolution of the Physicist's Picture of Nature (1963)
Context: It seems that if one is working from the point of view of getting beauty in one's equations, and if one has really a sound insight, one is on a sure line of progress. If there is not complete agreement between the results of one's work and experiment, one should not allow oneself to be too discouraged, because the discrepancy may well be due to minor features that are not properly taken into account and that will get cleared up with further development of the theory.
Source: The Long Dark Tea-Time of the Soul (1988), Ch. 1
Context: It can hardly be a coincidence that no language on Earth has ever produced the expression "As pretty as an airport." Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (Murmansk airport is the only exception of this otherwise infallible rule), and architects have on the whole tried to reflect this in their designs.
Henri Bourassa, Fiery Politician, Dies, The Globe and Mail, September 1, 1952, page A1.
Sunday Times (18 November 1990).
Parliament (1974-1991)
Source: http://www.samedia.uovs.ac.za/cgi-bin/getpdf?id=2056613
Book II, Canto I, V Perspective.
The Angel In The House (1854)
On an interview with the Catalan Autonomous Television, just before politically coallitioning with Catalan, Canarian and Basque nationalists
Source: L' Aznar destrossant la llengua catalana http://www.youtube.com/watch?v=5m95BZOKDPs, December 2006.
The Real Frank Zappa Book (1989)
