
“I don't want you fellows sitting around asking me what to do. I want you to tell me what to do.”
To his staffers, as quoted in General of the Army : George C. Marshall, Soldier and Statesman (1991) by Ed Cray, p. 591
Source: The Longest Ride
“I don't want you fellows sitting around asking me what to do. I want you to tell me what to do.”
To his staffers, as quoted in General of the Army : George C. Marshall, Soldier and Statesman (1991) by Ed Cray, p. 591
" Greek finance minister: 'I don't know if we did the right thing' http://www.theguardian.com/business/video/2015/jul/16/greek-bailout-finance-minister-vote-video" (16 July 2015)
Kathy Acker: Where does she get off?
Context: I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex.
Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.
"Alien Dreamtime" a multimedia event recorded live. (27 February 1993)
Context: I remember the very, very first time that I smoked DMT. It was sort of a benchmark, you might say, and I remember that this friend of mine that always got there first visited me with this little glass pipe and this stuff which looked like orange mothballs. And since I was a graduate of Dr. Hofmann's, I figured there were no surprises. So the only question I asked is, 'How long does it last?' and he said, 'About five minutes.' So I did it and... [long pause, audience cheers] there was a something, like a flower, like a chrysanthemum in orange and yellow that was sort of spinning, spinning, and then it was like I was pushed from behind and I fell through the chrysanthemum into another place that didn't seem like a state of mind, it seemed like another place. And what was going on in this place aside from the tastefully soffited indirect lighting, and the crawling geometric hallucinations along the domed walls, what was happening was that there were a lot of ahh.. beings in there, what I call self-transforming machine elves. Sort of like jewelled basketballs all dribbling their way toward me. And if they'd had faces they would have been grinning, but they didn't have faces. And they assured me that they loved me and they told me not to be amazed; not to give way to astonishment. And so I watched them, even though I wondered if maybe I hadn't really done it this time, and what they were doing was they were making objects come into existence by singing them into existence. Objects which looked like Fabergé eggs from Mars morphing themselves with Mandaean alphabetical structures. They looked like the concrescence of linguistic intentionality put through a kind of hyper-dimensional transform into three-dimensional space. And these little machines offered themselves to me. And I realized when I looked at them that if I could bring just one of these little trinkets back, nothing would ever be quite the same again. And I wondered, Where Am I? And What Is Going On? It occurred to me that these must be holographic viral projections from an autonomous continuum that was somehow intersecting my own, and then I thought a more elegant explaination would be to take it at face value and realize that I had broken into an ecology of souls. And that somehow I was getting a peek over the other side. Somehow I was finding out that thing that you cheerfully assume you can't find out. But it felt like I was finding out. And it felt.. and then I can't remember what it felt like because the little self-transforming tykes interrupted me and said, "Don't think about it. Don't think about who we are... Think about doing what we're doing. Do it! Do it! DO IT NOW!!!"
And what they meant was use your voice to make an object. And as I understood, I felt a bubble kind of grow inside of me. And I watched these little elf tykes jumping in and out of my chest; they like to do that to reassure you. And they said, "Do it." And I felt language rise up in me that was unhooked from english, and I began to speak...
2011-03-09 interview with David Brody of the Christian Broadcasting Network, quoted in * 2011-03-09
Gingrich: Past Adultery 'Partially Driven By How Passionately I Felt About This Country' (Video)
Eric
Kleefeld
Talking Points Memo
http://tpmdc.talkingpointsmemo.com/2011/03/gingrich-past-adultery-partially-driven-by-how-passionately-i-felt-about-this-country-video.php
2011-03-31
2010s
2000s, Free Software: Freedom and Cooperation (2001)
Context: !-- I was getting 8 to 10 orders [for tapes of Emacs] a month. And, if necessary, I could have lived on just that, because --> I've always lived cheaply. I live like a student, basically. And I like that, because it means that money is not telling me what to do. I can do what I think is important for me to do. It freed me to do what seemed worth doing. So make a real effort to avoid getting sucked into all the expensive lifestyle habits of typical Americans. Because if you do that, then people with the money will dictate what you do with your life. You won't be able to do what's really important to you.<!-- line 422