“This is not something insignificant. This is real. This is happening, and this is ours.”

2000s, To Live Beyond Our Fear (2007)
Context: We have this window of opportunity; we have a chance to make something real happen. Something possible happen, to live beyond our fear — think about that, and help us. Help lift us up, help us fight this fight to change — transform — this country in a fundamental way.
This chance won’t come around again.

(J. Hudson Taylor. A Ribband of Blue and Other Bible Studies. London: China Inland Mission, n.d., 113).

X magazine (1959-62)
Context: The Art of painting is itself an intensely personal activity. It may be labouring the obvious to say so but it is too little recognised in art journalism now that a picture is a unique and private event in the life of the painter: an object made alone with a man and a blank canvas... A real painting is something which happens to the painter once in a given minute; it is unique in that it will never happen again and in this sense is an impossible object. It is judged by the painter simply as a success or failure without qualification. And it is something which happens in life not in art: a picture which was merely the product of art would not be very interesting and could tell us nothing we were not already aware of. The old saying, “what you don’t know can’t hurt you”, expresses the opposite idea to that which animates the painter before his canvas. It is precisely what he does not know which may destroy him.

Source: Summer Rain

Source: Memories of My Melancholy Whores

Ibid.
The Book of Disquiet
Original: A ideia de uma obrigação social qualquer [...] só essa ideia me estorva os pensamentos de um dia, e às vezes é desde a mesma véspera que me preocupo, e durmo mal, e o caso real, quando se dá, é absolutamente insignificante, não justifica nada; e o caso repete-se e eu não aprendo a aprender.

Source: Mockingjay

1960s, I've Been to the Mountaintop (1968)