“In art, those who have good taste, possess a fundamental quality during the realization of any work.”

—  Prevale

Original: In arte, chi ha buon gusto, possiede una qualità fondamentale durante la realizzazione di qualsiasi opera.
Source: prevale.net

Last update Feb. 8, 2024. History

Help us to complete the source, original and additional information

Do you have more details about the quote "In art, those who have good taste, possess a fundamental quality during the realization of any work." by Prevale?
Prevale photo
Prevale 1023
Italian DJ and producer 1983

Related quotes

Christian Dior photo

“Many people dismiss haute couture as being something that is only for those who are very wealthy… simplicity, good taste, and grooming are the three fundamentals of good dressing and these do not cost money.”

Christian Dior (1905–1957) French fashion designer

As cited in: Alison Behnke (2012) The Little Black Dress and Zoot Suits, p. 18
The Little Dictionary of Fashion, 1954

Aristotle photo

“Happiness, whether consisting in pleasure or virtue, or both, is more often found with those who are highly cultivated in their minds and in their character, and have only a moderate share of external goods, than among those who possess external goods to a useless extent but are deficient in higher qualities.”

Aristotle book Politics

Book VII, 1323b.1
Politics

“One must realize that, apart from considerations of color and form, there are two fundamentally different ways of regarding a medium of expression: one is based on taste only — an approach in which the external physical elements of expression are merely pleasingly arranged. This way results in decoration with no spiritual reaction. Arrangement is not art. The second way is based on the artist’s power of empathy, to feel the intrinsic qualities of the medium of expression. Through these qualities the medium comes to life... In this life, an intuitive artist discovers the emotive and vital substance which makes a work of art.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 46
Search for the Real and Other Essays (1948)

Giovanni Boccaccio photo

“To have compassion for those who suffer is a human quality which everyone should possess, especially those who have required comfort themselves in the past and have managed to find it in others.”

Giovanni Boccaccio book The Decameron

Source: The Decameron

André Maurois photo

“The art of resting is a part of the art of working. A man who is tired and greatly in need of rest cannot do any good work. We are all familiar with those terrible mornings after sleepless nights when our brains refuse to function. It would be useless then to attempt to apply the principles of the art of working. Those principles presuppose mind and body to be in good condition. The human organism cannot live without alternating work and rest.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Working

Nagarjuna photo

“To those possessed of breeding, learning, handsome looks,
Who have no wisdom, neither discipline, you need not bow.
But those who do have these two qualities,
Though lacking other virtues, you should revere.”

Nagarjuna (150–250) Indian philosopher

Letter to a Friend (Snow Lion: 2013), stanza 28

Max Planck photo

“Anybody who has been seriously engaged in scientific work of any kind realizes that over the entrance to the gates of the temple of science are written the words: Ye must have faith. It is a quality which the scientist cannot dispense with.”

Max Planck (1858–1947) German theoretical physicist

Where Is Science Going? (1932)

John Galsworthy photo

“Men fall, roughly speaking, into two flocks: Those whose intelligence is uninquiring in the face of Art, and does not demand to be appeased before their emotions can be stirred; and those who, having a speculative bent of mind, must first be satisfied by an enlightening quality in a work of Art, before that work of Art can awaken in them feeling. The audience of the realist is drawn from this latter type of man; the much larger audience of the romantic artist from the former; together with, in both cases, those fastidious few for whom all Art is style and only style, and who welcome either kind, so long as it is good enough.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

John Dewey photo

“Art is not the possession of the few who are recognized writers, painters, musicians; it is the authentic expression of any and all individuality. Those who have the gift of creative expression in unusually large measure disclose the meaning of the individuality of others to those others. In participating in the work of art, they become artists in their activity. They learn to know and honor individuality in whatever form it appears. The fountains of creative activity are discovered and released. The free individuality which is the source of art is also the final source of creative development in time.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Yves Klein photo

“At present, I am particularly excited by 'bad taste'. I have the deep feeling that there exists in the very essence of bad taste a power capable of creating those things situated far beyond what is traditionally termed 'The Work of Art.'”

Yves Klein (1928–1962) French artist

I wish to play with human feeling, with its 'morbidity' in a cold and ferocious manner. Only very recently I have become a sort of gravedigger of art (oddly enough, I am using the very terms of my enemies). Some of my latest works have been coffins and tombs. During the same time I succeeded in painting with fire, using particularly powerful and searing gas flames, some of them measuring three to four meters high. I use these to bathe the surface of the painting in such a way that it registered the spontaneous trace of fire.
Quote from Klein's 'Chelsea Hotel Manifesto', 1961; from the Yves Klein Archives - archived from the original on 15 January 2013; as cited on Wikipedia: Yves Klein
After the opening of his unsuccessful exhibition at Leo Castelli's Gallery, New York 1961, Klein stayed with Rotraut Uecker (fr) at the Chelsea Hotel for the duration of the exhibition. While there, he wrote the 'Chelsea Hotel Manifesto', a proclamation of the 'multiplicity of new possibilities'
1960 -1964

Related topics