
Arcesilaus, 12.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 4: The Academy
Original: In amore, se fosse utile esprimere la propria opinione, non ce lo lascerebbero fare.
Source: prevale.net
Arcesilaus, 12.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 4: The Academy
“Ah, love, let us be true
To one another!”
St. 4
Dover Beach (1867)
Context: Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
The Tragic Sense of Life (1913), XI : The Practical Problem
Context: More than a century ago, in 1804, in Letter XC of that series that constitutes the immense monody of his Obermann, Sénancour wrote the words which I have put at the head of this chapter — and of all the spiritual descendants of the patriarchal Rousseau, Sénancour was the most profound and intense; of all the men of heart and feeling that France has produced, not excluding Pascal, he was the most tragic. "Man is perishable. That may be; but let us perish resisting, and if it is nothingness that awaits us, do not let us so act that it shall be a just fate." Change this sentence from it negative to the positive form — "And if it is nothingness that awaits us, let us so act that it shall be an unjust fate" — and you get the firmest basis of action for the man who cannot or will not be a dogmatist.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 306.
Francis of Assisi, Rule of 1221, Rule 11 http://www.sacred-texts.com/chr/wosf/wosf06.htm/ - That the Brothers ought not to speak or detract, but ought to love one another.
Disputed, Preach the gospel, and if necessary, use words.
“So let love take us through the hours,
I won't be complainin'
'Cause this is love power.”
Off the Wall (1979)
The Usurpation Of Language (1910)
Context: Of all the media of expression employed by man (and let us never forget that they are many) none are so unstable, none so quick to change their meaning, as words. Even sculpture, architecture, painting, in their noblest works, speak differently under different conditions; but these arts are relatively immortal compared with speech.